Lincoln Michel - Upright Beasts

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Upright Beasts: краткое содержание, описание и аннотация

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Praise for Lincoln Michel:
"Lincoln Michel is one of contemporary literary culture's greatest natural resources." — "Weird, darkly funny stories…Michel ably handles modes from lyrical to ironic.” — Children go to school long after all the teachers have disappeared, a man manages an apartment complex of attempted suicides, and a couple navigates their relationship in the midst of a zombie attack. In these short stories, we are the upright beasts, doing battle with our darker, weirder impulses as the world collapses around us.
“Lincoln Michel’s stories are strange, haunting and often very funny beasts. His prose is rich and also spare. He can kill you in two pages or take you for a long, dangerous, kooky ride — and then kill you. And by kill you, I mean thrill you. Savor this book and welcome Mr. Michel.”— “In Upright Beasts, Lincoln Michel uses the unreal and the surreal in ways that allow his readers to understand something about the human condition. Who are we when someone allows us to see ourselves more clearly? We are pitiful, ridiculous, beautiful, sometimes brave and sometimes cowards, but always — in these stories — illuminated.”— “Many first books carry the suggestion of promise, of wonderful things to come, but it is most unusual to encounter a debut as agile and assured and utterly dazzling as Upright Beasts. These stories are mighty surrealist wonders, mordantly funny and fiercely intelligent, and Lincoln Michel is a writer that will leave you in awe.”— “Lincoln Michel has created a sinister landscape that feels at once uncomfortably familiar and yet truly strange. This is the post-pastoral as creeping horror story — a kind of secret, alternate history of a forgotten America, a country of half-dead towns and empty streets. There are welcome echoes of Barthelme and others in here, but Michel’s voice carries through, darkly intelligent and unmistakably original. A tremendous debut.”— “The world presented in Michel’s admirable debut collection is similar to our own, yet twisted just enough to feel strange. . Michel frequently knocks his brief bursts of prose out of the park.”— “Deadpan and life affirming, the stories in this genre-bending debut veer from an apartment complex for the suicidal to a ghostly artists’ colony to the innards of wild things.”—

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“Daphne Bankhead?” I say. It’s moments like these that remind me why this job was open and how lonely even attempting human contact can be.

Then I find her draped over the toilet with red trickling across the floor. She’s wearing a green dress, and her hair is pulled back with yellow barrettes.

I rush over and lift her off the toilet. I yank off two wads of toilet paper and press them to her wrists. She gives me a little smile.

“I thought you were supposed to be here at two thirty,” she says.

“You put down three.”

“My bad,” she says.

I lean her against the side of the bathtub and grab a washcloth to wipe away the blood. The wounds are thin slits across her wrists, although not in the right direction to finish her off. Not unless I’d left her bleeding there for a week or so. Still, the whole thing puts me on edge.

“You’re not supposed to go this far with it,” I say. “I’m not licensed in any medical capacity.”

I look at her face, trying to decide if I’ve seen her in the building before. A thin sheet of sweat is making her forehead shine. I grab a handful of Band-Aids and wrap them one by one around her wrists.

“I guess I got carried away,” she says. “I used to be a bit of a thespian in high school.”

Outside I can hear dogs barking and cars honking by. Daphne smiles and lifts her face to mine.

I might have made a miscalculation earlier. There were certain facts I hadn’t taken into consideration: the French calling the orgasm “le petite mort” or “the little death,” certain theories of Freud’s, autoerotic asphyxiation, and so on. Sex, which is in some sense life, is forever caught up in the struggle with death.

Daphne, with her eyes like fistfuls of diamonds, was yet another mistake.

Patricia in a blue dress. Patricia making me cucumber and cream cheese sandwiches with the crusts cut off for lunch. The cats, Spick and Span, rubbing against her leg as Patricia feeds them the crusts. Patricia with her slanted smile teaching me to dance. Walking down the street arm in arm, an old friend, “Patricia!” Patricia taking cooking lessons. The phone rings, I pick it up: “Patricia?” Patricia fed up. Patricia fed up with my fucking drinking. Patricia: “I know all about it, you asshole. I know all about that fifth-floor slut, Daphne.” Patricia with a suitcase. Patricia with a large yellow suitcase at the door. The door closing. Patricia. Patricia. Patricia.

I lie in bed most nights, thinking of things.

This suicide problem is becoming a real crisis. Especially with the recent deaths (human error crops up everywhere).

I myself am dragged before a judge after Mrs. Murmur finally succeeds. I’ve been drinking since Patricia left, and when the alarm went off, I punched it off the bedside table. A few hours later, I stumbled into Mrs. Murmur’s room, and she was turning blue, her hairdryer’s power cord snug around her powdery neck. Her eyes were still open and staring at me.

The judge asks me how I let this happen after all my training.

“Training, Your Honor?”

“For your certification.”

“Certification, Your Honor?”

I lose the job and am sentenced to five months of community service at the homeless shelter. It’s pretty much the same gig, except it doesn’t pay.

My absence doesn’t stop things. Two days later, Upstairs Jack is in the hospital getting his wrists stitched up. My job is reinstated under the table.

This kind of thing is happening all over the city. People are taking matters into their own hands. The countryside seems immune to the problem, but the city is slowly falling apart. You can’t even turn on a talk show without hearing competing experts shouting their different theories.

The election is looming like a wolf at the gates. The mayor has to do something. When he appears in public, he yanks his tie.

Interrupting a college football game, the mayor announces a plan that I know is Patricia’s. The mayor talks about a great entrepreneur named Dr. Sam. “Dr. Sam has a stunning new product to innovate his native city,” the mayor says. “He will use a series of chemicals to turn our great river into a chromatic display of the city’s emotions. An algorithm will squirt the chemicals into the river based on our citizens’ social media activity. It will create a mood ring flowing all around us.”

Dr. Sam takes the stage wearing a lab coat over his polo and jeans.

“Imagine the innovative rainbow of our collective emotions disrupting the stagnant waters of our beloved river! Samples of the river rainbow can be purchased in-app for $29.99. City Hall will even throw in a free tote bag.”

I turn off the TV and head to my mandatory community volunteering.

The whole city has gone to hell. My cereal is soggy, the citrus is sour. I get lonely. The cat, Spick, meows constantly. Patricia took Span with her, along with the computer and most of our books. She left me the flatscreen though.

The workload is unbearable as more and more people sign up. Now, when I make my rounds, I say, “You idiot! You big dumbo! Stop that, just stop it right now!”

Sometimes Daphne comes to my door. “I was wondering if you wanted to go to the ceremony.”

“Which one?” I say.

“At the Remembering Day Memorial Bridge. Dr. Sam is going to perform the river trick today.”

“I’ll think about it.”

“Then,” she says, “perhaps I’ll see you there.”

“Perhaps.” I clink the ice in my glass until she closes the door.

By the time I get there, the bridge is packed as tightly as a supermarket shelf. I sip a flask of whiskey as I listen to the recycled speeches and watch the middle school talent shows. Finally, a woman in a sparkly dress cuts the ribbon with three-foot scissors.

Everyone around me looks nervous. I look for Patricia but don’t see her. Dr. Sam yanks the large lever, and the blue chemicals jump free into the river. Everyone grows silent. Several mothers hoist their babies high in the air.

We fidget and wait.

The river begins to glow a bright yellow.

There are reports that where the yellow river crashes into the sea, seagulls fly away in fear. There are reports that fish near the river’s mouth leap out of the water to die on the rocks. These reports are not considered credible, and only 40 percent of people polled believe them. Still.

It should be no surprise that timelines and status updates are filled with jokes at the expense of the “yellow river,” but I don’t find them funny. I find the whole situation sad and take to drinking even more.

Time passes in that way it likes to pass, without you even wanting to notice. I do my job for the people who want it, but many move on to more intense experiences. Daphne moves to another city by another river. The mayor is defeated in the election by a younger man with a bigger smile. The new mayor’s mood doesn’t transfer to the citizens though. The river slowly turns back to its traditional brown as the chemicals drain away.

Then one day I run into Patricia as I’m walking alongside the river looking to buy some tomatoes. She looks a bit older and a bit sadder.

“Hello,” she says.

“Long time,” I say.

We walk together up the riverside, reminiscing. We talk for a long time about this and that. Up on the bridge, I can see many people with wide-open eyes. I can almost make out the fear in those eyes, and the tears glinting in the sun. The people carry armfuls of bricks or old appliances to weigh them down. I see Earl and Upstairs Jack standing on the rail. Earl gives me an embarrassed wave.

“Can’t we just start over?” I ask Patricia.

“Will you drink less?”

“I could hide it better.”

“Will there be children?”

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