Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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“But surely there were other items.”

“The thought of eating an ox’s tail made me lose my appetite.”

When we arrived home, Mala opened up one of her suitcases, and presented me with two pullover sweaters, both made with bright blue wool, which she had knitted in the course of our separation, one with a V-neck, the other covered with cables. I tried them on; both were tight under the arms. She had also brought me two new pairs of drawstring pajamas, a letter from my brother, and a packet of loose Darjeeling tea. I had no present for her apart from the egg curry. We sat at a bare table, staring at our plates. We ate with our hands, another thing I had not yet done in America.

“The house is nice,” she said. “Also the egg curry.” With her left hand she held the end of her sari to her chest, so it would not slip off her head.

“I don’t know many recipes.”

She nodded, peeling the skin off each of her potatoes before eating them. At one point the sari slipped to her shoulders. She readjusted it at once.

“There is no need to cover your head,” I said. “I don’t mind. It doesn’t matter here.”

She kept it covered anyway.

I waited to get used to her, to her presence at my side, at my table and in my bed, but a week later we were still strangers. I still was not used to coming home to an apartment that smelled of steamed rice, and finding that the basin in the bathroom was always wiped clean, our two toothbrushes lying side by side, a cake of Pears soap resting in the soap dish. I was not used to the fragrance of the coconut oil she rubbed every other night into her scalp, or the delicate sound her bracelets made as she moved about the apartment. In the mornings she was always awake before I was. The first morning when I came into the kitchen she had heated up the leftovers and set a plate with a spoonful of salt on its edge on the table, assuming I would eat rice for breakfast, as most Bengali husbands did. I told her cereal would do, and the next morning when I came into the kitchen she had already poured the cornflakes into my bowl. One morning she walked with me down Massachusetts Avenue to MIT, where I gave her a short tour of the campus. The next morning before I left for work she asked me for a few dollars. I parted with them reluctantly, but I knew that this, too, was now normal. When I came home from work there was a potato peeler in the kitchen drawer, and a tablecloth on the table, and chicken curry made with fresh garlic and ginger on the stove. After dinner I read the newspaper, while Mala sat at the kitchen table, working on a cardigan for herself with more of the bright blue wool, or writing letters home.

On Friday, I suggested going out. Mala set down her knitting and disappeared into the bathroom. When she emerged I regretted the suggestion; she had put on a silk sari and extra bracelets, and coiled her hair with a flattering side part on top of her head. She was prepared as if for a party, or at the very least for the cinema, but I had no such destination in mind. The evening air was balmy. We walked several blocks down Massachusetts Avenue, looking into the windows of restaurants and shops. Then, without thinking, I led her down the quiet street where for so many nights I had walked alone.

“This is where I lived before you came,” I said, stopping at Mrs. Croft’s chain-link fence.

“In such a big house?”

“I had a small room upstairs. At the back.”

“Who else lives there?”

“A very old woman.”

“With her family?”

“Alone.”

“But who takes care of her?”

I opened the gate. “For the most part she takes care of herself.”

I wondered if Mrs. Croft would remember me; I wondered if she had a new boarder to sit with her on the bench each evening. When I pressed the bell I expected the same long wait as that day of our first meeting, when I did not have a key. But this time the door was opened almost immediately, by Helen. Mrs. Croft was not sitting on the bench. The bench was gone.

“Hello there,” Helen said, smiling with her bright pink lips at Mala. “Mother’s in the parlor. Will you be visiting awhile?”

“As you wish, Madam.”

“Then I think I’ll run to the store, if you don’t mind. She had a little accident. We can’t leave her alone these days, not even for a minute.”

I locked the door after Helen and walked into the parlor. Mrs. Croft was lying flat on her back, her head on a peach-colored cushion, a thin white quilt spread over her body. Her hands were folded together on top of her chest. When she saw me she pointed at the sofa, and told me to sit down. I took my place as directed, but Mala wandered over to the piano and sat on the bench, which was now positioned where it belonged.

“I broke my hip!” Mrs. Croft announced, as if no time had passed.

“Oh dear, Madam.”

“I fell off the bench!”

“I am so sorry, Madam.”

“It was the middle of the night! Do you know what I did, boy?”

I shook my head.

“I called the police!”

She stared up at the ceiling and grinned sedately, exposing a crowded row of long gray teeth. “What do you say to that, boy?”

As stunned as I was, I knew what I had to say. With no hesitation at all, I cried out, “Splendid!”

Mala laughed then. Her voice was full of kindness, her eyes bright with amusement. I had never heard her laugh before, and it was loud enough so that Mrs. Croft had heard, too. She turned to Mala and glared.

“Who is she, boy?”

“She is my wife, Madam.”

Mrs. Croft pressed her head at an angle against the cushion to get a better look. “Can you play the piano?”

“No, Madam,” Mala replied.

“Then stand up!”

Mala rose to her feet, adjusting the end of her sari over her head and holding it to her chest, and, for the first time since her arrival, I felt sympathy. I remembered my first days in London, learning how to take the Tube to Russell Square, riding an escalator for the first time, unable to understand that when the man cried “piper” it meant “paper,” unable to decipher, for a whole year, that the conductor said “Mind the gap” as the train entered each station. Like me, Mala had traveled far from home, not knowing where she was going, or what she would find, for no reason other than to be my wife. As strange as it seemed, I knew in my heart that one day her death would affect me, and stranger still, that mine would affect her. I wanted somehow to explain this to Mrs. Croft, who was still scrutinizing Mala from top to toe with what seemed to be placid disdain. I wondered if Mrs. Croft had ever seen a woman in a sari, with a dot painted on her forehead and bracelets stacked on her wrists. I wondered what she would object to. I wondered if she could see the red dye still vivid on Mala’s feet, all but obscured by the bottom edge of her sari. At last Mrs. Croft declared, with the equal measures of disbelief and delight I knew well:

“She is a perfect lady!”

Now it was I who laughed. I did so quietly, and Mrs. Croft did not hear me. But Mala had heard, and, for the first time, we looked at each other and smiled.

I like to think of that moment in Mrs. Croft’s parlor as the moment when the distance between Mala and me began to lessen. Although we were not yet fully in love, I like to think of the months that followed as a honeymoon of sorts. Together we explored the city and met other Bengalis, some of whom are still friends today. We discovered that a man named Bill sold fresh fish on Prospect Street, and that a shop in Harvard Square called Cardullo’s sold bay leaves and cloves. In the evenings we walked to the Charles River to watch sailboats drift across the water, or had ice cream cones in Harvard Yard. We bought a camera with which to document our life together, and I took pictures of her posing in front of the Prudential building, so that she could send them to her parents. At night we kissed, shy at first but quickly bold, and discovered pleasure and solace in each other’s arms. I told her about my voyage on the S.S. Roma , and about Finsbury Park and the YMCA, and my evenings on the bench with Mrs. Croft. When I told her stories about my mother, she wept. It was Mala who consoled me when, reading the Globe one evening, I came across Mrs. Croft’s obituary. I had not thought of her in several months — by then those six weeks of the summer were already a remote interlude in my past — but when I learned of her death I was stricken, so much so that when Mala looked up from her knitting she found me staring at the wall, unable to speak. Mrs. Croft’s was the first death I mourned in America, for hers was the first life I had admired; she had left this world at last, ancient and alone, never to return.

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