Edward Whittemore - Jericho Mosaic

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The stunning conclusion to Edward Whittemore’s Jerusalem Quartet: The remarkable story of an Israeli agent who infiltrates Syrian intelligence, keying victory in the Six Day War. Yossi is an ideal agent for the Mossad—an Iraqi Jew, an idealist, and a charming loner, fluent in Arab dialects. Tajar, a brilliant agent, recruits and manages Yossi, code-named “the Runner.” Thus begins the longest-running and most successful operation in the history of Israeli intelligence. Yossi’s cover is Halim, a Syrian businessman who has returned home from Buenos Aires and whose charm inspires high-level friendships. His reputation leads to an opportunity that he can’t refuse: Tajar becomes a double agent infiltrating Syrian intelligence.
Meanwhile, in the desert oasis of Jericho, Abu Musa, an Arab patriarch, and Moses the Ethiopian, meet each day over games of shesh-besh and glasses of Arak to ponder history and humanity. We learn about the friendship of Yossi’s son, Assaf, an Israeli soldier badly wounded during the Six Day War, and Yousef, a young Arab teacher who, in support of the Palestinian cause, decides to live as an exile in the Judean wilderness.

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Eleven major banks were emptied. What every gang was after was the vault where the safe-deposit boxes were kept. Palestinian groups controlled by different Syrian secret services fought gun battles with each other in the streets for the right to break into the different banks. At first they tried to dynamite their way into the vaults, but they didn't know enough about it, so underworld professionals were flown in from Europe to do the job. The Christian militias, meanwhile, pillaged the port of its goods, most of which were subsequently shipped off to be sold in Iraq — with more profits for innumerable middlemen.

These stupendous robberies cost very little life. Killing and profit weren't always connected in Beirut. But outside the city it was a time of massacres, of women and children machine-gunned in villages — Christians by Palestinians and Moslems, Palestinians and Moslems by Christians. In Beirut everyone hurried through the streets and alleys carrying cheap cardboard suitcases, trying to escape somewhere with something. In the Levantine manner, both sides claimed every defeat was a victory and every atrocity an act of heroism.

The Syrian dictator was a fierce enemy of the PLO leadership. He had been helping the Christians but still the Christians were losing. Lebanon was disintegrating and no one in the Middle East wanted Palestinians and Moslem leftists to take over the country, at least no one with money or military power that counted, not the Saudis who heavily subsidized the Palestinians, and not the Syrians or the Israelis.

It was time for a peacekeeping force. The Syrian dictator offered his good offices. An arrangement was made through the Arab League and two Syrian army divisions were sent into Lebanon in 1976, to save the Christians and put down the Palestinians.

Halim's respect for the dictator's maneuvering had greatly increased since he had gone to work for Colonel Jundi in Lebanon. As Halim said to Tajar: Only a very clever mongoose actually gets invited into the pit to keep order among the snakes.

***

In fact Halim was horrified by the savagery of Lebanon. He talked about it with Tajar when they met near Beirut. He talked about it far too often with Ziad in Damascus. He even talked about it with Colonel Jundi at their frequent meetings in the little stone farmhouse overlooking the Bekaa valley. Halim had always thought he knew about war and death and brutality. He had learned about killing as a young man, and since then there had been years and more years to live with the reasons offered up to explain it by wise men, by cynical men, by commonplace frightened men.

He knew it was mostly meaningless. Grand causes were generally the cover: patriotism, family and tribe, honor. Or very personal causes: patriotism, family and tribe, honor. But even war at its purest, war in the desert — two groups of men who agreed to be soldiers and went off to hunt each other like animals through the wastes — even then most men were suddenly dead to no purpose, forever struggling up the wrong hill when the bullet came, or crouching terrified in a hole somewhere and gazing sadly at their left boot, their right boot, lost in a vast unspeakable loneliness at the moment the shell struck.

All that he knew. But the vicious chaos of Lebanon? These cruelties a thousand times a day? This boundless hatred and fear and self-destruction?

***

In Damascus, in the great central room of Halim's crumbling old house, Ziad stood in front of the fire with his hands out, trying to warm himself and quell his shivering. It was another winter, a year after they had taken their long somber walk in the snow beside the river. Gone now were Ziad's illusions of Beirut, the city of soft music and dancing and gentle laughter, of beautiful lights playing in the night on a Mediterranean harbor of sunsets. The heavy armor of Syrian tanks had brought a ceasefire of sorts to the Lebanese civil war, but what was gone was gone and there was no hope of peace.

Only the little area in front of the fire was warm and bright. The heat glowed on their faces but the rest of the room was a dim cavern of cold and darkness. Huge shadows loomed on the distant walls, distortions of the fire and the drafty room and the agitated gestures of Ziad, whose every movement before the fire set off giant configurations in the gloom. Halim was sitting beside the fire watching his friend and watching these unfathomable designs play across the ceiling and leap up the walls. Outside the wind howled through the garden, crackling the stiff fronds of the palm trees. Every so often a crash sounded through the gale as the wind tore away a branch and hurled it at the night. The whole house rattled and creaked, its very stones uneasy. Halim thought of the solitary broken statues in the darkness beyond the verandahs, each one alone in its grove and blind to the wild fury of the storm, solemnly guarding its secret memories of Greece or Rome or Byzantium.

I'm scared, Ziad was saying again. I've never been so scared. I used to think it was bad before but that was nothing compared to now. They kill people for no reason. They do things to them first, over and over and over.

I want to stop going there but I know I can't just say that. My captain wouldn't even laugh at me. He'd just pick up something and hit me over the head, hit me two or three times and stare at me. What do I have to complain about? I have a job, don't I? I get paid, don't I? I'm Syrian and not Lebanese, aren't I? Why am I whining? What do I have to whine about? . . .

As so often, it went on until a late hour in front of Halim's fire. Ziad was deeply disturbed and drinking more heavily. His shoulders twitched and his hands moved in rapid little jerks as he smoked cigarette after cigarette. And then there was the relentless wind, the huge room dark beyond the little circle of light, the blasts of cold night air and the hulking restless shadows which never stopped roaming the walls with their fantastic shapes.

Halim tried to comfort his friend. There wasn't much to say in words but he said what he could, and he knew the act of sharing Ziad's fear was itself important. That alone was a kind of escape from despair for his friend.

Halim understood this well enough, having long had the benefit of this sort of comfort from Tajar.

So in a way these long winter evenings beside Halim's fire could have been part of any friendship. Ziad was terrified by his place in life and Halim as his friend gave him what he could: attention and love, the strength of sharing, the embrace of his heart. In a small fire's glow, he helped keep back the dark immensity of the night.

But beyond that, it surprised Halim how much time he spent worrying about his friend. His own trips to Lebanon were frequent and complicated. His tasks were grave and there was always danger. Colonel Jundi was an extremely competent professional, a man of nuance who placed heavy demands upon him. It was true Halim had always been a solitary person who liked to be alone inside himself, but he still had to work very hard to satisfy Colonel Jundi and also be the Runner. It was never easy and whenever he left his house on another journey, there were always many details to consider each step of the way. To do less, to neglect any of the details, would be fatal.

Yet at home, crossing the great central room or roaming the verandahs, he found himself thinking again and again of Ziad: picturing some everyday event in his life, recalling an expression on his face or a nervous movement of his hands. These images returned obsessively to Halim, as if he were somehow compelled to see his friend's life more clearly than his own. Why was this so, he wondered? Was his friend's life a reflection of his own, or did his mind at least see it that way? Some kind of different and opposite image, as in a mirror? Because it was easier to see things in Ziad, rather than admit to them in himself?

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