Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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She stopped and allowed her eyes to flash at him. “I most certainly do know who I am,” she said, “and if you don’t know who you are, I’m ashamed of you.”

“Oh hell,” Julian said.

“Your great-grandfather was a former governor of this state,” she said. “Your grandfather was a prosperous landowner. Your grandmother was a Godhigh.”

“Will you look around you,” he said tensely, “and see where you are now?” and he swept his arm jerkily out to indicate the neighborhood, which the growing darkness at least made less dingy.

“You remain what you are,” she said. “Your great-grandfather had a plantation and two hundred slaves.”

“There are no more slaves,” he said irritably.

“They were better off when they were,” she said. He groaned to see that she was off on that topic. She rolled onto it every few days like a train on an open track. He knew every stop, every junction, every swamp along the way, and knew the exact point at which her conclusion would roll majestically into the station: “It’s ridiculous. It’s simply not realistic. They should rise, yes, but on their own side of the fence.”

“Let’s skip it,” Julian said.

“The ones I feel sorry for,” she said, “are the ones that are half white. They’re tragic.”

“Will you skip it?”

“Suppose we were half white. We would certainly have mixed feelings.”

“I have mixed feelings now,” he groaned.

“Well let’s talk about something pleasant,” she said. “I remember going to Grandpa’s when I was a little girl. Then the house had double stairways that went up to what was really the second floor — all the cooking was done on the first. I used to like to stay down in the kitchen on account of the way the walls smelled. I would sit with my nose pressed against the plaster and take deep breaths. Actually the place belonged to the Godhighs but your grandfather Chestny paid the mortgage and saved it for them. They were in reduced circumstances,” she said, “but reduced or not, they never forgot who they were.”

“Doubtless that decayed mansion reminded them,” Julian muttered. He never spoke of it without contempt or thought of it without longing. He had seen it once when he was a child before it had been sold. The double stairways had rotted and been torn down. Negroes were living in it. But it remained in his mind as his mother had known it. It appeared in his dreams regularly. He would stand on the wide porch, listening to the rustle of oak leaves, then wander through the high-ceilinged hall into the parlor that opened onto it and gaze at the worn rugs and faded draperies. It occurred to him that it was he, not she, who could have appreciated it. He preferred its threadbare elegance to anything he could name and it was because of it that all the neighborhoods they had lived in had been a torment to him — whereas she had hardly known the difference. She called her insensitivity “being adjustable.”

“And I remember the old darky who was my nurse, Caroline. There was no better person in the world. I’ve always had a great respect for my colored friends,” she said. “I’d do anything in the world for them and they’d…”

“Will you for God’s sake get off that subject?” Julian said. When he got on a bus by himself, he made it a point to sit down beside a Negro, in reparation as it were for his mother’s sins.

“You’re mighty touchy tonight,” she said. “Do you feel all right?”

“Yes I feel all right,” he said. “Now lay off.”

She pursed her lips. “Well, you certainly are in a vile humor,” she observed. “I just won’t speak to you at all.”

They had reached the bus stop. There was no bus in sight and Julian, his hands still jammed in his pockets and his head thrust forward, scowled down the empty street. The frustration of having to wait on the bus as well as ride on it began to creep up his neck like a hot hand. The presence of his mother was borne in upon him as she gave a pained sigh. He looked at her bleakly. She was holding herself very erect under the preposterous hat, wearing it like a banner of her imaginary dignity. There was in him an evil urge to break her spirit. He suddenly unloosened his tie and pulled it off and put it in his pocket.

She stiffened. “Why must you look like that when you take me to town?” she said. “Why must you deliberately embarrass me?”

“If you’ll never learn where you are,” he said, “you can at least learn where I am.”

“You look like a — thug,” she said.

“Then I must be one,” he murmured.

“I’ll just go home,” she said. “I will not bother you. If you can’t do a little thing like that for me…”

Rolling his eyes upward, he put his tie back on. “Restored to my class,” he muttered. He thrust his face toward her and hissed, “True culture is in the mind, the mind ,” he said, and tapped his head, “the mind.”

“It’s in the heart,” she said, “and in how you do things and how you do things is because of who you are .”

“Nobody in the damn bus cares who you are.”

“I care who I am,” she said icily.

The lighted bus appeared on top of the next hill and as it approached, they moved out into the street to meet it. He put his hand under her elbow and hoisted her up on the creaking step. She entered with a little smile, as if she were going into a drawing room where everyone had been waiting for her. While he put in the tokens, she sat down on one of the broad front seats for three which faced the aisle. A thin woman with protruding teeth and long yellow hair was sitting on the end of it. His mother moved up beside her and left room for Julian beside herself. He sat down and looked at the floor across the aisle where a pair of thin feet in red and white canvas sandals were planted.

His mother immediately began a general conversation meant to attract anyone who felt like talking. “Can it get any hotter?” she said and removed from her purse a folding fan, black with a Japanese scene on it, which she began to flutter before her.

“I reckon it might could,” the woman with the protruding teeth said, “but I know for a fact my apartment couldn’t get no hotter.”

“It must get the afternoon sun,” his mother said. She sat forward and looked up and down the bus. It was half filled. Everybody was white. “I see we have the bus to ourselves,” she said. Julian cringed.

“For a change,” said the woman across the aisle, the owner of the red and white canvas sandals. “I come on one the other day and they were thick as fleas — up front and all through.”

“The world is in a mess everywhere,” his mother said. “I don’t know how we’ve let it get in this fix.”

“What gets my goat is all those boys from good families stealing automobile tires,” the woman with the protruding teeth said. “I told my boy, I said you may not be rich but you been raised right and if I ever catch you in any such mess, they can send you on to the reformatory. Be exactly where you belong.”

“Training tells,” his mother said. “Is your boy in high school?”

“Ninth grade,” the woman said.

“My son just finished college last year. He wants to write but he’s selling typewriters until he gets started,” his mother said.

The woman leaned forward and peered at Julian. He threw her such a malevolent look that she subsided against the seat. On the floor across the aisle there was an abandoned newspaper. He got up and got it and opened it out in front of him. His mother discreetly continued the conversation in a lower tone but the woman across the aisle said in a loud voice, “Well that’s nice. Selling typewriters is close to writing. He can go right from one to the other.”

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