Julia Elliott - The Wilds

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The Wilds: краткое содержание, описание и аннотация

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At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection,
. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

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Elise’s skin blistered and peeled. For several nights she lay in bed rolling it into little balls that she’d flick into the darkness. And then, one week later, her skin tender, the pale pink of a seashell’s interior, she went off with Pip Stukes again.

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“I figured out how they catch us,” whispers Pip.

Elise widens her eyes. As they take a turn around the birdbath, she scans the crowd for wheelchairs. They sit down on a concrete bench.

“Feel that bump on your arm?” Pip slides the tip of his index finger over her forearm, stops when he reaches that hard little pimple that won’t go away. Maybe it’s a wart. Maybe it’s a mole. Elise doesn’t know what it is, but she blushes when he touches the spot.

“Microchip,” he says. “My son put one in his dog’s ear. A good idea. Except we’re not dogs.”

Pip laughs, the old, dark laugh that lingers in the air. Elise can’t remember Pip’s children. And what about his wife? He must have had one. But now she’s unsettled by his eyes, the clear one at least, which drills her with a secret force while the other stares at nothing.

Something about his laugh and fading smile, something about the slant of light and the wash of distant traffic remind her — of what, she’s not sure, not until the blush spreads from her hairline to her chest, not until she sees Pip walking naked from the lake, sees the scar on his chest, the sad apron of belly skin, relic of his previous life as a fat man. And then she remembers. He did have a wife, a girl named Emmy from Silver. They’d had two boys and divorced. Emmy had kept the house in Manning, and Pip moved out to the lake house, free to whip around on the empty water.

For two months they boated out to the little island almost every afternoon. Got sucked into the oblivion of the dog days: shrieking cicadas and heat like a blanket of wet velvet that made you feel half-asleep. It was easy to sip wine coolers until you couldn’t think. Easy to swim naked in water warm as spit. In September they finally went to his lake house, a fancy place with lots of gleaming brass, the TV built into a clever cabinet, a stash of top-notch liquor behind the wet bar. Showing her around, Pip pointed out every last effect, all bought with his grandfather’s money. Something bothered her: the way he slapped her rear like a rake on Dallas , the way he smoked afterward in the air-conditioned bedroom. Hiding his saggy gut under the sheet, he kept checking himself out in the mirror. He ran his fingers through his gelled hair.

As Pip went on about the Corvette he wanted to buy, she thought about Bob, how, in the past, he was always quietly tinkering with something. And then poor Pip started up on Korea, told her about coming back home after starving in that bamboo cage, eating for a solid year in a trance, waking up one day to the shock of three hundred pounds. He’d lost the weight and gotten married. But then he gained it back, got divorced, lost it again — his whole life staked to that tedious fluctuation.

That night when she got home, Bob turned from the television and spoke to her.

“Look at this joker,” he said, pointing at Ronald Reagan, the movie star who was running for president, the one who looked like a handsome lizard.

The next day Bob bathed himself and rolled out onto the screened porch. Watching the lake, they shelled field peas all morning. She knew that Pip would come flying out of the blue in his boat, and when he did, Bob cleared his throat and said nothing.

Pip’s boat appeared every afternoon for the next week. They’d hold their breath and wait for the high whine of his motor to fade.

Bob started doing his leg exercises, made an appointment with the hotshot therapist in Columbia. In two years he could get around the house with a walker. By Reagan’s second term he was ambling with a cane. He took care of the chickens, started dabbling with quail. And every year they sold more land, acre by acre, until all they had was their cottage — mansions towering on every side, the lake a circus of Jet Skis, houseboats so big they blotted out the sun.

Bob and Elise got old on the lake, their son breezing in twice a year to say hello. And they planned to die there, right on the water, even though the place was turning to shit.

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Elise fingers the scab on her arm. It’s been a week since she gouged the microchip out with the sharp scissors she nabbed from the Dementia Ward desk. All this time she’s kept the fleck of metal in her locket and nobody’s said one word. The nurses know better than to touch her locket, a thirtieth-anniversary gift from Bob — not a heart, like you’d expect, just a circle of gold that opens via a hinge, a clip of Bob’s gray hair stuffed inside as a sweet joke. To thirty more years of glorious monotony , Bob said, and they laughed, opened another jar of mulberry wine.

A tech nurse escorts Elise out to the pear orchard. Just as soon as she’s released into the flock of seniors, Pip Stukes comes swaggering across the grass.

“Hey, good-lookin’, what you got cookin’?”

Elise takes his arm as usual and they promenade across stepping-stones, over to their favorite bench. Pip talks about his son, who dropped by this morning with Pip’s grandbaby, now a grown girl. He talks about the artificial bacon he had for breakfast and the blue jay that perched on his windowsill. Then he goes quiet and just stares at her, filling the space between them with sighs. It’s warm for November. The mums have dried up and the pear trees drop their last red leaves. When Pip leans in to kiss her, Elise embraces him, keeping her lips off limits while hugging him close enough to slip the microchip into his shirt pocket.

She sits back and smiles. It feels good to be invisible.

“You remember that island?” says Pip.

Elise nods, touches his cheek, stands up on her robot legs, and then walks off into the canna lilies. Behind the dead flowers are two big dumpsters and, if she’s calculated correctly, a door leading into the Dogwood Library.

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When Bob wakes up, she’s standing there in a shaft of late-morning light, a small-boned woman wearing strap-on plastic Power Units like something from the Sci-Fi Channel, her gray hair cropped into an elfin cap.

“Elise,” he rasps.

“Bob,” she says.

His thick lids slide down over watery eyes.

“Bob?” she says. He shifts in his chair but won’t wake up.

She checks his pulse, grabs his blanket from the bed, and tucks it around him. Makes sure he’s got on proper socks under his corduroy slippers. And then she rolls him toward the door.

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Though Elise has spent many an afternoon wrinkling her nose at the smell of chickens, she isn’t prepared for the endless stream of barracks southwest on Highway 301: three giant buildings as long as trains and leaking a stench so shocking she can’t believe it doesn’t jolt Bob from his nap. Mouth-breathing, she hustles to get past the nastiness, fingering the button that operates his chair, kicking it into high gear, the one the nurses use when they’re in a tizzy.

She’s been walking for an hour, on a strip of highway shoulder that comes and goes, smooth sailing for a mile and then she’ll hit a patch of bumpy asphalt and veer onto the road. A number of motorists have passed — mostly big trucks, pickups, the occasional SUV — and she worries that some upstanding citizen has already called Eden Village. She expects a cop car to roll up any minute. Expects to see the officer put on his gentle smile, the one he uses with feeble-minded people and lunatics, geezers and little children. She would prefer a back road, some decent air and greenery, but she knows she wouldn’t remember the way.

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