Hanif Kureishi: Collected Stories

‘But you hurt me — physically, I mean — several times.’

‘Did I do that?’ he said. ‘Have you been brooding? If that is why you called, I can remember us wrestling a bit. Didn’t we like to mess about together like kids?’

‘I hated it.’

‘I can’t recall you saying much at the time,’ he said. ‘You’re certainly not one to refrain from complaint, and you always loved any kind of attention. But I am prepared to apologise,’ he said. There was a pause and, I thought, a little giggle. ‘Are you still attractive?’

‘To some people, I hope. Why does it matter?’

He laughed. ‘What else matters except pleasure or at least being cheered up? If only you would come and see me we could clear everything up. And Fred, my dear, if I send you some of my plays and short fiction would you be sweet enough to show them to someone who might help me? I know you have influence and time is shutting me in.’

‘Okay,’ I said.

‘By the way, do you still wake up with an erection?’

‘No, I don’t,’ I said. ‘It is also true that I hadn’t even noticed.’

I should have seen that our conversation wouldn’t provide any of the clarity I’d hoped for. I drank some more, lay down, and reran the spools of memory.

I did like to tease and provoke and I could be, as Fiona liked to point out, an irritating person with a vibe of stubborn negativity. She had moved out of our flat by the time the film started to be made, and I was both bereft and elated, with time on my hands, a lot of which I liked to spend with my friend.

For a few weeks it was just Phillip and I, more or less living together in his flat, though I never slept there. Sometimes I’d walk through the door and he’d cuff me straight off. ‘You behave today,’ he’d say. ‘I’m tired. Don’t mess me around.’ Or he’d encircle my neck from behind and pull me down, leaving me on the floor, or grab my arm and twist it up behind my back. If he was particularly mad, he’d just throw me to the ground and kick me.

Most days he punched me on one or other of my arms, in a slightly different place, so I had continuous bruises above my elbows, like smeared love-bites. One time I dropped a glass and fetched the vacuum cleaner to clear it up. He took the flex and lashed me about the legs as I stood in a corner, attempting to protect myself. ‘This is fun,’ he declared. At other times we’d watch TV together, read newspapers aloud or discuss the Labour Party.

Phillip had begun to see a teacher at the school with whom he had a zealous sexual relationship. He flashed me a photograph of her, saying, ‘I wouldn’t want her meeting you! She nearly tore my cock off.’ He withdrew his key and his physical attention. I could not visit him without phoning. One time I walked past him and the teacher on the street and he only nodded at me as a friendly neighbour. I was his shame. I had collaborated, of course. I didn’t have to see him. I could even have spoken out.

Soon he married the teacher. When I asked why he hadn’t invited me to the wedding he just laughed. The wife lived with him while they waited to move to Rome, where they’d got jobs in an international school.

We spoke on the phone, but I didn’t see him until he called and we had a drink together three months later. He explained he’d be going to Rome alone as the marriage had failed. That was all he would tell me.

His leaving for good without any acknowledgement made me aware that this had been the most anomalous episode of my life. The simple explanation was that at the time when I was most successful, I had requested a smack and received it. But really knowing why, isn’t that the thing?

Still brooding now, I phoned Fiona and asked, ‘Do you remember Phillip knocking me down a few times? Did he hurt me?’

‘I hope so,’ she said.

‘If I’d been a woman in a violent relationship you’d have wanted to make a revolution.’

‘You’re so serious now — someone said to me the other day that you even have gravitas! It’s easy to forget what a flirty and naughty thing you could be,’ was all she said. ‘I’ve been going through my photographs. How young and attractive we were. Why don’t you take me for lunch? You know the new places, don’t you?’

She was the wrong person to ask. Perhaps I would have to visit Phillip. While I vacillated, studying my diaries and making these notes, a niece of his called to say he’d died.

I had been keen to take a boat across that lake, but now, at the funeral hour, I strolled around my old neighbourhood.

The last time I saw Phillip I had invited him to my new loft in a converted industrial building, the first of many places I would buy. I’d got it fresh from a developer, it was more or less empty and at night I liked strolling up and down the wide spaces listening to music, books in piles on the floor, and, from the jacuzzi, looking at the distracting view of the new London skyline of cranes and unfinished buildings. Having decided to acquire an indulgence, I’d begun to collect rock posters, and they, along with a sexy poster for the French production of my play, leaned against the wall. My movie would soon play at festivals before opening all over, which was how I got to buy the flat.

I’d gone to the market in the morning, and made Phillip lunch. I bought new tumblers, plates and napkins, and set them out on my new glass-topped table from the Conran shop. But he wouldn’t even sit down, he was in a hurry, he seemed embarrassed, as if he’d get into trouble for being here, though his wife had gone. He was still going to leave the country, and was in the middle of packing.

‘If you had any balls you’d have a lot of fun here,’ he said. ‘But you’re afraid of women, aren’t you? Of your feeling for them.’

‘Yes.’

‘Still, you’ve been a fortunate little shit.’

I agreed. ‘All this for almost nothing. I should have made less of myself, I know.’ I had been unbuttoning the front of my shirt. Now I tried to take his hand, attempting to stir some sentimentality in him. ‘Why do you have to go? Why can’t we eat and then lie on the bed and watch telly all afternoon?’

‘We never did that.’

‘It was almost all we did.’

He reached for my hand and I thought he was going to kiss my fingers. Instead he grabbed at me and twisted my arm, giving me no choice but to turn as he inched it up my back. Had I teased him too much? I had offered him a glass of wine, saying, ‘This is to celebrate you becoming Doctor Phillip at last,’ perhaps with a little sarcasm, but also with pleasure and pride in his effort.

He continued to bend my arm until I was forced to my knees. From this position I attempted to turn and attack him; however, he pushed me to the ground and I fell awkwardly. When I tried to get up I found my right arm had become useless.

We agreed we had to call an ambulance. Phillip and I sat in casualty for four hours, until a doctor returned my arm to its socket. For a week I walked round with my arm in a sling. The next time I went swimming it popped out again and I had to be carried out of the pool. It was permanently weakened, I was told.

For a while I had to type left-handed. That can’t have been the only reason my next play closed quickly, as did its follow-up. The cruelty and delight which accompanied these failures in the press wasn’t something I needed to experience again. I rented my flat and moved to Los Angeles, writing several unmade American movies, one involving a chipmunk. My agent commented, ‘Your screenwriting reputation will increase until you actually have a movie made. If it tanks, you can kiss your backside, as well as your American career, goodbye.’

At that I came home. It was easy to fail, I found, and for a couple of months I felt I’d been thrown out of my bed and onto the street in the middle of the night. But it didn’t get in my way. I succeeded at property. With the aid of my wife, who was an estate agent in an office around the corner when I met her, but a ‘property investor’ a moment later — and despite the vicissitudes of the capitalism whose end my pals and I had wished for — we kept moving house and buying flats, which we either rented or sold. Within five years I had achieved easily my father’s ambition, never to have to do another honest day’s work.