Viet Nguyen - The Sympathizer

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The Sympathizer: краткое содержание, описание и аннотация

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A profound, startling, and beautifully crafted debut novel,
is the story of a man of two minds, someone whose political beliefs clash with his individual loyalties.
It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.
is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story,
explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

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Of course, I said, all my dread and anxiety bubbling in a compartment somewhere behind my bowels. I had the vertiginous feeling one gets standing at the precipice of an unresolved plan, for I had brought Bon and myself to the brink of disaster without knowing how to save us. But was not this how all plans developed, unknown to their maker until he wove for himself a parachute, or else melted into air? I could hardly ask that question of Claude, who always seemed to be the master of his own fate, at least until the fall of Saigon. He squeezed my shoulder again. I’m proud of you, buddy. I just wanted you to know that. We both walked in silence for a moment, allowing this sentiment to circulate, and then he squeezed my shoulder again and said, I’m going to show you the best time of your life. I grinned and he grinned, the thing unsaid being that this might be the last best time of my life. His enthusiasm and concern touched me, his way of saying he loved me, or possibly his way of providing me with the equivalent of a doomed man’s last meal. He led us outside the terminal and into the seasonable late December weather, the best time of the year to visit the region. We loaded ourselves into a van, and Claude said, You don’t get over jet lag by going to a hotel and getting some sleep. I’m going to keep you awake until nighttime, and then tomorrow we’re setting out for the camp.

The driver steered us onto a road jammed with vans, trucks, and motorbikes. We were surrounded by the honking, beeping, and roaring of an urban metropolis engorged with automotive metal, human flesh, and unspoken emotion. Remind you guys of home? said Claude. This is the closest you guys have been for years. Same-same like Saigon, the grizzled captain said. Same-same but different, said Claude. No war and no refugees. All that’s on the border, where you guys are going. Claude passed out cigarettes and we all lit up. First it was the Laotians running across the border. Now we have a lot of Hmong. All very sad, but helping refugees does get us access to the countryside. The affectless lieutenant shook his head and said, Laos. Very evil communists there. Claude said, Is there any other kind? But Laos itself is the closest thing to paradise Indochina’s got. I spent time there during the war and it was incredible. I love those people. They’re the gentlest, most hospitable people on earth except when they want to kill you. When he exhaled smoke, the tiny fan mounted on the dashboard blew it back toward us. At some point, had Claude and other foreigners considered us to be the gentlest, most hospitable people on earth? Or had we always been a warlike, aggressive people? I suspected the latter.

As the driver exited from the freeway, Claude nudged me and said, I heard about what you did. What I did? What did I do? When Claude said nothing and kept his steady gaze on me, I remembered the one thing that I had done that must be passed over in silence. Oh, yeah, I muttered. Don’t feel bad, said Claude. From what the General told me, that guy was asking for it. I can guarantee you he didn’t ask for it, I said. That’s not what I meant, said Claude. It’s just that I’ve seen plenty of his kind. Professional malcontents. Self-righteous masochists. They’re so unhappy with everything that they’re never going to be happy until they’re trussed for execution. And you know what his kind would say when he’s facing the firing squad? I told you so! The only thing different in your case is that the poor slob didn’t have time to think about it. If you say so, Claude, I said. I’m not saying so, he said. It’s in the book. He’s the guilt-ridden character.

I could see the pages of the book that Claude was referring to, the interrogation manual we had pored over in his course, the book that went under the name KUBARK . It had definitions of several character types the interrogator was likely to meet, and unbidden, the paragraph about the guilt-ridden character rippled before my eyes.

This kind of person has a strong, cruel, unrealistic conscience. His whole life seems devoted to reliving his feelings of guilt. Sometimes he seems determined to atone; at other times he insists that whatever went wrong is the fault of somebody else. In either event he seeks constantly some proof or external indication that the guilt of others is greater than his own. He is often caught up completely in efforts to prove that he has been treated unjustly. In fact, he may provoke unjust treatment in order to assuage his conscience through punishment. Persons with intense guilt feelings may cease resistance and cooperate if punished in some way, because of the gratification induced by punishment.

Perhaps this was, indeed, Sonny, but I would never know for sure, as I would have no more opportunities to interrogate him.

Here we are, said Claude. Our destination was an alley over which hung a rainbow of artificial neon light, the sidewalks thronged with pale-faced primates of all ages and sizes, some with military crew cuts and some with the long hair of the hippie tribe, all inebriated or about to be inebriated, many howling and hooting in considerable agitation. Bars and clubs lined the entire alley, and in the doorways stood girls with bare limbs and exquisitely painted features. The van stopped at an establishment above whose door rose a gigantic vertical sign in bright yellow that spelled GOLDEN COCK. The door was held open by two girls who appeared to be twenty or so, which meant that they were mostly likely anywhere from fifteen to eighteen. They stood on six-inch heels and wore what euphemistically could be called clothing — halter tops and bikini bottoms not even as substantial as their kind smiles, as loving and gentle as those of kindergarten teachers. Oh boy, said the grizzled captain, grinning so widely I could see his decaying molars. Even the affectless lieutenant said, Nice, though he did not smile. Glad you like it, said Claude. It’s all for you. The affectless lieutenant and the grizzled captain had already entered when Bon said, No. I walk. What? A walk? Claude said. You want private company? You’ll get it, trust me. These girls are veterans. They know how to take care of shy guys. Bon shook his head, the look in his eyes almost one of fear. It’s okay, I said. I’ll take a walk with you. Hell no! Claude said, grabbing Bon by the elbow. I get it. Not every guy is up for this kind of thing. But take a walk and you deny your good buddy here the night of his life. So just come on in and sit down and have some drinks. You don’t have to touch. You don’t even have to look if you don’t want. Just sit with your eyes closed. But you’re doing it for your pal, not yourself. How about it? I put my hand on Claude’s arm and said, It’s okay. Leave him alone. Not you, too, said Claude.

Yes, me too. Bon had apparently infected me with his morality, a disease likely to be fatal. I offered him a cigarette after Claude gave up attempting to persuade us and went inside, and together we stood there smoking, ignoring the touts tugging at our shirts but unable to ignore the passing troops of tourists who bumped and shoved us. Gawd, someone behind me said, didja see what she did with that Ping-Pong ball, mate? Ping-Pong ching-chong, someone else said. Long schlong duk dong. Bloody hell, I think the bitch pinched my wallet. Bon threw his cigarette away and said, Let’s get out of here before I kill somebody. I shrugged. Where to? He pointed over my shoulder, and when I turned I saw the movie poster that had caught his eye.

We watched The Hamlet in a movie theater full of locals who had not yet learned that cinema was a hallowed art form, that one did not, during the performance, blow one’s nose without a tissue; bring one’s own snack, beverage, or picnic; beat one’s child or, conversely, sing a crying baby a lullaby; call out affectionately to friends several rows away; discuss past, present, and future plot points with one’s seatmate; or sprawl so widely in one’s seat that one’s thigh rested against a neighbor’s for the entire duration. But who was to say they were wrong? How else could one tell whether a movie was faring well or badly if the audience did not respond to it? The audience seemed to enjoy themselves thoroughly, given the cheering and clapping, and God help me if I did not also find myself caught up in the story and the sheer spectacle. The scene the audience reacted to most strongly was the climactic battle, during which my own jet-lagged heart also beat faster. Perhaps it was the menacing, Beethoven-like score with its infernal repetitition of notes saturated in the devil’s deep pitch, dum-dum-DA-dum-DA-dum-DA-DA-DAAAA ; perhaps it was the hissing helicopter blades, reduced to slow-motion sound; perhaps it was the crosscutting between the gazes of Bellamy and Shamus, riding their airborne steeds, with the gazes of the Viet Cong girls peering through the crosshairs of their antiaircraft cannons; perhaps it was the bombs bursting in air; perhaps it was the sight of the Viet Cong savages being given a bloodbath, the only kind of bath they were likely to take; perhaps it was all these things that made me wish for a gun in my hand so I, too, could participate in the Old Testament slaughter of the Viet Cong who looked, if not exactly like me, fairly close to me. They certainly looked exactly like my fellow spectators, who whooped and laughed as a variety of American-made weaponry vaporized, pulverized, lacerated, and splattered their not-so-distant neighbors. I twisted in my seat, fully awoken from my torpor. I wanted to close my eyes but could not, unable to do more than blink a few times rapidly since the preceding scene, the only one where the audience had fallen completely quiet.

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