Rupert Thomson - The Insult

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It is a Thursday evening. After work Martin Blom drives to the supermarket to buy some groceries. As he walks back to his car, a shot rings out. When he wakes up he is blind. His neurosurgeon, Bruno Visser, tells him that his loss of sight is permanent and that he must expect to experience shock, depression, self-pity, even suicidal thoughts before his rehabilitation is complete. But it doesn't work out quite like that. One spring evening, while Martin is practising in the clinic gardens with his new white cane, something miraculous happens…

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‘You missed dinner.’

‘I know. I went for a walk. I got lost.’

‘Have you been out all night?’

I nodded. ‘Yes.’

‘Did you sleep at all?’

‘I tried to. Under a tree.’

‘We used to sleep outside,’ she said, almost dreamily, ‘my brother and I. But we were young then and it was in the summer.’ She was sitting in her rocking-chair. I could hear the creak of it now, like breathing. ‘You should see yourself.’

I smiled faintly.

‘You know what would do you good?’ she said. ‘One of our special baths.’ There was a pump-room in the basement, she explained. Nobody had used it in a while, but she was sure that Mr Kanter could get it working. Mr Kanter was a part-time masseur. He’d learned some interesting techniques when he was abroad. It was just what I needed, in her opinion.

‘Maybe later,’ I said. ‘When I’ve slept a little.’

Upstairs in my room I drew the curtains. I took off my trousers and left them soaking in the basin, then climbed into bed. I was too tired to call Klaus; it would have to wait a few hours. The sheets were cold and the mattress sagged, but I could feel myself falling, sinking down — that long, parabolic drop into unconsciousness. Somewhere far away I heard the sound of spoons in cups and knives and forks on plates, as delicate and mysterious as an oriental language. The old people would be eating breakfast in the dining-room below.

Since there was no phone in my room, I used the one in the corridor. I called Directory Enquiries and they gave me a number. I sat there, with the receiver in my hand. It was Monday, a few minutes after six. Klaus Wilbrand always worked late. It was a good time to try him. When I dialled the broadcasting company, a woman answered. I asked for Klaus and she put me through.

‘Hello?’

‘Klaus, is that you?’

‘Who’s this?’

‘It’s Martin Blom.’

There was a shocked sound on the other end. It must’ve been at least two years since we’d spoken to each other.

‘Martin. Jesus. How are you?’

‘I’m fine. Listen, I want to —’

‘You were shot, weren’t you?’ His voice had incredulity in it, regret as well, and a kind of awe. It’s a special voice. People use it when they’re speaking to someone something bad has happened to.

‘That’s right. I was.’

‘Someone said you —’

‘Yes, yes. But listen, Klaus. I want to ask you something. It’s about television.’

‘OK …’ He sounded doubtful. Or perhaps it was just that I’d interrupted him. Well, I didn’t have all day, and this was important.

‘Say I was in a room,’ I said, ‘and I wanted to stop TV signals from coming in. How would I do it?’

‘Well, you’d have to insulate the room somehow.’

This was better. He was alert suddenly. Excited. It was his work we were talking about. I thought he was probably relieved, too, not to have to discuss the shooting, all that awkwardness.

‘How would I insulate it?’ I said.

He told me there were several ways. I would have to use a conductive material. Wire-mesh would do — though not just any wire-mesh, since the holes had to relate to the frequency of the signals.

‘And I attach it to the walls or what?’

‘That’s right,’ he said. ‘The ceiling and the floor as well.’

There was also something called metallic foil plaster-board, he went on. You could buy it at any do-it-yourself shop. Or I could even use plain old aluminium foil. If I covered the room in foil and then earthed it, that would work just fine.

‘How do you mean, earth it?’

He explained that all the panels of silver foil would have to be taped together, so they overlapped. Then I’d have to fix a screw into each panel and run a wire from the screws down to a plug in the wall. Or, better still, into a metal pipe embedded in the ground. I could use a meter to check that the flow of electrical current was continuous.

‘It wouldn’t be very sightly, of course,’ he said. ‘That’s why I suggested a metal cage of some kind. But the silver-foil method would be cheaper.’

‘And that would block the signals?’

‘Nothing would get through. Nothing at all.’

‘Klaus,’ I said, ‘you’re brilliant.’

He laughed. ‘When am I going to see you?’

‘Well, I’m up north at the moment …’ I promised to call when I got back, though I didn’t think I would. I thanked him for the information (that, at least, was perfectly sincere) and said goodbye.

I put the phone down and then I held my cane in both hands, parallel to the ground, and did a little dance in the corridor, just like they used to in the old musicals. I hummed a tune to go along with it. I could already imagine the scene in Walter Sprankel’s shop — the jangle of the bell, his eyes fidgeting above the till …

I would build myself a room out of aluminium foil and bits of wire and screws. It would be a silver room, and I’d live in it, insulated and at peace, spared all forms of interference. I’d see what I wanted to see. My thoughts would be my own.

I was still dancing when someone coughed behind me.

‘Mr Blom?’

‘Yes?’

‘Your sulphur bath is ready. Down in the pump-room. If you’d like to follow me …’

I glanced round. At the top of the stairs I saw a short, wooden looking man with ginger hair and a mole in the middle of his cheek. Mr Kanter, presumably. The masseur.

I beamed at him. ‘I’d be delighted to.’

That night I sat at the same round table, under the same pale-pink china lampshade. Nothing would ever be different in that room, no matter how long I stayed. I couldn’t imagine another guest, for instance. I couldn’t imagine it in summer.

The old people had eaten earlier, and I was alone with Mrs Hekmann. I thought she’d forgiven me for siding with the enemy, as she called it; in fact, she seemed to have forgotten all about it. I could feel her suspicion lifting with each minute that went by. Her hand moved forwards, into the light; her index-finger tapped her cigarette against the edge of the ashtray. She smelled of alcohol already; she must’ve started earlier than usual. I could see the kitchen doorway over her shoulder, a rectangle of yellow that was interrupted, every now and then, as the silhouette of Martha, her hired girl, passed through it.

‘And how was it,’ she said, ‘with Mr Kanter?’

I had to smile. ‘I’ve never come across anything quite like it.’

‘There’s nothing like it in that city of yours, I’m sure.’

‘Not that I know of.’ Like most people who live in the country, she wanted to be told that there was nowhere better, and I was quite happy to oblige.

‘I didn’t think so,’ she said.

It had been an unusual experience, to say the least. I’d followed Kanter down a flight of stairs, into the basement. Though he hardly spoke, there was an air of ritual about the whole procedure. In the pump-room two enamel baths stood side by side on a floor of wooden slats. He’d already filled one for me. The water was hot, he said, naturally hot, and sprang from almost directly underneath the building. It was beneficial for the joints, the muscles and, most of all, the skin. You could drink it, too, though the taste was, how should he put it, acquired. The water also fed the pool. People said it was red, but actually it was more of a brown colour.

‘It’s quite a smell,’ I said.

He chuckled and tugged absent-mindedly at one of his ears. ‘I’ve lived here so long, I don’t notice it.’

He left me alone while I took off my clothes and lowered myself into the bath. I was surprised at how quickly I became accustomed to the smell. I was surprised at the texture as well, until I remembered what Loots had said on our first night.

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