Edward Whittemore - Nile Shadows

Stern turned and gazed across the crypt. After a moment he began to speak in a faraway voice.

The Panorama used to be a restaurant, he said. It was right on the river, a cheap place, mostly a refuge for off-duty dragomen. A dirty open-air restaurant with trellises and vines and banks of flowers, and a pool where ducks paddled and a cage with squawking peacocks, and strong dark wine by the flagon and huge platters of spicy lamb. A century ago three young men got into the habit of spending long Sunday afternoons there, eating and drinking and talking and talking, and they liked it so much they always went back when they could later in life.

Ah, said Joe, so that's the Panorama being referred to. I've heard of that restaurant all right, but I never knew its proper name. And the three young men in question would have been your father, once called Strongbow, and Menelik and the Cohen of the day, the one who was later known as Crazy, before they all set out on their journeys. And they kept going back to that restaurant for a full four decades, as I understand it, and that was the legendary forty-year conversation on the banks of the Nile that Ahmad used to talk about. That I also heard about years ago in Jerusalem, for that matter.

Yes, mused Stern, it did last on and off for forty years, right up until my father became an Arab holy man and disappeared into the desert. But then toward the end of his long life he decided he wanted to see Menelik one last time, Cohen being dead by then, and he traveled up from the Yemen to Cairo and he and Menelik returned to their same old restaurant one Sunday afternoon, not long before the First World War.

And they found that sign waiting for them?

Yes, said Stern. That sign and an empty lot.

Joe whistled softly.

So how did they celebrate then? Did they go look for the restaurant?

Stern shook his head, his voice far away.

No, they didn't do that, they didn't go anywhere. They were too old to drink by then and too old to have any particular interest in food, and they knew each other so well there wasn't much point in even talking anymore. So what they did was sit down in that empty lot and rest their backs on that sign and spend the afternoon enjoying the view. Now and then one of them would chuckle over some memory that came to mind, first one of them and then the other, and that was how the afternoon passed. Then when the sun began to sink they got up and left the place, Menelik to return here to his sarcophagus, my father to return to his tent in the Yemen. And for them, that was the end of the nineteenth century.

Joe whistled very softly.

And there we have it straight out, he said. And after forty years of honest raucous talk beside the Nile, there hangs the sign of a tale in time, deep underground and out of sight. And it is amazing when you think of it, how such an immensity of swirling moments can reside in a legend as brief in the telling as that one.

And sure the Panorama did move. . and sure it has and does.

***

Suddenly Stern's manner changed. A dark mood seized him, some violent memory from over the years.

He lurched heavily to his feet and began pacing around the crypt, oblivious to Joe and everything else, his eyes working feverishly in the gloom, his thoughts fixed on some distant landscape.

Joe watched him in fascination. It's strange, he thought, how much Stern can look like a beggar when he wants to, how easy it is for him to become the very poorest of the poor or anything else. . And it was frightening as well, for there had always been something profoundly disturbing to Joe in Stern's sudden transformations.

Joe sat quietly watching, waiting, as Stern moved restlessly through the shadows. . A gaunt face hollowed to the bone, so lean no more could be dug from it. Hard slender hands and scarred feet and a faded cloak made threadbare by innumerable beatings on stone, weathered by a relentless sun until it was as soft and pale as the sands of the desert. But for Joe, there was more to Stern than just his striking appearance. There had always been a hunger haunting the man that knew no bounds, a fierce and pitiless hunger that could never be satisfied.

Here, now, Stern was a beggar in a crypt. And he is that beggar, thought Joe. With Stern it's never just a disguise. As he limps there in his rags, he is that wretchedly poor man with nothing.

Yet, as Joe also knew, Stern was truly many men in many places, truly a vast and changeable spirit who had ventured so deeply into the byways of the human soul that every sound he heard there had long ago become but an echo from his own heart. A strange and mystifying presence who had touched many lives, yet there were so few of them that Joe knew anything about. Years ago in Jerusalem there had been one or two, and again in Smyrna, and now in Cairo there were a few others, friends of Stern whose lives had always been involved with his wanderings, some even for a lifetime.

And Maud.

No one had been closer to Stern during these last years than she had, and yet it was only within the last twenty-four hours that Stern had sat down with her and told her about the massacres in Smyrna two decades ago, when Stern had picked up a knife and pulled back a little girl's head and made the sudden awful slash that had cut through his entire life, a terrible and merciful act but also just one among tens of thousands in Stern's turbulent life with its wrenching changes. . these few people in Cairo and Jerusalem and Smyrna the only ones Joe happened to know about. How many others had there been in other places? How many people helped in some small way by his devotion and love? How many lives marked through the years. . how many hearts touched by Stern?

A strange and restless soul, thought Joe, as he watched Stern pacing in the shadowy dimness of the vault.

Perhaps even a soul lingering on the stormbeaten threshold of sanctity.

For as the poet said, hadn't that threshold always been terrible?. . Even crime-haunted?

***

Suddenly Stern whirled.

I've got to get out of here. I can't stand it down here any longer.

Joe got to his feet.

Fine. Where do we go?

Stern thought for a moment.

There's a place I used to go to years ago when I was a student, a cheap Arab bar, I've been back there once or twice. It's small and out of the way and as safe as anywhere else. In fact it's not far from the Hotel Babylon, which is good. Bletchley won't be looking for us that close to home.

Fine. It doesn't have an old cracked mirror behind the counter, does it?

Yes, don't all bars? How else could we ponder that mysterious stranger who enters our lives whenever we sit alone and brood?

True. And by any chance, did you ever take Liffy to this bar?

I may have. Why?

Because if it's the same place, I was there with him this morning.

Stern stopped. He gazed at Joe and smiled.

That's curious.

You're right, it is, said Joe, also smiling. Well then, is it time to leave old Menelik's mausoleum on a clear Cairo night in 1942? Time, is it, as we used to say?

Yes. Just give me a minute.

Sure, said Joe, I'll just wander over and give Ahmad's miraculous printing press a last inspection. Who knows? After you and I leave here no one may ever see that magical machine again. This crypt may just stay locked forever and that may be the end of Greek leks and Albanian drachmas and Balkan reality in general, who can say. Odd money in any case, Ahmad's private tender. .

Joe kept talking as he walked away, talking and scraping his feet and shuffling, making noise. Out of the corner of his eye he saw Stern moving quickly in the other direction, his face to the side, not so much avoiding Joe as making it easier for Joe to avoid him. Joe stopped in front of the printing press and began turning a handle, turning and turning it, making noise.