Louise Welsh - A Lovely Way to Burn

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It doesn't look like murder in a city full of death. A pandemic called 'The Sweats' is sweeping the globe. London is a city in crisis. Hospitals begin to fill with the dead and dying, but Stevie Flint is convinced that the sudden death of her boyfriend Dr Simon Sharkey was not from natural causes. As roads out of London become gridlocked with people fleeing infection, Stevie's search for Simon's killers takes her in the opposite direction, into the depths of the dying city and a race with death. A Lovely Way to Burn is the first outbreak in the Plague Times trilogy. Chilling, tense and completely compelling, it's Louise Welsh writing at the height of her powers.

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The act of eating seemed to wear her out and she curled up on the couch again, thinking about the soiled sheets and pillowcases she had stuffed beneath the bed, but lacking the strength to do anything about them. She turned on the television, and remembered the hang of Simon’s head, the sneer of the smile that was his and not his.

Stevie woke to the sound of Big Ben and the frantic jingle that announced the news. The headline story was of a cache of bomb-making material found in the home of a white supremacist somewhere in the Midlands. Stevie muted the sound, pulled her hair back, shoved her feet into her trainers and padded down to the shops beneath her apartment. It was cool outside. The stars were hidden by the sodium glow of the streetlamps but she thought she could feel their presence sharp and prickly in the firmament. She didn’t believe in God or an afterlife, but her mind was so full of Simon that it was as if she could feel him, standing just beyond her sightline, watching to see what she would do next.

‘I don’t fucking know what I’ll do,’ Stevie whispered, and then felt bad, though Simon would have laughed.

She bought a pint of milk, drank a glassful and went to bed in the spare room.

Stevie checked her mobile phone the next morning and discovered a screed of missed calls and texts. She spooled through them, wincing at the sight of Rachel the station producer’s number, repeated over and over like a warning. Then she curled up on the couch and turned on the television again. The bomb-making story had given way to an explosion in a fireworks factory somewhere in the Far East, the sound was too low for her to hear where. She worked her way through her messages, looking for Joanie’s name, wondering if her friend had mislaid yet another phone. Stevie wanted to tell Joanie about Simon, to dilute the shock of his death by saying it out loud.

The doorbell pealed, loud and insistent, ringing on longer than was polite. Stevie muttered, ‘Speak of the Devil and smell smoke.’ She padded through to the hallway, wondering how bad the apartment smelt and hoping Joanie didn’t have a bottle of Cava tucked in her bag. The bell rang again and she shouted, ‘I’m coming,’ in a voice that sounded torn.

The woman at the door was a little older than Stevie. She was dressed in a no-nonsense navy business suit and a frothy white blouse that made her look top-heavy.

‘I’m looking for Steven Flint.’

She held a large handbag, decorated with unnecessary gold chains and buckles and stamped with the Chanel logo, in front of her, as if preparing to ward off an attack, or perhaps launch one of her own.

Stevie took a step backwards, keeping a hand on the door, ready to close it. She said, ‘I’m sorry, I don’t buy things on the doorstep,’ even though she instinctively knew the woman wasn’t out to sell her anything.

‘I’m not here to try and persuade you to change gas suppliers.’ The woman’s laugh was harsh and incredulous, but there was an edge to it that told Stevie she was nervous. ‘This is the right address?’ She took a piece of paper from her pocket and looked at it. ‘Steven Flint does live here?’

‘What do you want?’

The woman hesitated and an expression that might have been sympathy flitted across her face. ‘Are you his wife?’

‘I’m Stevie Flint.’

It wasn’t the first time her name had led people astray. When she was a journalist, before the Internet had closed the newspaper she was working for and made all but freelance work (and precious little of that) impossible, it had occasionally opened doors.

The woman looked confused. ‘I was expecting a man.’

‘No, Stephanie Flint, Stevie for short.’

The woman stared at her and Stevie was reminded of a computer rebooting after a tricky download.

‘I’m Julia Sharkey, Dr Julia Sharkey, Simon Sharkey’s cousin.’ She faltered again. ‘He asked me to give you something.’ And a single tear trickled down the side of her cheek.

Stevie made them both a coffee, though she knew she wouldn’t be able to stomach hers, and they went through to the lounge. She saw Julia Sharkey taking in the room: the cream rug and the Heal’s couch; the Timorous Beasties blinds; the coffee table that was like the one Stevie preferred in John Lewis, but was actually from Ikea; the 1960s Ercol sideboard she had found on eBay.

The news was still running silently on the television. A shot of people in white cotton surgical masks crowding a city square somewhere in Asia cut to a view of a hospital ward, failing bodies laid out on rows of beds. Stevie lifted the remote and killed the screen dead.

She had opened a window and turned on the fan, but was sure that the smell of her own illness still permeated the flat. As if to prove her right, Julia Sharkey said, ‘You’ve been unwell?’

Stevie wanted Simon’s cousin to deliver whatever it was he had left for her, and then leave. But she summoned a smile and said, ‘Yes, I’m still a bit shaky, but I think the worst is over.’

Julia Sharkey got up from her seat, crossed to where Stevie was sitting and placed her hands either side of Stevie’s neck. ‘Tilt your head back for me, please.’ Her palms were cool and smooth, their pressure a comfort against Stevie’s skin. Julia’s fingers pressed a pathway along Stevie’s neck, and then slid towards her clavicles, gently kneading the soft tissue at the base of her throat. Her perfume was a blend of bright floral notes Stevie couldn’t identify. She said, ‘Tell me your symptoms.’

‘Vomiting, diarrhoea, fever. I thought I had Ebola.’ Stevie gave a small laugh. ‘I had lots of bad dreams – I suppose you might expect those under the circumstances – and a horrible rash.’

The uncertain woman who had faltered in the doorway had given way to an assured professional. Dr Sharkey asked, ‘Do you mind if I take a look?’

‘No.’ Stevie lifted the top of her tracksuit and exposed her stomach. ‘It’s a lot better than it was. The blisters have almost gone.’

‘I can see that.’ The doctor looked at her skin without touching her and then nodded at Stevie to cover up again. ‘Exactly how long was it from onset to recovery?’

‘I don’t know exactly. I didn’t feel too clever when I left work, but I was coming off night shift and I never feel very clever after that. I was sick for the first time when I got home. I was probably laid up for between fifty-two and sixty hours, if you count it from then.’

‘And you feel okay now?’

‘Like I said, a bit shaky, but basically I think I’m fine. I thought it was a reaction to the shock of Simon’s death.’

Stevie waited for the other woman to give her diagnosis, but Julia Sharkey simply said, ‘Well, you certainly look like you’re on the road to recovery.’ She crossed her legs, giving a quick glimpse of the red soles of her Louboutins, and pushed her coffee cup out of reach, as if ensuring that she didn’t absently take a sip. ‘The police told me that it was you who found Simon’s body.’

‘Yes.’

Stevie cradled her cup between her hands; the smell of the coffee revived the memory of her nausea, but the fan had made the room a little chilly and the feel of the warm china against her palms was comforting.

‘I wondered why you hadn’t got in touch with us, Simon’s family, but if you were unwell that would explain it.’

Stevie rubbed at a stain on the thigh of her tracksuit trousers.

‘Simon didn’t talk much about his family.’ She closed her eyes for a moment. When she opened them Julia Sharkey was still sitting in the armchair opposite, the cup of untouched coffee in front of her. ‘We hadn’t been going out for very long. I’m sure he would have introduced us eventually, if we’d stayed together, but I’m afraid that even if I had been well enough, I wouldn’t have known who to get in touch with.’

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