Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk: краткое содержание, описание и аннотация

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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Robert decided to ask his mother whether this was true, or whether Julia was being – well, like Julia. She came to stay every year with Lucy, her quite stuck-up daughter a year older than Robert. He knew his mother wasn’t wild about Julia, because she was an old girlfriend of his father’s. She felt a little bit jealous of her, but also a little bit bored. Julia didn’t know how to stop wanting people to think she was clever. ‘Really clever people are just thinking aloud,’ his mother had told him, ‘Julia is thinking about what she sounds like.’

Julia was always trying to throw Robert and Lucy together. The day before, Lucy had tried to kiss him. That was why he didn’t want to watch a video with her. He doubted that his front teeth would survive another collision like that. The theory that it was good for him to spend time with children of his own age, even if he didn’t like them, ground on. Would his father ask a woman to tea just because she was forty?

Julia was playing with the sugar again, spooning it back and forth in the bowl.

‘Since divorcing Richard,’ she said, ‘I get these horrible moments of vertigo. I suddenly feel as if I don’t exist.’

‘I get that!’ said Robert, excited that they had chosen a subject he knew something about.

‘At your age,’ said Julia, ‘I think that’s very pretentious. Are you sure you haven’t just heard grown-ups talking about it?’

‘No,’ he said, in his dazed by injustice voice, ‘I get it all on my own.’

‘I think you’re being unfair,’ said his father to Julia. ‘Robert has always had a capacity for horror well beyond his years. It doesn’t interfere with his being a happy child.’

‘Well, it does, actually,’ he corrected his father, ‘when it’s going on.’

‘Ah, when it’s going on,’ his father conceded with a gentle smile.

‘I see,’ said Julia, resting her hand on Robert’s. ‘In that case, welcome to the club, darling.’

He didn’t want to be a member of Julia’s club. He felt prickly all over his body because he wanted to take his hand away but didn’t want to be rude.

‘I always thought children were simpler than us,’ said Julia, removing her hand and placing it on his father’s forearm. ‘We’re like ice-breakers crashing our way towards the next object of desire.’

‘What could be simpler than crashing one’s way towards the next object of desire?’ asked his father.

Not crashing one’s way towards it.’

‘That’s renunciation – not as simple as it looks.’

‘It’s only renunciation if you have the desire in the first place,’ said Julia.

‘Children have plenty of desire in the first place,’ said his father, ‘but I think you’re right, it’s essentially one desire: to be close to the people they love.’

‘The normal ones want to watch Raiders of the Lost Ark as well,’ said Julia.

‘We’re more easily distracted,’ said his father, ignoring her last remark, ‘more used to a culture of substitution, more easily confused about exactly who we do love.’

‘Are we?’ said Julia, smiling. ‘That’s nice.’

‘Up to a point,’ said his father.

He didn’t really know what they were talking about now, but Julia seemed to have cheered up. Substitution must be something pretty wonderful. Before he got the chance to ask what it meant, a voice, a caring Irish voice, called out.

‘Hello? Hello?’

‘Oh, Christ,’ muttered his father, ‘it’s the boss.’

‘Patrick!’ said Seamus warmly, walking towards them in a shirt covered in palm trees and rainbows. ‘Robert,’ he greeted him, ruffling his hair vigorously. ‘Pleased to meet you,’ he said to Julia, fixing her with his candid blue eyes and his firm handshake. Nobody could accuse him of not being friendly.

‘Oh, it’s a lovely spot here,’ he said, ‘lovely. We often sit out here after a session, with everyone laughing or crying, or just being with themselves, you know. This is definitely a power point, a place of tremendous release. That’s right,’ he sighed, as if agreeing with someone else’s wise insight, ‘I’ve seen people let go of a lot of stuff here.’

‘Talking of “letting go of a lot of stuff ”,’ his father handed the phrase back to Seamus, held by the corner like someone else’s used handkerchief, ‘when I opened the drawer of my bedside table I found it so full of “Healing Drum” brochures that there was no room for my passport. There are also several hundred copies of The Way of the Shaman in my wardrobe which are getting in the way of the shoes.’

‘The Way of the Shoes,’ said Seamus, letting out a great roar of healthy laughter, ‘now that would be a good title for a book about, you know, staying grounded.’

‘Do you think that these signs of institutional life,’ continued his father coldly, rapidly, ‘could be removed before we come down here on holiday? After all, my mother does want the house to return each August to its incarnation as a family home.’

‘Of course, of course,’ said Seamus. ‘I apologize, Patrick. That’ll be Kevin and Anette. They were going through a very powerful personal process, you know, before going back to Ireland on holiday, and they obviously weren’t thorough enough in getting things ready for you.’

‘Are you also going back to Ireland?’ his father asked.

‘No, I’ll be in the cottage through August,’ said Seamus. ‘The Pegasus Press have asked me to write a short book about the shamanic work.’

‘Oh, really,’ said Julia, ‘how fascinating. Are you a shaman yourself?’

‘I had a look at the book that was in the way of my shoes,’ said his father, ‘and some obvious questions spring to mind. Have you spent twenty years being the disciple of a Siberian witch doctor? Have you gathered rare plants under the full moon during the brief summer? Have you been buried alive and died to the world? Have your eyes watered in the smoke of campfires while you muttered prayers to the spirits who might help you to save a dying man? Have you drunk the urine of caribou who have grazed on outcrops of Amanita muscaria and journeyed into other worlds to solve the mystery of a difficult diagnosis? Or did you study in Brazil with the ayahuascaras of the Amazon basin?’

‘Well,’ said Seamus, ‘I trained as a nurse with the Irish National Health.’

‘I’m sure that was an adequate substitute for being buried alive,’ said his father.

‘I worked in a nursing home for many years, doing the basics, you know: washing patients who were covered in their own faeces and urine; spoon-feeding old people who couldn’t feed themselves any more.’

‘Please,’ said Julia, ‘we’ve only just finished our lunch.’

‘That was my reality at the time,’ said Seamus. ‘I sometimes wondered why I hadn’t gone on to university and got the medical qualifications, but looking back I’m grateful for those years in the nursing home – they’ve helped to keep me grounded. When I discovered the Holotropic Breathwork and went to California to study with Stan Grof, I met some pretty out-there people, you know. I remember one particular lady, wearing a sunset-coloured dress, and she stood up and said, “I am Tamara from the Vega system, and I have come to the Earth to heal and to teach.” Well, at that point, I thought about the old people in the home in Ireland and I was grateful to them for keeping my feet firmly planted on the ground.’

‘Is holo … whatever you called it, a shamanic thing?’ asked Julia.

‘No, not really. That’s what I was doing before I got into the shamanic work, but it all ties in, you know. It gets people in touch with that something beyond, that other dimension. When people touch that, it can trigger a radical change in their lives.’

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