Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

Здесь есть возможность читать онлайн «Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2012, Издательство: Picador, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

As he crossed from the terrace into the olive grove, Patrick imagined himself extolling to a group of neo-shamen and neo-shawomen the appropriateness, the challenge, and ‘I never would have believed this possible, but I have to use the word “beauty”, of coming back to this property in order to achieve closure in the letting-go process (sighs of appreciation). There was a time when I resented and, yes, I must admit, hated Seamus and the Foundation and my own mother, but my loathing has been miraculously transformed into gratitude, and I can honestly say (little catch in his throat) that Seamus has been not only a wonderful teacher and drum guide, but also my truest friend (the pitter-patter of applause and rattles).’

Patrick ditched his little fantasy with a sarcastic yelp and sat down on the ground with his back to the house, leaning against the knotted grey trunk of an old bifurcating olive tree that he had used all his life to hide and to think. He had to keep reminding himself that Seamus was not a straightforward crook who had cheated a little old lady out of her money. Eleanor and Seamus had corrupted each other with the extravagance of their good intentions. Seamus might have continued to do some good, changing bedpans in Navan – the only town in Ireland to be spelt the same way backwards – and Eleanor could have lived on Ryvita and given her income to the blind, or to medical research, or to the victims of torture, but instead they had joined forces to produce a monument of pretension and betrayal. Together they were going to save the world. Together they were going to heighten consciousness by dumbing down an already dangerously dumb constituency. Whatever good there was in Seamus was being destroyed by Eleanor’s pathological generosity, and whatever good had been in Eleanor was being destroyed by Seamus’s inane vision.

What had turned Eleanor into such a goody-goody? Patrick felt that Eleanor’s loathing for her own mother was at the root of her overambitious altruism. Eleanor had told him the story of being taken by her mother to her first big party. It took place in Rome just after the Second World War. Eleanor was a fifteen-year-old girl back for the holidays from her boarding school in Switzerland. Her mother, a rich American and a dedicated snob, had divorced Eleanor’s dissolute, charming and untitled father and married a dwarfish and ill-tempered French duke, Jean de Valencay, obsessed with questions of rank and genealogy. On the tattered stage of a near-communist Republic, and entirely subsidized by his wife’s recent industrial wealth, he was all the keener to insist on the antiquity of his bloodline. On the night of the party, Eleanor sat in her mother’s immense Hispano-Suiza, parked next to a bombed-out building, round the corner from the glowing windows of Princess Colonna’s house. Her stepfather had been taken ill but, languishing in an ornate Renaissance bed which had been in his family since his wife bought it for him the month before, he made his wife swear that she wouldn’t enter the Princess’s house until after the Duchessa di Dino, over whom she had precedence. Precedence, it turned out, meant that her mother had to arrive late. They waited in the car. In the front, next to the driver, was a footman, periodically sent round to check if the inferior Duchessa had arrived. Eleanor was a shy and idealistic girl, happier talking to the cook than to the guests who were being cooked for, but she was still quite impatient and curious about the party.

‘Can’t we just go? We’re not even Italian.’

‘Jean would kill me,’ said her mother.

‘He can’t afford to,’ said Eleanor.

Her mother froze with fury. Eleanor regretted what she had just said, but also felt a twinge of adolescent pride at giving precedence to honesty over tact. She looked out of the glass cage of her mother’s car and saw a tramp stumbling towards them in torn brown clothes. As he grew closer, she saw the skeletal sharpness of his face, the outsized hunger in his eyes. He shuffled up to the car and tapped on the window, pointing pleadingly to his mouth, raising his hands in prayer, pointing again to his mouth.

Eleanor looked over at her mother. She was staring straight ahead, waiting for an apology.

‘We’ve got to give him some money,’ said Eleanor. ‘He’s starving.’

‘So am I,’ said her mother, without turning her head. ‘If this Italian woman doesn’t show up soon, I’m going to go crazy.’

She tapped the glass separating her from the front seat and waved impatiently at the footman.

When they eventually got inside the house, Eleanor spent the party in her first flush of philanthropic fever. Her rejection of her mother’s values fused with her idealism to produce an intoxicating vision of herself as a barefoot saint: she was going to dedicate her life to helping others, as long as they weren’t related to her. A few years later, her mother speeded Eleanor along the path of self-denial by allowing herself to be bullied, as she lay dying of cancer, into leaving almost all of her vast fortune outright to Eleanor’s stepfather. He had protested that the original will, in which he only had the use of her fortune during his lifetime, was an insult to his honour since it implied that he might cheat his stepdaughters by disinheriting them. He, in turn, broke the promise he had made to his dying wife and left the loot to his nephew. Eleanor was by then too implicated in her spiritual quest to admit how bewildered she was about the loss of all that money. The resentment was being passed on to Patrick, carefully preserved like one of the antiques which Jean loved to collect at his wife’s expense. Her mother had liked dukes whereas Eleanor liked would-be witch doctors, but regardless of the social decline the essential formula remained the same: rip off the children for the sake of some cherished self-image, the grande dame, or the holy fool. Eleanor had pushed on to the next generation the parts of her experience she wanted to get rid of: divorce, betrayal, mother-hatred, disinheritance; and clung to an idea of herself as part of the world’s salvation, the Aquarian Age, the return to primitive Christianity, the revival of shamanism – the terms shifted over the years, but Eleanor’s role remained the same: heroic, optimistic, visionary, proud of its humility. The result of her psychological apartheid was to keep both the rejected and aspirant parts of herself frozen. On the night of that Roman party, she had borrowed some money from a family friend and dashed outside to find the starving tramp whose life she was going to save. A few corners later, she found that the streets had not recovered as quickly from six years of war as the merrymakers she had left behind. She couldn’t help feeling conspicuous among the rats and the rubble, dressed in her sky-blue ball gown with a large banknote gripped in her eager fist. Shadows shifted in a doorway, and a splash of fear sent her shivering back to her mother’s car.

Fifty-five years later, Eleanor still hadn’t worked out a realistic way to act on her desire to be good. She still missed the feast without relieving the famine. When things went wrong, and they always did, the bad experiences were not allowed to inform the passionate teenager; they were exiled to the bad-experience dump. A secret half of Eleanor grew more bitter and suspicious, so that the visible half could remain credulous and eager. Before Seamus there had been a long procession of allies. Eleanor handed her life over to them with complete trust and then, within a few hours of their last moment of perfection, they were suddenly rejected, and never mentioned again. What exactly they had done to deserve exile was never mentioned either. Illness was producing a terrifying confluence of the two selves which Eleanor had gone to such trouble to keep apart. Patrick was curious to know whether the cycle of trust and rejection would remain intact. After all, if Seamus crossed over into the shadows, Eleanor might want to dismantle the Foundation as vehemently as she had wanted to set it up. Maybe he could delay things for another year. There he was, still hoping to hang on to the place.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk»

Представляем Вашему вниманию похожие книги на «The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk»

Обсуждение, отзывы о книге «The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x