Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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He knew that now he would have to take a beating. It would last an hour or two hours, and it would be difficult, but if he modulated his inevitable resentment to the chastened attitude of the reformed sinner, he might win his point in the end. “Keep your temper,” he told himself. “You don’t want to be justified. You want Honoria.”

Lincoln spoke first: “We’ve been talking it over ever since we got your letter last month. We’re happy to have Honoria here. She’s a dear little thing, and we’re glad to be able to help her, but of course that isn’t the question—”

Marion interrupted suddenly. “How long are you going to stay sober, Charlie?” she asked.

“Permanently, I hope.”

“How can anybody count on that?”

“You know I never did drink heavily until I gave up business and came over here with nothing to do. Then Helen and I began to run around with—”

“Please leave Helen out of it. I can’t bear to hear you talk about her like that.”

He stared at her grimly; he had never been certain how fond of each other the sisters were in life.

“My drinking only lasted about a year and a half — from the time we came over until I — collapsed.”

“It was time enough.”

“It was time enough,” he agreed.

“My duty is entirely to Helen,” she said. “I try to think what she would have wanted me to do. Frankly, from the night you did that terrible thing you haven’t really existed for me. I can’t help that. She was my sister.”

“Yes.”

“When she was dying she asked me to look out for Honoria. If you hadn’t been in a sanitarium then, it might have helped matters.”

He had no answer.

“I’ll never in my life be able to forget the morning when Helen knocked at my door, soaked to the skin and shivering, and said you’d locked her out.”

Charlie gripped the sides of the chair. This was more difficult than he expected; he wanted to launch out into a long expostulation and explanation, but he only said: “The night I locked her out—” and she interrupted, “I don’t feel up to going over that again.”

After a moment’s silence Lincoln said: “We’re getting off the subject. You want Marion to set aside her legal guardianship and give you Honoria. I think the main point for her is whether she has confidence in you or not.”

“I don’t blame Marion,” Charlie said slowly, “but I think she can have entire confidence in me. I had a good record up to three years ago. Of course, it’s within human possibilities I might go wrong any time. But if we wait much longer I’ll lose Honoria’s childhood and my chance for a home. I’ll simply lose her, don’t you see?”

“Yes, I see,” said Lincoln.

“Why didn’t you think of all this before?” Marion asked.

“I suppose I did, from time to time, but Helen and I were getting along badly. When I consented to the guardianship, I was flat on my back in a sanitarium and the market had cleaned me out of every sou. I knew I’d acted badly, and I thought if it would bring any peace to Helen, I’d agree to anything. But now it’s different. I’m well, I’m functioning, I’m behaving damn well, so far as—”

“Please don’t swear at me,” Marion said.

He looked at her, startled. With each remark the force of her dislike became more and more apparent. She had built up all her fear of life into one wall and faced it toward him. This trivial reproof was possibly the result of some trouble with the cook several hours before. Charlie became increasingly alarmed at leaving Honoria in this atmosphere of hostility against himself; sooner or later it would come out, in a word here, a shake of the head there, and some of that distrust would be irrevocably implanted in Honoria. But he pulled his temper down out of his face and shut it up inside him; he had won a point, for Lincoln realized the absurdity of Marion’s remark and asked her lightly since when she had objected to the word “damn.”

“Another thing,” Charlie said: “I’m able to give her certain advantages now. I’m going to take a French governess to Prague with me. I’ve got a lease on a new apartment—”

He stopped, realizing that he was blundering. They couldn’t be expected to accept with equanimity the fact that his income was again twice as large as their own.

“I suppose you can give her more luxuries than we can,” said Marion. “When you were throwing away money we were living along watching every ten francs… I suppose you’ll start doing it again.”

“Oh, no,” he said. “I’ve learned. I worked hard for ten years, you know — until I got lucky in the market, like so many people. Terribly lucky. It didn’t seem any use working any more, so I quit. It won’t happen again.”

There was a long silence. All of them felt their nerves straining, and for the first time in a year Charlie wanted a drink. He was sure now that Lincoln Peters wanted him to have his child.

Marion shuddered suddenly; part of her saw that Charlie’s feet were planted on the earth now, and her own maternal feeling recognized the naturalness of his desire; but she had lived for a long time with a prejudice — a prejudice founded on a curious disbelief in her sister’s happiness, and which, in the shock of one terrible night, had turned to hatred for him. It had all happened at a point in her life where the discouragement of ill-health and adverse circumstances made it necessary for her to believe in tangible villainy and a tangible villain.

“I can’t help what I think!” she cried out suddenly. “How much you were responsible for Helen’s death, I don’t know. It’s something you’ll have to square with your own conscience.”

An electric current of agony surged through him; for a moment he was almost on his feet, an unuttered sound echoing in his throat. He hung on to himself for a moment, another moment.

“Hold on there,” said Lincoln uncomfortably. “I never thought you were responsible for that.”

“Helen died of heart trouble,” Charlie said dully.

“Yes, heart trouble.” Marion spoke as if the phrase had another meaning for her.

Then, in the flatness that followed her outburst, she saw him plainly and she knew he had somehow arrived at control over the situation. Glancing at her husband, she found no help from him, and as abruptly as if it were a matter of no importance, she threw up the sponge.

“Do what you like!” she cried, springing up from her chair. “She’s your child. I’m not the person to stand in your way. I think if it were my child I’d rather see her—” She managed to check herself. “You two decide it. I can’t stand this. I’m sick. I’m going to bed.”

She hurried from the room; after a moment Lincoln said:

“This has been a hard day for her. You know how strongly she feels—” His voice was almost apologetic: “When a woman gets an idea in her head.”

“Of course.”

“It’s going to be all right. I think she sees now that you — can provide for the child, and so we can’t very well stand in your way or Honoria’s way.”

“Thank you, Lincoln.”

“I’d better go along and see how she is.”

“I’m going.”

He was still trembling when he reached the street, but a walk down the Rue Bonaparte to the quais set him up, and as he crossed the Seine, dotted with many cold moons, he felt exultant. But back in his room he couldn’t sleep. The image of Helen haunted him. Helen whom he had loved so until they had senselessly begun to abuse each other’s love and tear it into shreds. On that terrible February night that Marion remembered so vividly, a slow quarrel that had gone on for hours. There was a scene at the Florida, and then he attempted to take her home, and then Helen kissed Ted Wilder at a table, and what she had hysterically said. Charlie’s departure and, on his arrival home, his turning the key in the lock in wild anger. How could he know she would arrive an hour later alone, that there would be a snowstorm in which she wandered about in slippers for an hour, too confused to find a taxi? Then the aftermath, her escaping pneumonia by a miracle, and all the attendant horror. They were “reconciled,” but that was the beginning of the end, and Marion, who had seen with her own eyes and who imagined it to be one of many scenes from her sister’s martyrdom, never forgot.

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