Ben Metcalf - Against the Country

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Against the Country In a voice both perfectly American and utterly new, Metcalf introduces the reader to Goochland County, Virginia — a land of stubborn soil, voracious insects, lackluster farms, and horrifying trees — and details one family’s pitiful struggle to survive there. Eventually it becomes clear that Goochland is not merely the author’s setting; it is a growing, throbbing menace that warps and scars every one of his characters’ lives.
Equal parts fiery criticism and icy farce,
is the most hilarious sermon one is likely to hear on the subject of our native soil, and the starkest celebration of the language our land produced. The result is a literary tour de force that raises the question: Was there ever a narrator, in all our literature, so precise, so far-reaching, so eloquently misanthropic, as the one encountered here?

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That I have only this mean alignment of words for an edge, and that I can control my axe no better than to bring it down upon those who are of my own blood, and so are due not an accidental violence from me but rather a purposeful love, is a shame we have always with us. Still, I make no apology for the fact that I have raised up and swung. My object is, and only has been, that unclean and hideous root.

Blackberries

I abhor blackberries. I would surely eradicate them if brought to power. My brother might say bees, given all those attacks on him through our screenless windows by what looked to be a mutation of the species, neither bug nor bird but fully three inches long, the boy probably dreaming in his bed of the last time he was stung into surreal and agonized consciousness by one of these winged freaks, which our father called “king hornets” and I at least held to be the result of some experiment gone horribly awry in those abandoned bee boxes in the yard. My sister, sustained if not comforted by her Black Beauty books and her Laura Ingalls wilder, might say horses, given how she was led on always by that promise our parents had made her, and teasingly saw our pasture used to winter nags from a cheap and imitation riding camp nearby, and knew that this one was “Chief Joe,” and that one “Prince smoke,” and that one “Granny,” but had neither the clearance nor the ability to saddle and ride any of these creatures, let alone call one her own and call herself its, until sent at last by a fugitive kindness to this same cheap and imitation riding camp nearby, where her affection for these animals could not overcome the cheap and imitative quality of the instruction there, or her late introduction to the art, or the degree to which the treacherous land had spooked every animal that walked or ran upon it, and so could not prevent her being thrown one afternoon, and dragged by her pretty heel, and very nearly killed, after which she went in for an altogether different kind of book.

For me, though, it is blackberries. I would cite their dull sourness when not perfectly formed (milk and sugar were invariably required to make up the difference), or their metallic sweetness when for a day or two they finally agreed to ripen, or their melodramatic tendency to fall apart and bleed to death if not applauded at once, but in truth my claim against these berries is no more than a tangent to my anger at having been forced to pick them in the first place. From afar a hokey charm attaches to the image of a rosy-cheeked lad sent out to fill his pail with the fruit of a bush whose sole ambition on earth is to serve him as a free and wholesome candy store; up close, a darker scene presents:

This same boy, the red on his cheeks a primer for some future melanoma, holds this candy inferior to what he can steal from the store up the road, and he resents that these distant green bushes have so punctuated themselves with black as to engage the attention of his parents, who surely do not appreciate the cloyingly stupid taste of such nodules any more than he does but are committed to the myth that their sort of person delights in nature’s treats just as it accepts her hardships, which pose will harden the boy in winter, and will make of him a baked and mushy cobbler by blackberry season, and will in fact be so thorough as to qualify less as an acceptance of hardship than a surrender to it, and will never be extended to any hardship inherent in the boy, who were it not for the threat of physical retribution would forgo the sacrifice of his Saturday to the retrieval of a foodstuff he knows no one in the family honestly wants to eat.

Encased in his sweat, a uric bath at most times and a gelatinous bodysuit whenever a cloud stops to sun its back for a moment above his head, he plucks at these berries until he can no longer tell the juice on his fingers from the blood the briars have extracted in payment for their supposedly free baubles. The wind that animates the piney wood to the north reaches out now and then to give the leaves before him a good shake, but it takes pains not to cool the spot where he himself stands, and he begins to wonder whether the salt in his eyes, or the start of a heatstroke, is not responsible for some perceived instability in the bush. After a particularly violent bustle, which sees the hairs on his arm raised a great deal and the pine needles not at all, he thinks finally to inspect the bush itself. He parts the briars and looks back into them, there to discover the stem of his fear: a long black serpent, unmistakably the old ratter he had seen slide away from the wreckage of that shed not long ago, twisted up in the innermost branches, already in the act of disentanglement and pursuit, its head reared in umbrage, a-hiss.

The boy drops his pail and runs for the house, across a field in which nothing but weeds and snakes and blackberries will ever grow, over ruts that lead back to a tepid and muddy pond where he will learn to seek an impoverished amusement, up a hill adorned with patches where a crude attempt at cultivation is evident, over an orange gouge where a basketball court was once attempted, past a garbage-filled crater that even now is able to holler at him with its shame, and into an unkempt yard where his progress is at last arrested by an impossibly deep bite to the right foot. His horror at this turn is met by a sudden and unwilled admiration for the snake, whose hatred he had not imagined could produce such a speed, yet when he looks down he sees not the snake at all but only a broken gray board, formerly a rib or metacarpal of that doomed old shed, stuck to his sole like an indigent ski.

Afraid to go forward (lest the board’s rusty tooth push its way upward through his tongue), afraid to sit down in the un-chopped grass and work the nail out (lest the snake catch up to a more valuable part of him there), the boy remains upright and frozen, loud but unheard, pinned to this withered ground, this enemy of humanity, this magnet of despond, all because his parents have agreed to pretend, with hippie and hick alike, that the countryside is an antidote to town and not a poor imitation of it; that town is not anyway a wall thrown up in obvious panic against the wilderness; that a child removed from the protection of that wall is bound to grow stronger by the throb of the nail, and the sting of the switch, and the constant companionship of his own filth; that lies and blood and terror and trash, as well as the eternal war against reality that might erupt in anyone exposed at length to such elements, are therefore a fair exchange for blackberries.

BOOK TWO

Partial birth

I could see the yellow beast coming for me a long ways off, as no impediment of trees obtained to the north, only an eerie undulation of pasture that seemed almost in cahoots with the road against it, and when the weather was hot, and the windows were open, the creature’s groan could be heard so far prior to its appearance that I was able to wash and dress and even swallow something before the time came to descend the driveway and be swallowed up myself. When it was cold out, and thin panes obscured the sound but got nowhere with the frost, and shiver fits throughout the night had anyway abolished my dreams, I was often enough still in my bed when I heard the muffled bleat from the road below, and I knew then that I would need to run or else be left behind. Neither snack nor toilet would be mine on those occasions, but I at least had the advantage of being fully clothed and shod inside my sleeping bag, without which foresight I do not think I could have been convinced, or would have been able, to rise at all.

I wonder: When the great root below us inspired in Thomas Jefferson his idyllic hallucinations, and began to grow its system westward under the Appalachian range (toward the Mississippi snake oil it would require in order to reach and pervert California), did it bestow upon him a vision of the roving metal stomach that would, a century and change after his presidency, gobble up the nation’s schoolchildren by law each morning and vomit them into a freshly graveled parking lot? Did he understand that whereas this process would inflict upon the town child no more than a momentary and perhaps even a healthy terror, it would prove for the rural child a journey so drawn out and confined with the personality flaws of his peers as to allow for the partial birth of those communities his shacks and his farmhouses had tried and failed to form? Was the architect of the American dirt clod aware that these mobile townships would exhibit none of the grace and wholesomeness he had predicted for his agricultural societies, and would in fact be predicated on a hatred of self and surrounds, and would be policed no better than the shacks and the farmhouses themselves? (which, after all, stayed in one place, or appeared to.) Did he know, or care, that the introduction of such a predator into the Virginia hills would ensure that I received my first nonfamilial Virginia whipping, and enough thereafter to make me question my assumption that Virginia homes were to be got away from whenever possible, long before a Virginia schoolhouse had even come into view?

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