Louise Welsh - A Lovely Way to Burn

Something rumbled loud and mechanical from the river below. She leant against the parapet and saw a lone barge pushing its way through the water towards her, iron and steadfast. Stevie waited until it disappeared from sight beneath the bridge, and then watched it glide away from the city, raising plumes of spume in the oil-black water. The sound of its engines held her. She raised a hand to the vanishing barge, but its captain was busy correcting course to avoid an unmoored tourist ferry and there was no answering wave.

Stevie wondered if Dr Ahumibe would still be on duty, or if she was walking towards another corpse. Life was a losing race. The trick was to steer a straight path, choose a target and keep making towards it for as long as you could.

The front of the hospital was a gridlock of army trucks, ambulances and police cars. A group of soldiers stood on the pavement outside the entrance, smoking cigarettes. It was unclear if they were guarding the hospital, or had been ordered to contain infected people inside. They looked up as she passed, their faces grey and battle-weary, and she saw that they were armed. Stevie kept on walking, aware of their eyes on her, glad of her ugly haircut and Simon’s suit. She turned right, skirting the outside of the building. Apart from the soldiers, she had not seen a living soul since she had left the Jaguar. Were it not for the abandoned cars, the streets would be as empty as those of a small town on match day, after their team had unexpectedly made the League. Even if the guards let her through, the thought of the hospital’s foyer, and what she might find there, frightened her.

Somewhere a woman started to sing. She had a full-throated voice that could hit the high notes and then swoop so deep it might have belonged to a man. The tune sounded familiar, like a song Stevie had known and then forgotten, but the words were in a language she didn’t recognise. It was unsettling, the hidden singer, the lure of her voice, the words that might have been Scandinavian, or Arabic, or a language invented just for this song, gliding through the empty streets.

St Thomas’s Hospital was even larger than Stevie remembered. She tried a side entrance, but it was locked tight. The door’s glass window had splintered into a web of cracks, as if someone had tried to smash their way through. Stevie peered through the mazed pane, but all she could see was an empty corridor and a sign pointing the way to X-ray. Stevie’s ears strained for the slam of a car door, the sound of footsteps coming towards her, but there was nothing.

Not everyone had the virus, she reminded herself. She had passed other cars on her way to the hospital, had heard the singer and seen the soldiers, each one unquestionably alive. Dr Ahumibe had looked like a survivor. He would be waiting inside St Thomas’s and she would make him tell her what he knew about Simon’s death.

The loading bays around the back of the building were on a lower level from the pavement. Stevie kept close to the barrier and peered down into a car park reserved for emergency vehicles. Lines of abandoned ambulances snaked their way from the road to the hospital’s doors. Stevie caught a flash of movement and saw a soldier leaning against one of the vehicles. Even from a distance she could tell that he was sick, but instinct warned her to steer clear of men in uniform. She jogged on, keeping her body low.

Finally she found what she was looking for. A catering truck had been backed up to a delivery entrance, its rear doors open as if it was in the process of being unloaded. The driver, impatient with opening the delivery door each time he entered with a load, had used a brick to jam it open. A wedge of darkness was visible in the building beyond. Stevie waited for a moment to make sure that the driver wasn’t going to suddenly reappear. Then she stepped into the shadows, took Hope’s gun from her bag and slipped it into the pocket of Simon’s trousers. She had no idea if she would be able to shoot someone, even in self-defence, but it comforted her to know that she was armed.

Stevie edged slowly into the gloom of a dimly lit corridor, letting her eyes adjust to the darkness, ready to bolt at the first sign of danger. She was glad of the low light. It made her feel safer, her clothes black against the darkness, the gun in her pocket. Stevie took deep breaths, remembering her yoga classes, breathing in through her nose and out through her mouth. She could feel the weight of the building above her. The corridor’s low ceiling was lined with exposed pipes and the space hummed with white noise, as if it was the powerhouse of some oversized cruise ship.

A set of double doors, each fitted with a small porthole, lay ahead. Stevie peered through one of the windows. There was nothing in the corridor beyond, except for a metal trolley that looked as if it was used for ferrying patients’ meals. She slipped into the passageway. The white noise was louder here and Stevie wondered if she was nearing the boiler or some control centre. The thought made her wary. Her object was to get to the upper levels without being waylaid by anyone, and from there to Dr Ahumibe’s ward. She could see other rooms leading off the corridor now, pale doorways shining faintly in the gloom. She upped her pace. It smelt bad down there in the dark, a Third World stink. Stevie slipped her silk scarf from her bag, wrapped it around her nose and mouth, and took the gun from her pocket.

Something flitted, fast and sure, along the side of the wall and a small scream escaped her. Once she had seen one rat, she saw the others, a swift-moving river of sharp noses, undulating spines and sliding tails. She faltered, her back pressed against the wall, the gun still in her hand. The corridor was filled with the sound of claws scuttling against concrete and it was all she could do to keep her finger from squeezing the trigger. The loading bay was a small scrap of light at the end of the corridor. A rat ran over her foot. Stevie kicked out hard and started to sprint, away from the light and towards the next set of double doors. The rats parted to let her through and for a moment it was as if she was one of them. Stevie felt Simon’s trousers flapping at her ankles and let out a moan, imagining a rat scurrying up her leg. She grappled her phone from her bag, found the flashlight function, and turned it on. The corridor ahead shone with light and the rats seemed to pause for an instant, like an interrupted pulse in an electric current, and then she was through the double doors and into the next section of the building.

There were creatures there too. Stevie could hear them darting into corners, but she had left the pack behind. A set of stairs waited at the end of the corridor. Stevie paused to tuck Simon’s trousers into her socks. Her heart felt as if it was about to batter its way out of her chest.

‘Easy, easy, easy, easy.’ Her words were all breath.

The torch beam juddered against the walls and Stevie realised that her hands were trembling too much to hold the gun safely. She shoved it into her bag, took a deep breath and leant forward, her hands on her knees, gasping for air. Something moved in the dark, she straightened up and the torchlight sprang through an open doorway illuminating the room beyond. Stevie gave a gasp and swung the beam away, but the scene had imprinted itself on her eyes, like a digital photograph, captured in an instant.

Less than a fortnight ago she had been a presenter for a TV shopping channel. It wasn’t her dream job, but the pay was good, and Stevie had liked it well enough. She had had a boyfriend too, a nice guy, a doctor. He had been a little too inclined towards spontaneity for Stevie to be sure that their relationship would last, but he had been good fun, especially in bed. She knew that if their romance fell apart, she could turn to Joanie, a fine friend who knew what it was like to lose a man, and who would laugh about it with her, because what else could you do? It was gone, all of it, but her losses were nothing compared to what waited in the room ahead.