Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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We turned, Jinny leading me, into the little back study, “Mama’s office,” with the landscape wall-paper and the desk full-up with its immediacy of Daughters of the Confederacy correspondence. Tellie sashayed in with the work basket and then just waited, eyeing and placing us and eyeing the placing herself between us.

“Put it down, Tellie. Now you go on. Pull your mouth in, you hear me?” Jinny took the fancy little basket and flicked it open and fished in it. She found a button that belonged to me, and glanced up at Tellie.

“I hear you’s a mess.” Tellie went out.

Jinny looked at me. She pulled my hand up and I shot. I fired point blank at Jinny — more than once. It was close range — between us suddenly there was barely room for the pistol to come up. And she only stood threading the needle, her hand not deviating, not even shaken at the noise. The little heart-shaped gold and china clock on the mantel was striking — the pistol’s noise had not drowned that. I looked at Jinny and I saw her childish breasts, little pouting excuses for breasts, all sprung with bright holes where my bullets had gone. But Jinny did not feel it, the noise had veered off at the silly clock, and she threaded the needle. She made her little face of success. Her thread always went in its tiny hole.

“Hold still,” Jinny muttered softly between fixed lips. She far from acknowledged her pain — anything but sorrow and pain. Just as when she was angry, she sang some faraway song. For domestic talk her voice would lower to a pitch of utter disparagement. Disparagement that had all my life elated me. The little cheat. I waited unable to move again while she sewed dartingly at my sleeve; the sleeve to my helpless hand. As if I counted my breaths now I slowly exhaled fury and inhaled simple dismay that she was not dead on earth. She bit the thread. I was unsteady when her mouth withdrew. The cheat.

I could not, dared not say goodby to Jinny any more, and “Go get in the croquet,” she told me. She walked to the mirror in the hall, and began cutting at her hair.

I know Vera Lassiter darted in the room and her face lighted. “Mercy me,” she said, and in her mischief came up and fingered Jinny’s hair, the short soft curls. “Who’re you being now? Somebody’s little brother?”

But Jinny stood there at her mirrored face half smiling, so touchingly desirable, so sweet, so tender, vulnerable, touching to me I could hardly bear it, again I could not.

Old Tellie spat into the stove and clanged down an iron lid as I went out through the kitchen. She had spent so much time, twenty-seven years, saying she had brought Jinny into this world: “Born in dis hand.”

“No use for you atall you don’t whup her. Been de matter wid you? Where you been ?”

I found Maideen waiting out in the swing, and took her arm and led her down to the croquet where we all played Jinny’s game.

Dear God wipe it clean. Wipe it clean, wipe it out. Don’t let it be.

At last Mrs. Judge O’Leary caught hold of me in the hall. Do me a favor. Ran, do me a favor and put Bella out of her misery. None of these school teachers any better at it than I would be. And Judge too tenderhearted. You do it. Just do it and don’t tell us, hear?

Where have you been, son? — Nowhere, mother, nowhere. — If you were back under my roof I would have things just the way they were. Son, I wish you would just speak to me, and promise—

And I was getting tired, oh so tired, of Mr. Killigrew. I felt cornered when Maideen spoke, kindly as ever, about the workings of the ice house. Now I knew her mother’s maiden name. God help me, the name Parsons was laid on my head like the top teetering crown of a pile of things to remember. Not to forget, the name of Parsons.

I remember your wedding, Old Lady Hartford said at my window, poking her finger through the bars. Never knew it would turn out like this, the prettiest wedding in my memory. If you had all this money, you could leave town.

Maideen believed so openly — I believe she told Miss Callie — that I wanted to take her somewhere sometime by herself and have a nice time — like other people — but that I put it off till I was free. Still, she had eyes to see, we would run into Jinny every time, Jinny and Lonnie Dugan and the crowd. Of course I couldn’t help that, not in Sabina. And then always having to take the little Williams girl home at night. She was the bridge player; that was a game Maideen had never learned to play. Maideen — I never kissed her.

But the Sunday came when I took her over to Vicksburg.

Already on the road I began to miss my bridge. We could get our old game now, Jinny, Dugan, myself and often the little Williams child, who was really a remarkable player, for a Williams. Mama Stark of course would insist on walking out in stately displeasure, we were all very forward children indeed if we thought she would be our fourth, holding no brief for what a single one of us had done. So the game was actually a better one.

Maideen never interrupted our silence with a word. She turned the pages of a magazine. Now and then she lifted her eyes to me, but I could not let her see that I saw her wondering. I would win every night and take their money. Then at home I would be sick, going outdoors so the teachers would not wonder. “Now you really must get little Maideen home. Her mother will be thinking something awful’s happened to her. Won’t she, Maideen?”—Jinny’s voice. “I’ll ride with you”—the little Williams. Maideen would not have begun to cry in Jinny’s house for anything. I could trust her. Did she want to? She wasn’t dumb .

She would get stupefied for sleep. She would lean farther and farther over in her chair. She would never have a rum and coke with us, but she would be simply dead for sleep. She slept sitting up in the car going home, where her mama, now large-eyed, maiden name Parsons, sat up listening. I would wake her up to say I had got her home at last. The little Williams girl would be chatting away in the back seat, there and back wide awake as an owl.

Vicksburg: nineteen miles over the gravel and the thirteen little swamp bridges and the Big Black. Suddenly all sensation returned.

Sabina I had looked at till I saw nothing. Till the street was a pencil mark on the sky, a little stick. Maybe outside my eyes a real roofline clamped down still, Main Street was there the same, four red-brick scallops, branchy trees, one little cross, but if I saw it, it was not with love, it was a pencil mark on the sky. Sabina wasn’t there to me. If some indelible red false-fronts joined one to the other like a little toy train went by — I did not think of my childhood any more. Sabina had held in my soul to constriction. It was never to be its little street again.

I stopped my car at the foot of Vicksburg, under the wall, by the canal. There was a dazzling light, a water-marked light. I woke Maideen and asked her if she were thirsty. She smoothed her dress and lifted her head at the sounds of a city, the traffic on cobblestones just behind the wall. I watched the water-taxi come, chopping over the canal strip at us, absurd as a rocking horse.

“Duck your head,” I said to Maideen.

“In here?”

Very near across the water the island rose glittering against the sunset — a waste of willow trees, yellow and green strands that seemed to weave loosely one upon the other, like a basket that let the light spill out uncontrollably. We shaded our eyes to ride across the water. We all stood up bending our heads under the low top. The Negro who ran the put-put never spoke once, “Get in” or “Get out.” “Where are we going?” Maideen said. In two minutes we were touching the barge. Old ramshackle floating saloon fifty years old, with its twin joined to it, for colored.

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