Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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“That’s my grandmother’s regalia,” I said to Rose of Sharon and Junior.

“How you know for sure?” Junior asked.

I didn’t know for sure, because I hadn’t seen that regalia in person ever. I’d only seen photographs of my grandmother dancing in it. And those were taken before somebody stole it from her, fifty years ago. But it sure looked like my memory of it, and it had all the same color feathers and beads that my family sewed into our powwow regalia.

“There’s only one way to know for sure,” I said.

So Rose of Sharon, Junior, and I walked into the pawnshop and greeted the old white man working behind the counter.

“How can I help you?” he asked.

“That’s my grandmother’s powwow regalia in your window,” I said. “Somebody stole it from her fifty years ago, and my family has been searching for it ever since.”

The pawnbroker looked at me like I was a liar. I understood. Pawnshops are filled with liars.

“I’m not lying,” I said. “Ask my friends here. They’ll tell you.”

“He’s the most honest Indian I know,” Rose of Sharon said.

“All right, honest Indian,” the pawnbroker said. “I’ll give you the benefit of the doubt. Can you prove it’s your grandmother’s regalia?”

Because they don’t want to be perfect, because only God is perfect, Indian people sew flaws into their powwow regalia. My family always sewed one yellow bead somewhere on our regalia. But we always hid it so that you had to search really hard to find it.

“If it really is my grandmother’s,” I said, “there will be one yellow bead hidden somewhere on it.”

“All right, then,” the pawnbroker said. “Let’s take a look.”

He pulled the regalia out of the window, laid it down on the glass counter, and we searched for that yellow bead and found it hidden beneath the armpit.

“There it is,” the pawnbroker said. He didn’t sound surprised. “You were right. This is your grandmother’s regalia.”

“It’s been missing for fifty years,” Junior said.

“Hey, Junior,” I said. “It’s my family’s story. Let me tell it.”

“All right,” he said. “I apologize. You go ahead.”

“It’s been missing for fifty years,” I said.

“That’s his family’s sad story,” Rose of Sharon said. “Are you going to give it back to him?”

“That would be the right thing to do,” the pawnbroker said. “But I can’t afford to do the right thing. I paid a thousand dollars for this. I can’t just give away a thousand dollars.”

“We could go to the cops and tell them it was stolen,” Rose of Sharon said.

“Hey,” I said to her. “Don’t go threatening people.”

The pawnbroker sighed. He was thinking about the possibilities.

“Well, I suppose you could go to the cops,” he said. “But I don’t think they’d believe a word you said.”

He sounded sad about that. As if he was sorry for taking advantage of our disadvantages.

“What’s your name?” the pawnbroker asked me.

“Jackson,” I said.

“Is that first or last?”

“Both,” I said.

“Are you serious?”

“Yes, it’s true. My mother and father named me Jackson Jackson. My family nickname is Jackson Squared. My family is funny.”

“All right, Jackson Jackson,” the pawnbroker said. “You wouldn’t happen to have a thousand dollars, would you?”

“We’ve got five dollars total,” I said.

“That’s too bad,” he said, and thought hard about the possibilities. “I’d sell it to you for a thousand dollars if you had it. Heck, to make it fair, I’d sell it to you for nine hundred and ninety-nine dollars. I’d lose a dollar. That would be the moral thing to do in this case. To lose a dollar would be the right thing.”

“We’ve got five dollars total,” I said again.

“That’s too bad,” he said once more, and thought harder about the possibilities. “How about this? I’ll give you twenty-four hours to come up with nine hundred and ninety-nine dollars. You come back here at lunchtime tomorrow with the money and I’ll sell it back to you. How does that sound?”

“It sounds all right,” I said.

“All right, then,” he said. “We have a deal. And I’ll get you started. Here’s twenty bucks.”

He opened up his wallet and pulled out a crisp twenty-dollar bill and gave it to me. And Rose of Sharon, Junior, and I walked out into the daylight to search for nine hundred and seventy-four more dollars.

1 P.M.

Rose of Sharon, Junior, and I carried our twenty-dollar bill and our five dollars in loose change over to the 7-Eleven and bought three bottles of imagination. We needed to figure out how to raise all that money in only one day. Thinking hard, we huddled in an alley beneath the Alaska Way Viaduct and finished off those bottles — one, two, and three.

2 P.M.

Rose of Sharon was gone when I woke up. I heard later that she had hitchhiked back to Toppenish and was living with her sister on the reservation.

Junior had passed out beside me and was covered in his own vomit, or maybe somebody else’s vomit, and my head hurt from thinking, so I left him alone and walked down to the water. I love the smell of ocean water. Salt always smells like memory.

When I got to the wharf, I ran into three Aleut cousins, who sat on a wooden bench and stared out at the bay and cried. Most of the homeless Indians in Seattle come from Alaska. One by one, each of them hopped a big working boat in Anchorage or Barrow or Juneau, fished his way south to Seattle, jumped off the boat with a pocketful of cash to party hard at one of the highly sacred and traditional Indian bars, went broke and broker, and has been trying to find his way back to the boat and the frozen north ever since.

These Aleuts smelled like salmon, I thought, and they told me they were going to sit on that wooden bench until their boat came back.

“How long has your boat been gone?” I asked.

“Eleven years,” the elder Aleut said.

I cried with them for a while.

“Hey,” I said. “Do you guys have any money I can borrow?”

They didn’t.

3 P.M.

I walked back to Junior. He was still out cold. I put my face down near his mouth to make sure he was breathing. He was alive, so I dug around in his blue jeans pockets and found half a cigarette. I smoked it all the way down and thought about my grandmother.

Her name was Agnes, and she died of breast cancer when I was fourteen. My father always thought Agnes caught her tumors from the uranium mine on the reservation. But my mother said the disease started when Agnes was walking back from a powwow one night and got run over by a motorcycle. She broke three ribs, and my mother always said those ribs never healed right, and tumors take over when you don’t heal right.

Sitting beside Junior, smelling the smoke and the salt and the vomit, I wondered if my grandmother’s cancer started when somebody stole her powwow regalia. Maybe the cancer started in her broken heart and then leaked out into her breasts. I know it’s crazy, but I wondered whether I could bring my grandmother back to life if I bought back her regalia.

I needed money, big money, so I left Junior and walked over to the Real Change office.

4 P.M.

Real Change is a multifaceted organization that publishes a newspaper, supports cultural projects that empower the poor and the homeless, and mobilizes the public around poverty issues. Real Change’s mission is to organize, educate, and build alliances to create solutions to homelessness and poverty. It exists to provide a voice for poor people in our community.

I memorized Real Change’s mission statement because I sometimes sell the newspaper on the streets. But you have to stay sober to sell it, and I’m not always good at staying sober. Anybody can sell the paper. You buy each copy for thirty cents and sell it for a dollar, and you keep the profit.

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