Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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And they couldn’t fool me either. Because I had been watching the man all afternoon, even when he thought I was just playing and maybe because I was from Jefferson instead of Mottstown and so I wouldn’t know who he was. But I did, because once when he was walking past the back fence and he stopped and lit his cigar again and I saw the badge under his coat when he struck the match and so I knew he was like Mr. Watts at Jefferson that catches the niggers. So I was playing by the fence and I could hear him stopping and looking at me and I played and he said, “Howdy, son. Santy Claus coming to see you tomorrow?”

“Yes, sir,” I said.

“You’re Miss Sarah’s boy, from up at Jefferson, ain’t you?” he said.

“Yes, sir,” I said.

“Come to spend Christmas with your Grandpa, eh?” he said. “I wonder if your Uncle Rodney’s at home this afternoon.”

“No, sir,” I said.

“Well, well, that’s too bad,” he said. “I wanted to see him a minute. He’s downtown, I reckon?”

“No, sir,” I said.

“Well, well,” he said. “You mean he’s gone away on a visit, maybe?”

“Yes, sir,” I said.

“Well, well,” he said. “That’s too bad. I wanted to see him on a little business. But I reckon it can wait.” Then he looked at me and then he said, “You’re sure he’s out of town, then?”

“Yes, sir,” I said.

“Well, that was all I wanted to know,” he said. “If you happen to mention this to your Aunt Louisa or your Uncle Fred you can tell them that was all I wanted to know.”

“Yes, sir,” I said. So he went away. And he didn’t pass the house any more. I watched for him, but he didn’t come back. So he couldn’t fool me either.

IV

Then it began to get dark and they started to shoot the fireworks downtown. I could hear them, and soon we would be seeing the Roman candles and skyrockets and I would have the ten quarters then and I thought about the basket full of presents and I thought how maybe I could go on downtown when I got through working for Uncle Rodney and buy a present for Grandpa with a dime out of the ten quarters and give it to him tomorrow and maybe, because nobody else had given him a present, Grandpa might give me a quarter too instead of the dime tomorrow, and that would be twenty-one quarters, except for the dime, and that would be fine sure enough. But I didn’t have time to do that. We ate supper, and Rosie had to cook that too, and Mamma and Aunt Louisa with powder on their faces where they had been crying, and Grandpa; it was Papa helping him take a dose of tonic every now and then all afternoon while Uncle Fred was downtown, and Uncle Fred came back and Papa came out in the hall and Uncle Fred said he had looked everywhere, in the bank and in the Compress, and how Mr. Pruitt had helped him but they couldn’t find a sign either of them or of the money, because Uncle Fred was afraid because one night last week Uncle Rodney hired a rig and went somewhere and Uncle Fred found out Uncle Rodney drove over to the main line at Kingston and caught the fast train to Memphis, and Papa said, “Damnation,” and Uncle Fred said, “By God, we will go down there after supper and sweat it out of him, because at least we have got him. I told Pruitt that and he said that if we hold to him, he will hold off and give us a chance.”

So Uncle Fred and Papa and Grandpa came in to supper together, with Grandpa between them saying, “Christmas don’t come but once a year, thank God, so hooray for it,” and Papa and Uncle Fred saying, “Now you are all right, Pa; straight ahead now, Pa,” and Grandpa would go straight ahead awhile and then begin to holler, “Where in hell is that damn boy?” and that meant Uncle Rodney, and that Grandpa was a good mind to go downtown himself and haul Uncle Rodney out of that damn poolhall and make him come home and see his kinfolks. And so we ate supper and Mamma said she would take the children upstairs and Aunt Louisa said, “No,” Emmeline could put us to bed, and so we went up the back stairs, and Emmeline said how she had done already had to cook breakfast extra today and if folks thought she was going to waste all her Christmas doing extra work they never had the sense she give them credit for and that this looked like to her it was a good house to be away from nohow, and so we went into the room and then after a while I went back down the back stairs and I remembered where to find the screw driver too. Then I could hear the firecrackers plain from downtown, and the moon was shining now but I could still see the Roman candles and the skyrockets running up the sky. Then Uncle Rodney’s hand came out of the crack in the shutter and took the screw driver. I couldn’t see his face now and it wasn’t laughing exactly, it didn’t sound exactly like laughing, it was just the way he breathed behind the shutter. Because they couldn’t fool him.

“All right,” he said. “Now that’s ten quarters. But wait. Are you sure nobody knows where I am?”

“Yes, sir,” I said. “I waited by the fence until he come and asked me.”

“Which one?” Uncle Rodney said.

“The one that wears the badge,” I said.

Then Uncle Rodney cussed. But it wasn’t mad cussing. It sounded just like it sounded when he was laughing except the words.

“He said if you were out of town on a visit, and I said, Yes, sir,” I said.

“Good,” Uncle Rodney said. “By God, some day you will be as good a business man as I am. And I won’t make you a liar much longer, either. So now you have got ten quarters, haven’t you?”

“No,” I said. “I haven’t got them yet.”

Then he cussed again, and I said, “I will hold my cap up and you can drop them in it and they won’t spill then.”

Then he cussed hard, only it wasn’t loud. “Only I’m not going to give you ten quarters,” he said, and I begun to say, “You said—” and Uncle Rodney said, “Because I am going to give you twenty.”

And I said, “Yes, sir,” and he told me how to find the right house, and what to do when I found it. Only there wasn’t any paper to carry this time because Uncle Rodney said how this was a twenty-quarter job, and so it was too important to put on paper and besides I wouldn’t need a paper because I would not know them anyhow, and his voice coming hissing down from behind the shutter where I couldn’t see him and still sounding like when he cussed while he was saying how Papa and Uncle Fred had done him a favor by nailing up the door and window and they didn’t even have sense enough to know it.

“Start at the corner of the house and count three windows. Then throw the handful of gravel against the window. Then when the window opens — never mind who it will be, you won’t know anyway — just say who you are and then say ‘He will be at the corner with the buggy in ten minutes. Bring the jewelry.’ Now you say it,” Uncle Rodney said.

“He will be at the corner with the buggy in ten minutes. Bring the jewelry,” I said.

“Say ‘Bring all the jewelry,’” Uncle Rodney said.

“Bring all the jewelry,” I said.

“Good,” Uncle Rodney said. Then he said, “Well? What are you waiting on?”

“For the twenty quarters,” I said.

Uncle Rodney cussed again. “Do you expect me to pay you before you have done the work?” he said.

“You said about a buggy,” I said. “Maybe you will forget to pay me before you go and you might not get back until after we go back home. And besides, that day last summer when we couldn’t do any business with Mrs. Tucker because she was sick and you wouldn’t pay me the nickel because you said it wasn’t your fault Mrs. Tucker was sick.”

Then Uncle Rodney cussed hard and quiet behind the crack and then he said, “Listen. I haven’t got the twenty quarters now. I haven’t even got one quarter now. And the only way I can get any is to get out of here and finish this business. And I can’t finish this business tonight unless you do your work. See? I’ll be right behind you. I’ll be waiting right there at the corner in the buggy when you come back. Now, go on. Hurry.”

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