Naja Aidt - Rock, Paper, Scissors

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Rock, Paper, Scissors: краткое содержание, описание и аннотация

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"The emotions unleashed in this tale. . are painfully universal. Yet you know exactly where in the universe you are. This is the hallmark of great short stories, from Chekhov's portraits of discontented Russians to Joyce's struggling Dubliners." — Radhika Jones, Time
Naja Marie Aidt's long-awaited first novel is a breathtaking page-turner and complex portrait of a man whose life slowly devolves into one of violence and jealousy.
Rock, Paper, Scissors opens shortly after the death of Thomas and Jenny's criminal father. While trying to fix a toaster that he left behind, Thomas discovers a secret, setting into motion a series of events leading to the dissolution of his life, and plunging him into a dark, shadowy underworld of violence and betrayal.
A gripping story written with a poet's sensibility and attention to language, Rock, Paper, Scissors showcases all of Aidt's gifts and will greatly expand the readership for one of Denmark's most decorated and beloved writers.
Naja Marie Aidt was born in Greenland and raised in Copenhagen. She is the author of seven collections of poetry and five short story collections, including Baboon (Two Lines Press), which received the Nordic Council's Literature Prize and the Danish Critics Prize for Literature. Rock, Paper, Scissors is her first novel.

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“Thanks for lunch,” Alice says.

“There’s an apple pie,” Patricia says. “If you’d like to eat some later?”

Alice vanishes into the hallway. She’s in an awful rush. Ernesto turns in the doorway and, smiling, reveals a relatively nice set of teeth. There’s a noticeable gap between the front two. “Thanks for lunch, Mother Jenny.” Then he’s gone. Jenny and Thomas exchange glances. “ Mother Jenny? ” he says softly. “What the hell does he mean by that?”

“I have no idea,” Jenny says, ladling more soup into her bowl.

“Doesn’t he have a mother?”

“I don’t know.”

“He seems sweet,” Patricia says, raising a yellow-brown drinking glass to her mouth.

“He’s not. He’s a snake.”

Patricia swallows, then puts down her glass. “Why a snake?”

“I can just tell. He’s lazy and slimy. They just lie in bed all day fooling around. Alice is being dragged down to his level. Into the mud. Before him it was another guy. He was actually worse. An arrogant bastard, to put it mildly. She’s got a new boyfriend all the time.”

“I can find out if we have a job for her at the museum.”

“If she’s even able to handle a job,” Jenny says bitterly, putting her spoon down. “I honestly don’t know what I should do with her. She hates me.”

“Oh, stop, Jenny. She doesn’t hate you,” Thomas says. He’s irritated, dark waves in his belly. “She’s only eighteen.”

“But where does he live, this Ernesto? Here?” Patricia asks.

Jenny gets to her feet and rinses the bowls. “It seems that way, doesn’t it?” Patricia wraps a lock of her hair between her fingers; no one says a word. Patricia glances curiously at Thomas, but what does it mean ? He needs to smoke, he can’t breathe, he has to leave. “The toaster,” Jenny says coolly, “it’s over there.” She nods in the direction of the big closet at the end of the kitchen table. “Can you please look at it now?”

Thomas fiddles with a little fucking screwdriver. The women are seated in the living room drinking tea and eating apple pie. As far as he can see, Jenny’s drawn the curtains — which is better than nothing. The door’s ajar, but he can’t hear what they’re saying. Are they laughing? Yes, Jenny is, and now Patricia too. The toilet flushes. Heavy steps in the hall, it must be Ernesto. The toaster is unbelievably greasy and revolting and littered with old crumbs. That he’s really sitting here prying it apart in this kitchen fills him with disgust — that he’s agreed to do it. Insanity. That old feeling of deep-seated anger at Jenny and all the guilt that comes with it hits him like a slap. It’s so incompatible. The sobbing. There’s no development in our relationship at all, he thinks. It’s as if her entire personality exists to play the role of victim, huge and hollow, for my benefit only. So I can fill the holes with my shame, my strange, indebted need to protect. The screwdriver slides from his hand, he’s warping the screws. He props the toaster between his knees, braces it tight, and tries again. It’s big and clumsy, probably at least as old as he is. He has no idea how you pry such a thing apart, he just keeps unscrewing the screws and removing all the parts that come loose, when the screws no longer hold them together. Suddenly it breaks in two. The shell of thick plastic falls apart. Thomas gawks at the guts of the toaster. And all at once he jerks his head back.

Fastened between the now detached outer shell and the heating coils, on either side, is a thick packet wrapped in tinfoil and taped carefully together with clear, yellowed tape. At first he simply stares. Then he manages to pry them out. He hears Patricia’s voice approaching. Feverishly he stuffs the two packets under his shirt, then under the waistband of his pants. When she steps into the kitchen, he’s back to sitting over his work, replacing the screws in the tiny holes. And what part belonged where? He hadn’t organized the pieces in any manageable way. He’s beginning to sweat.

“Is it tricky?” she asks, filling the pot with water.

“Nah,” he says. “Not really.”

Patricia sets the pot on the stove and turns on the gas jet. “Tell me when it’s boiling, okay?” Then she leaves again.

He’s warm and cold, his heart races, his hands tremble. What the hell did he find? A mass of disjointed thoughts swirl through his brain, but there’s no up and down to anything. What the fuck is it? Who put the packets there? What the hell’s in them? He screws and screws with the terrible doll’s screwdriver that keeps rotating crookedly on the thread, and now Jenny comes out and stands beside him, her hands at her side.

“Can you figure it out?”

“Well, I’ve taken it apart and put it back together, at least,” he mumbles. “We’ll see if it works.”

“Could you tell what was wrong?”

“Nope,” he says, tightening the last of the screws. “It probably just doesn’t work. Broken.”

He puts the toaster on the table, and Jenny immediately grabs it and plugs it into the outlet above the table.

“Oh, look!” She claps excitedly. “It works! I said it would! Oh, thank you, Thomas. Look, it works!”

And it does. The small coils glow orange. “Patricia, come out here. Your man is a genius with a screwdriver. Come see!”

They all stand admiring the rather smoky toaster. A burnt odor hangs in the kitchen.

“Can you smell it? Oh, I love that scent. Right before the toast pops up.”

She’s crazy, Thomas thinks. The pot whistles. Patricia pours water in the teapot. Excited now, the women return to the sofa.

“Come on, Thomas, have some apple pie!” Jenny’s eyes are lit up like a child’s.

When he clambers to his feet, he can feel the packets against his belly. What the hell’s in them? He yanks the cord of the stinking toaster from the plug and walks stiffly out to the others.

Jenny suddenly looks more like a diva than a washed up, underpaid, slovenly, scarred at-an-early-age, frustrated nurse’s aid. She throws herself upon the leather couch, props a leg on the easy chair, and her dress slides up to reveal a fleshy, milk-white thigh. Her cheeks are flushed and she seems both lazy and shamelessly sensuous. Thomas can tell it makes Patricia uncomfortable. Even Jenny’s voice is sultry. When Alice enters with a mug and plops down beside Patricia, pouring herself some tea, Jenny’s motherly love knows no bounds.

“Did you tell Thomas and Patricia who sent us a letter yesterday, sweetie?”

“Just a letter from my dad.” Alice slurps her tea cautiously.

“Isn’t that incredible? Alice and I couldn’t believe our own eyes, isn’t that right, sweetie?”

“From Ahmed?” Thomas interrupts, nearly choking on a bite of pie. “Why?”

“Yeah, Alice. Why?” Jenny smiles, her eyes half-closed.

Alice puts her mug down. “He wanted to tell me I have a little brother.”

“What?” Thomas straightens up. “Where?”

“The letter was sent from his mother’s address,” Jenny says. “If she’s still alive, or if he’s moved into her house, he didn’t say.”

“He sent a photo. It’s a cute kid,” Alice says, her face breaking into a little smile, a brief flash that vanishes almost instantly.

“He looks like you did when you were a baby, sweetie. A beautiful child. And you look like Ahmed.”

“She also looks like you,” Patricia says, “and your mother.”

“Did he send money?” Thomas asks.

“Nah.”

“You haven’t heard from him in ten years.”

“No, but now we have heard from him.” Jenny smiles. As if it was something to smile about, Thomas thinks. Ahmed let his daughter down. The tinfoil crackles against his belly whenever he moves. Carefully he leans back in the wobbly chair.

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