Rupert Thomson - Secrecy

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Secrecy: краткое содержание, описание и аннотация

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It is Florence, 1691. The Renaissance is long gone, and the city is a dark, repressive place, where everything is forbidden and anything is possible. The Enlightenment may be just around the corner, but knowledge is still the property of the few, and they guard it fiercely. Art, sex and power — these, as always, are the obsessions.
Facing serious criminal charges, Gaetano Zummo is forced to flee his native Siracusa at the age of twenty, first to Palermo, then Naples, but always has the feeling that he is being pursued by his past, and that he will never be free of it. Zummo works an artist in wax. He is fascinated by the plague, and makes small wooden cabinets in which he places graphic, tortured models of the dead and dying. But Cosimo III, Tuscany's penultimate Medici ruler, gives Zummo his most challenging commission yet, and as he tackles it his path entwines with that of the apothecary's daughter Faustina, whose secret is even more explosive than his.
Poignant but paranoid, sensual yet chilling, Secrecy is a novel that buzzes with intrigue and ideas. It is a love story, a murder mystery, a portrait of a famous city in an age of austerity, an exercise in concealment and revelation, but above all it is a trapdoor narrative, one story dropping unexpectedly into another, the ground always slippery, uncertain…

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Why hadn’t she stopped him?

Why hadn’t she gone first?

He had insisted, though, and there had been no mistaking his eagerness as he scurried over the tiles. He had believed in the potion to such an extent that she had begun to think it might actually work. Like Mimmo, she had wanted it to work. For those few seconds, his faith had converted her.

Then the air let go of him, and he vanished from sight, and there was a dull, ugly sound, like something collapsing. She rushed to the edge of the roof and peered over. Mimmo lay crumpled in the yellow grass. One of his legs had twisted back on itself; the skin had broken, and a piece of bone was showing.

She coughed twice and almost vomited, then she hurried back across the tiles. Down the ladder. Round the house. Out of the shadow, into the sun. Mimmo was still lying on the ground. His eyes were closed, and the fingers of his left hand were moving slowly, almost numbly, like insect feelers.

‘Did it work?’ His grey face made his lips look mauve. ‘Did I fly?’

‘I think so.’ She glanced over her shoulder. The roof was higher than she remembered. Above the tiled edge the blue sky seemed to lurch and tilt. ‘Yes. Just for a moment.’

His head moved sideways, and he was sick in the grass. Dark specks floated in the viscous fluid. Spiders’ legs. Rose dust. A rustle came from behind her. Looking round, she let out a cry. An old woman stood at her elbow. Her black clothes were so faded that they had gone brown, and her face was as cracked as a dropped plate. On her bald head she wore a hat made from a cabbage leaf. She began to speak, but Faustina couldn’t understand a word. The sounds were shapeless and morose. Like groans. She told Mimmo she would fetch help, then she turned and ran.

She made for Vespi’s house. He would know what to do. She talked to God the whole time she was running. Strange gabbled prayers. I’m sorry. I’m so sorry. Then: It’s not true. It can’t be. I must have imagined it. And then: You could have let him fly. Just once. Would that have been so difficult? And finally: He’s not going to die, is he? Please say he isn’t. She ran so fast she tasted blood.

Mimmo didn’t die, but he lost his leg. They cut it off, just above the knee.

A few days later, she called at the Righetti house. Mimmo’s father came to the door. Mimmo was still in hospital, he said, but they thought he would pull through.

She burst into tears. ‘It was all my fault.’

Mimmo’s father placed a hand on her shoulder. ‘He told me what happened. You were on the roof, and he was showing off. He went too near the edge.’

Mimmo had lied in order to protect her.

‘You’ve always been a good friend to him,’ Mimmo’s father said. ‘He looks up to you.’ He turned his eyes on her. Burst veins in the whites. Sagging lids. ‘He would never blame you.’

Her heart thumped. Did he know? Had he guessed? There was nothing worse than the feeling of being found out.

Before she left, he showed her the strap the barber-surgeon had wedged between Mimmo’s teeth before he operated. Mimmo had bitten clean through the leather.

Though Mimmo’s father told her that she was always welcome, she couldn’t bring herself to visit again. From that day on, she always turned right when she left her house, even if it meant going out of her way. If she saw Mimmo from a distance, stumping along on crutches his father must have made for him, she would duck down a side street, or else she would double back. And he, too, kept himself to himself. She could have said she was sorry, she supposed, but the longer her silence lasted the harder it became — and besides, he wasn’t the sort of person who would have expected an apology. Given that he had covered for her, it might even have offended him.

‘Actually, that’s nonsense,’ she said. ‘I was just a coward.’

Though there was still light in the sky, the shade in the garden had deepened. I stroked her arm, and all the tiny hairs stood up. She looked into my face.

‘I was a coward,’ she said again.

My hand moved to the smooth groove at the back of her neck. The colour of her eyes intensified, like embers when you blow on them, and my mouth found her mouth, my tongue was touching hers, and I thought I could taste salt, the almonds she had eaten earlier.

A sudden roar. The football match in Santa Croce.

We slid from the bench to the ground. She lay on her back, and I faced her, my cock against her hip. I reached under her skirts. Her breath caught on her teeth, and her eyelids lowered, her dark lashes resting lightly on the lavender skin beneath her eyes. I was seeing her in minute detail, as if through a magnifying glass. I ran my finger slowly from her perineum to her clitoris. I was hardly touching her at all, but the liquid inside her rose to meet my fingertip, her cunt a cup full to the brim. I could delay no longer. Her cries, though uttered next to my ear, sounded as faint and distant as birds flying high up in the air, birds not visible to the naked eye. Afterwards, we lay side by side, and stared up into a sky that seemed limitless.

‘That wasn’t the first time, was it?’ I said.

‘Yes. Well, no —’

I looked at her.

‘I was attacked once,’ she said. ‘When I was fourteen.’

There was a shifty-looking man who came through Torremagna every few months with a mule-drawn cart and a grindstone. He would always blow the same three haunting notes on his flute to let people know that he had arrived.

‘A knife-sharpener,’ I said.

Faustina nodded. ‘He didn’t used to stop at our house. Ginevra didn’t trust him.’

One day she was south of the village, in the hollow where the mill house was, when she heard him coming. He lifted his flute to his lips as he approached and played a set of notes she didn’t recognize. She asked him why the tune had changed. He would show her why, he said, and seized her by the wrist. He would cut her throat if she didn’t let him show her. He was grinning. His teeth were brown, but his shoulder-length hair was oddly clean and shiny. He pinned her to the back of his cart, her head jammed against the grindstone, and stuck his thing in her. Before he could finish, though, he cried out and dropped to the ground. Vespi stood behind him, wielding an axe-handle.

‘I didn’t know he was capable of something like that,’ she said.

‘I’m sorry,’ I said. ‘I shouldn’t have asked.’

‘He was so upset. I think he suffered more than I did.’

Darker now, almost black, the sky appeared to have a surface to it, like water. It was deep too, and for a few giddy moments I felt I was falling upwards, and that the stars would bounce off me as I passed, no heavier than hail-stones, and that I could fall like that for ever.

‘He would have been a good father to you,’ I said.

‘You think so? I never thought of it like that.’ She leaned on one elbow and looked down at me with a sudden earnestness. ‘If I asked you to take me away from here, would you do it?’

‘From Florence?’

‘Yes.’

‘But my work is here,’ I said, ‘and I’m being paid so well.’

‘What if I said I was in danger?’

‘What kind of danger?’

She lay back. ‘It’s all right. It was just an idea.’

‘No, really. Tell me.’

‘I shouldn’t have brought it up. We hardly know each other —’

The flatness in her voice told me I had missed a chance to prove something to her, and just then, as I looked at her, I would have promised her anything — anything at all.

‘Where would we go?’

I was desperately trying to regain the ground I had occupied only seconds earlier. It was like the moment in her story where she ran up the track with a head full of frantic, fractured prayers. But there was no way back. There never is. I realized that what she had called ‘an idea’ meant something incalculable to her. It had cost her an effort to put the question, and she had done so against her better judgement. My lukewarm response had disappointed her all the more because she had, at some deep level, predicted it. It was too late now to talk of Genoa or Paris.

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