Hanif Kureishi - Collected Stories

I got a job working as a ‘picker’ at the door of a club in Vienna. I tended to point at the inpulchritudinous and lame until a lunatic kicked me in the stomach. A few days later, having been taken to a casino by another acquaintance, I was boredly smoking a cigarette outside and wondering why people were so keen to rid themselves of their money when a woman came to me. She said she’d been watching me. She liked my eyes. She wanted to make love to me.

She was not old. I must have been looking doubtful. (I wasn’t always sure whether my expression matched my feeling. I wasn’t, yet, convinced of my ability to lie.)

‘I will pay you,’ she said.

‘Have you paid for such love before?’

She shook her head. My deal with myself was not to turn down such offers. I looked at her more closely and said no one had ever offered me a better exchange.

‘Come, then.’

She had a chauffeur, and she took me with her. I sat in the back of the car, being driven through the night to an unknown destination.

She was an American heiress with a partially collapsed villa outside Perugia. She hired an octogenarian pianist to play Mozart sonatas out of tune while she painted me nude looking out at the olive groves. Few portraits can have taken longer. I listened to her for days and strode about in shorts and workmen’s boots, pretending I could mend things, though everything seemed fine as it was. (Is it only in Italy that ruin itself can seem like art?)

There were always her eyes to return to. I still liked having people fall in love with me. There are moments of life you get addicted to, that you want over and over, but then you get frustrated when you can’t go any further, when the thing you’ve most wanted bores you.

My real labour was at night, in her room, where, after taking hours to prepare for me, she’d await my knock. I went at my employment seriously, limbering up, bathing, meditating, a proud professor of satisfaction. What internal trips I took, pretending to be a dancer or rock climber. It was dangerous work, sex, but, as always, it was the terrors and uncertainties which made it erotic. For her there had to be safety at the end, some hours of peace in her mind. I looked out for this on her face when she was asleep, like a blessing, and was pleased, waiting beside the bed to assess her temperature, her hand in mine. Then I would sleep well, alone. My pleasure was in her pleasure. After a few weeks, she wanted me to live with her in New York, if Italy got too slow for me. It did, but I didn’t. I could satisfy her, but only at the cost of disappointing her. I walked away in my boots through the olive trees. Her eyes were on my back; she did not know where her next love would come from, if at all.

I was glad to have the time to walk around the cities, listening to music, always my greatest passion, on my headphones, particularly as, in my previous body, I’d been suffering from some deafness. I went to clubs and made the acquaintance of DJs. I talked about music. But to be honest, in my former guise I could get to meet more interesting people.

However, I loved this multiplicity of lives; I was delighted with the compliments about my manner and appearance, loved being told I was handsome, beautiful, good-looking. I could see what Ralph meant by a new start with old equipment. I had intelligence, money, some maturity and physical energy. Wasn’t this human perfection? Why hadn’t anyone thought of putting them together before?

Like many straights, I’d been intrigued by some of my gay friends’ promiscuity, the hundreds or even thousands of partners. A gay actor I knew had once said to me, ‘Anywhere I go in the world, one glance and I can see the need. A citizen of nowhere, I inhabit the Land of Fuck.’ I’d long admired and coveted what I saw as the gays’ innovative and experimental lives, their capacity for pleasure. They were reinventing love, keeping it close to instinct. Meanwhile, at least for the time being — though it was changing — the straights were stuck with the old model. I had, of course, envied all that sex without a hurting human face, and in my new guise I had plenty of open bodies in close proximity. On one particular day and night I had sex with six — or was it seven? — different people. It’s not something you’d want to do often. Once in a lifetime might just do it.

In Switzerland, through a woman I’d been talking to in a bar, I became acquainted with a bunch of kids in their late twenties who were making a film about feckless young people like themselves. I helped the group move their equipment and was interested to see how they used the new lightweight cameras their parents had financed.

They began to shoot long scenes of banal, everyday dialogue. I was never one to believe that Andy Warhol’s films could be a fruitful model, but I encouraged them to keep the camera still and photograph only the faces of their subjects, letting them speak while I sat behind the camera, asking questions about their childhood. I took these away to a studio, cut some of them together, and put music on. The best version was one where I took the sound of the voices off altogether, but kept the music going. The unreachable, silent, moving mouths — someone trying to be heard, or not being attended to — were oddly affecting. When it was my turn in front of the camera I had myself painted white, with a black stripe down the middle, and called it ‘zebra piece’. One night, we showed the films in a club and the naked zebra danced on stage with a local thrash band.

Others in the group, operating from a collapsing warehouse, were curating shows of contemporary art. Some reasonable things did get done, though no one much noticed. It was irritating when I found myself interested in them as a teacher or parent — the extent of their minds; in how seriously they could take themselves. They didn’t read much; there was a lot of cultural knowledge I took for granted and they didn’t. My own son didn’t start to read or watch decent films until he was almost twenty. He wouldn’t allow us, but only a female teacher, to turn him on to these pleasures. Recently, on the radio I’d said I considered reading about as important as raising poodles. As intended, this had got me into wonderful trouble with the bookworms. The whispering, worshipful tones in which my parents referred to ‘literature’ and ‘scholarship’ had always made me wonder what more could be done with a body than pass information in and out of it.

I had been to a club once, in the early 1990s, to see Prince, with my son and the college lecturer who seemed to be educating him (in bed), Deedee Osgood. Despite the squalor and the fact that everyone but me was virtually naked and on drugs, I loved looking at everyone. Now, most evenings, my new pals took me to clubs. This soon bored me, so they gave me Ecstasy for the first time. Though I had smoked pot and taken LSD, and known people who’d become junkies or cocaine addicts, alcohol was the drug of my generation. It seemed the best drug. I’d never understood why anyone would want to waltz with mephitic alligators.

I doubted whether any of my new acquaintances went a day without a smoke or some other stimulant. As my friends knew, the ‘E’ hit me as a revelation and I wanted it served to the Prime Minister, and pumped into the water supply. I popped handfuls of it every day for a fortnight. It led me into my own body, and out into others’, in so far as there was anyone real there at all. I couldn’t tell. (I liked to call us E-trippers ‘a loose association of solipsists’.) My ardour made my new pals laugh. They had learned that E wasn’t the cure, and the last thing the world needed was another drug philosopher.

But after the purifications and substitutions of culture, I believed I was returning to something neglected: fundamental physical pleasure, the ecstasy of the body, of my skin, of movement, and of accelerated, spontaneous affection for others in the same state. I had been of puny build, not someone aware of his strength, and had always found it easier to speak of the most intimate things than to dance. As a Newbody, however, I began to like the pornographic circus of rough sex; the stuff that resembled some of the modern dance I had seen, animalistic, without talk. I begged to be turned into meat, held down, tied, blindfolded, slapped, pulled and strangled, entirely merged in the physical, all my swirling selves sucked into orgasm. ‘Insights from the edge of consciousness’, I’d have called it, had words come easily to me at that time. But they were the last thing on my mind.