John Gardner - Jason and Medeia

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A mythological masterpiece about dedication and the disintegration of romantic affection. In this magnificent epic poem, John Gardner renders his interpretation of the ancient story of Jason and Medeia. Confined in the palace of King Creon, and longing to return to his rightful kingdom Iolcus, Jason asks his wife, the sorceress Medeia, to use her powers of enchantment to destroy the tryrant King Pelias. Out of love she acquiesces, only to find that upon her return Jason has replaced her with King Creon’s beautiful daughter, Glauce. An ancient myth fraught with devotion and betrayal, deception and ambition,
is one of the greatest classical legends, and Gardner’s masterful retelling is yet another achievement for this highly acclaimed author.

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in Medeia’s lap, sobbed as if her heart would burst.

The younger sister, too,

wept long and hard. Throughout all the house you could hear their lamentations.

“Medeia was the first to speak: ‘

Sister, you leave me speechless with your talk of curses

and furies.

How can I ease your heartache? As God is my judge,

Khalkiope—

and by earth and heaven, and by all the powers of

land and sea—

I will help you to save your sons with whatever strength

or skill

I have.’

“Then Khalkiope said, ‘Could you not devise some

scheme,

some cunning ruse that will save the stranger, for my

children’s sake?

He needs you as much as they do, Medeia. Oh, do not

be merciless!’

“The girl’s heart leaped, her cheeks crimsoned; her

eyes grew misty

with joyful tears. ‘Khalkiope, dearest, I’ll do anything

at all

to please my sister and her sons. May I never again see

morning

and no mortal see me in the world again if I place any

good

ahead of the lives of your sons, my beloved kinsmen.

Now go,

and bury my promise in silence. At dawn I will go to

the temple

with magic medicine for the bulls.’ Khalkiope left,

carrying

her news of success to her son. But Medeia, alone once

more,

was sick with shame and fear at her daring to plot

such things

in defiance of her father’s will.

“Night drew down darkness on the world;

on the ship the Argonauts looked toward the Bear and

the stars of Orion.

Wanderers and watchmen longed for sleep. The cloak of

oblivion

stilled both sorrow and laughter. At the edges of town,

dogs ceased

to bark, and men ceased calling one another. Silence

reigned

in the blackening gloom. But sleep did not come to

Medeia. More clear

than the bedroom walls, the stars beyond the window

frame,

she saw the great bulls, and Jason confronting them.

She saw him fall,

the great horns tearing at his bowels. And the maiden’s

poor heart raced,

restless as a patch of moonlight dancing up and down

on a wall

as the swirling water poured into a pail reflects it.

Bright tears

ran down her cheeks, and anguish tortured her, a

golden fire

in her veins. One moment she thought she would give

him the magic drug;

the next she thought, no, she would sooner die; and the

next she’d do neither,

but patiently endure. And so, as Jason had done before

Aietes,

she debated in painful indecision, her eyes clenched

shut. She whispers:

“ ‘Evil on this side, evil on that; and I have no choice but to choose between them. Would I’d been slain by

Artemis’ arrows

before I had ever laid eyes on that man! Some god,

some fury

must have brought him here with his cargo of grief and

shame. Let him

be killed, if that is his fate. And how can I get him

the drug

without my father’s knowledge of it? What story can

I tell

that his dragon’s eye won’t pierce?’ Then, suddenly

panicky, she thought:

‘Do I meet him alone? And speak with him? And even

if he dies,

what hope have I of happiness? Far blacker evils than any I toy with now will strike my heart if Jason dies! Enough! No more shame, no more glory! Saved

from harm,

let Jason sail where he pleases, and let me die. On the

day

of his triumph may my neck crack in a noose from

the rooftree, or may

I fall to the sly bite of poison.’ She saw it in her mind

and wept:

and saw that even in death she’d be taunted like mad

Jokasta,

who bucked in bed with her royal son, and every city, far or near, would ring with her doom — the wily little

whore

who threw away life for a stranger! Then better to

die,’ she thought,

this very night, in my room, slip out of the world

unnoticed,

still innocent.’

“She ran out quickly for the casket that held

her potions — some for healing, others for destruction—

and placing

the casket on her knees, she bent above it and wept.

Tears ran

unchecked down her cheeks, and she saw her corpse

stretched out in state,

beautiful and tragic. The city howled, and fierce Aietes tore out his hair in tufts and cursed his wickedness, he who’d brought his daughter to this sad pass. She

was now

determined to snatch some poison from the box and

swallow it,

and in a moment she was fumbling with the lid in her

sorrowing eagerness …

but suddenly paused. Clear as a vision, she had seen

death,

at the corner of her eye. An empty room, a curtain

blowing,

some dim memory or snatch from a dream … There

was icy wind

whistling in the walls of her skull, collapsing her chest

like the roof

of an abandoned palace. And now the pale child’s lip

trembled.

She thought of her playmates — more girl than woman—

and the scent of fire

in the temple, and of caracolling birds and of newly

hatched birds in their nests

in the plane trees, cheeping to heaven. And all at once

it seemed

she had no choice but to live, because life was love—

every field

and hillside shouted the same — and love was Jason.

“She rose,

put the box in its place. Irresolute no longer, she waited for dawn, when she could meet him, deliver the drug to

him

as promised. Time after time she would suddenly open

her eyes

believing it must be morning, but the room was black.

“At length

dawn came. Now the tops of the mountains were alight,

and now the spring-

green stath where the flamebright river flowed past

long-shadowed trees,

and now there were sounds in the peasant huts, the

stone and wattle

barns. Medeia was filled with joy, as if risen from the

dead,

and her mind went hungrily to meet the light, the smell

of new blossoms,

and newploughed ground and the sweat of horses. And

she whispered, ‘Yes,’

and was ready.

“She gathered the flamebright locks that swirled past

her shoulders,

washed the stains from her tear-puffed cheeks and

cleansed her skin

with an ointment clear as nectar. She put on a beautiful

robe

with cunning broaches, and draped a silvery veil across her forehead and hair, all quickly, deftly, moving about oblivious to imminent evils, and worse to come.

“She called

her maidens, the twelve who slept in the ante-chamber

of Medeia’s

room, and told them to yoke white mules to her chariot

at once,

as she wished to drive to the splendid temple of

Hekate.

And while they were making the chariot ready, she

took out a drug

from her casket. He who smoothed it on his skin, after

offering prayer

to Hekate, would become for that one day invulnerable. She had taken the drug from flowers that grew on twin

stalks

a cubit high, of saffron color. The root was like flesh that has just been cut, and the juice was like sap from a

mountain oak.

The dark earth shook and rumbled underneath her

when Medeia cut

that root, for the root was beloved of the queen of the

dead.

“She placed

the salve in the fragrant band that girdled her, beneath

her bosom,

and stepped out quickly and mounted the chariot, with

two of her maidens,

one at each side. Then she herself took the reins and,

seizing

the well-made whip in her right hand, she drove down

through

the city, and the rest of her handmaids laid their fingers

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