John Gardner - Jason and Medeia

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A mythological masterpiece about dedication and the disintegration of romantic affection. In this magnificent epic poem, John Gardner renders his interpretation of the ancient story of Jason and Medeia. Confined in the palace of King Creon, and longing to return to his rightful kingdom Iolcus, Jason asks his wife, the sorceress Medeia, to use her powers of enchantment to destroy the tryrant King Pelias. Out of love she acquiesces, only to find that upon her return Jason has replaced her with King Creon’s beautiful daughter, Glauce. An ancient myth fraught with devotion and betrayal, deception and ambition,
is one of the greatest classical legends, and Gardner’s masterful retelling is yet another achievement for this highly acclaimed author.

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is true:

Virtue tested on rocky islands, country fields, however noble we call it, is virtue of a lesser kind— the virtue that governs the hermit, the honest shepherd.

The common

bee, droning from flower to flower in his garden, can

choose

what’s best for him and for his lowborn, pastoral clan.

The common

horse can be diligent at work, if his hide depends on it. The lion can settle his mind to fight, if necessary, but his virtue, for all his slickness, the speed of his

paws, is no more

than the snarling mongrel dog’s. It’s by what his mind

can do

that a man must be tested: how subtly, wisely he

manipulates

the world: objects, potentials, traditions of his race.

In sunlit

fields a man may learn about gentleness, humility— the glories of a sheep — or, again, learn craft and

violence—

the glories of a wolf. But the mind of man needs more

to work on

than stones, hedges, pastoral cloudscapes. Poets are

made

not by beautiful shepherdesses and soft, white sheep: they’re made by the shock of dead poets’ words, and

the shock of complex

life: philosophers’ ideas, strange faces, antic relics, powerful men and women, mysterious cultures. Cities are not mere mausoleums, sanctuaries for mind. They’re the raw grit that the finest minds are made of,

the power

that pains man’s soul into life, the creative word that

overthrows

brute objectness and redeems it, teaches it to sing.”

The goddess

bowed, an ikon of humility, and turned to the queen, stretching an arm in earnest supplication: “O Hera, Queen of Heaven, center of the world’s insatiable will, support my plea! Speak gently, allure as only you can allure great Zeus to the good he would wish,

himself.” She bowed,

and the dew on a fern at dawn could not rival the

beauty of the dew

on Athena’s delicate lashes. Aphrodite wept aloud, shamelessly, melted by Athena’s words. Even Hera was

softened.

As the sea whispers in the quiet of the night when

gentle waves

lap sandy shores, so the great hall whispered with the

sniffling of immortal gods.

But Zeus sat still as a mountain, unimpressed, his hand

covering

his eyes. The gods stood waiting.

At last, with a terrible sigh,

he lowered the hand. From the sadness in his eyes,

the crushed-down shoulders,

you’d have thought he’d heard nothing the beautiful

Athena said. He frowned,

then, darkly, spoke:

“All of you shall have your will,” he said.

“Aphrodite, your cruel and selfish wish is that Jason

and Medeia

be remembered forever as the truest, most pitiful of

lovers, saints

of Aphrodite. It shall be so, in the end. As for you,

Athena,

dearest of my children for the quickness of your mind—

and most troublesome—

you ask that Jason be granted the throne of Corinth,

glittering

jewel in your vain array. So he will, for a time, at least. No king gets more. And as for you, my docile queen— seductress, source of all earthly growth, terrible

destroyer—

you ask that he have all his wish. That he shall, and

more. It’s done.”

With that word, casting away the darkness which

he alone knew,

he called for Apollo and his harp. Apollo came, as

brilliant

as the sun on the mirroring sea. He stroked his harp

and sang.

The gods put their hands to their ears, listening. He

seemed to ignore them.

He looked at Zeus alone, when he looked at anyone, and Zeus gazed back at him, solemn as the night

where mountains tower,

dark and majestic, casting their cold, indifferent shade on trees and glens, old bridges, lonely peasant huts, travellers hurrying home. It seemed to me they shared some secret between them, as if they saw the whole

world’s grief

as plain as a single star in a winter’s sky.

He sang

of the age when great Zeus first overcame the dragons.

The halls

of the gods, he said, were cracked, divoted, blackened

by fire.

All the gods of the heavens sang Zeus’s praise, their

voices

ringing like golden bells, extolling his victory. Elated in his triumph and the knowledge of his power,

Zeus summoned the craftsman

of the gods, Hephaiastos, and commanded that he

build a splendid palace

that would suit the unparalleled dignity of the gods’

great king.

The miraculous craftsman succeeded in building, in a

single year,

a dazzling residence, baffling with beautiful chambers,

gardens,

lakes, great shining towers.

Apollo smiled and looked

at Zeus. He sang:

“But as the work progressed, the demands of Zeus

grew more exacting, his unfolding visions more vast.

He required

additional terraces and pavilions, more ponds, more

poplar groves,

new pleasure grounds. Whenever Zeus came to examine

the work

he developed range on range of schemes, new marvels

remaining

for Hephaiastos to contrive. At last the divine craftsman was crushed to despair, and he resolved to seek help

from above. He would turn

to the demiurgic Mind, great spirit beyond Olympos, past all glory. So he went in secret and presented

his case.

The majestic spirit comforted him. ‘Go in peace,’

he said,

‘your burden will be relieved.’

“Then, while Hephaiastos

was scurrying down once more to the kingdom of Zeus,

the spirit

went, himself, to a realm still higher, and he came

before

the Unnamable, of whom he himself was but a

humble agent.

In awesome silence the Unnamable spirit gave ear,

and by

a mere nod of the head he let it be known that the wish of Hephaiastos was granted.

“Early next morning, a boy

with the staff of a pilgrim appeared at the gate of Zeus

and asked

admission to the king’s great hall. Zeus came at once.

It was

a point of pride with Zeus that he wasn’t as yet

too proud

to meet with the humblest of his visitors. The boy

was slender,

ten years old, radiant with the luster of wisdom. The

king

discovered him standing in a cluster of enraptured,

staring children.

The boy greeted his host with a gentle glance of his dark and brilliant eyes. Zeus bowed to the holy child — and, mysteriously, the boy gave him his blessing. When Zeus had led the boy inside and had offered him wine and

honey,

the king of the gods said: ‘Wonderful Boy, tell me

the purpose

of your coming.’

“The beautiful child replied with a voice as deep

and soft as the slow thundering of far-off rainclouds.

‘O Glorious

King, I have heard of the mighty palace you are

building, and I’ve come

to refer to you my mind’s questions. How many years will it take to complete this rich and extensive

residence?

What further feats of engineering will Hephaiastos be asked to perform? O Highest of the Gods’—the

boy’s luminous

features moved with a gentle, scarcely perceptible

smile—

‘no god before you has ever succeeded in completing

such a palace

as yours is to be.’

“Great Zeus, filled with the wine of triumph,

was entertained by this merest boy’s pretensions to

knowledge

of gods before himself. With a fatherly smile, he asked: Tell me, child, are they then so many — the Zeuses

you’ve seen?’

The young guest calmly nodded. Oh yes, a great

many have I seen.’

The voice was as warm and sweet as milk, but the

words sent a chill

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