Their business plan had been to subsist on spillover custom from the annual literary festival in nearby Hay-on-Wye, and the eleven-day event did funnel trade to World’s End. Unfortunately, it had a negligible effect during the remaining three hundred and fifty-four days in the calendar. After a decade, the Mintons sought a buyer for the business, while retaining ownership of the seventeenth-century timber-and-stone property they had restored, including frosted pub windows, wrought-iron servery, plus inn rooms upstairs. An ad on the village bulletin board — crowded out by the notice of a performance by the Harlech Youth Brass Band — received no responses. Nor did a subsequent insertion in The Abergavenny Chronicle . Nor the distracted efforts of a gum-chewing real-estate agent named Ron. Their final attempt involved classifieds in a small-circulation literary publication, one crumpled copy of which found its way onto a train platform in Lisbon in 2009, where Tooly had picked it up. The ad said, “Bookshop for Sale.”
On Tooly’s visit to the place, the Mintons admitted that theirs was a money-losing business and that revenue had declined each year since their arrival. The best that Mr. Minton could say was “Perhaps it’d be interesting for someone who wants to read a lot. With a bit of youthful energy and such, you might do better than we have, financially speaking. But you won’t get rich.” Tooly paid their asking price for the business, £25,000, which included the stock of ten thousand volumes. They were moving back to Bristol, and agreed that the low monthly rent for the shop would include her accommodations upstairs, along with the use of the sputtering purple Fiat.
For Tooly, to suddenly become the owner of thousands of books had been overwhelming. Tall shelves ran down the shop from front to back, the highest-altitude stock unsold, dusty, resentful. On the walls were framed prints: a nineteenth-century map of the world; a cityscape of Constantinople; an Edward Gorey illustration of a villain clutching a sumptuous volume, having shoved its owner off a cliff. The caption was a quote from John Locke:
Books seem to me to be pestilent things, and infect all that trade in them … with something very perverse and brutal. Printers, binders, sellers, and others that make a trade and gain out of them have universally so odd a turn and corruption of mind that they have a way of dealing peculiar to themselves, and not conformed to the good of society and that general fairness which cements mankind.
Against the stacks rested a stepladder that Tooly was always moving to Mountaineering and that Fogg — not recognizing her joke — kept returning to French History. Hidden behind every row was another of as many copies again, a shadow bookshop. On the floor were unsorted boxes, so that one clambered rather than walked through the place. And the damask carpeting was matted with molted cat hairs, once attached to a long-departed pet named Cleopatra.
To indicate sections, the Mintons had attached cardboard signs to the shelves, the subject in tiny cursive if written by Mr. Minton or in looping print with indicative sketches if by Mrs. Minton. Most sections were ordinary: Trees, Plants, Fungi; Recipes & Eating. Others were peculiar (always in Mr. Minton’s tiny print), including Artists Who Were Unpleasant to their Spouses; History, the Dull Bits; and Books You Pretend to Have Read but Haven’t.
Tooly had neither read most of her stock nor pretended to. But gradually she settled among all these books, aided by the amiable presence of Fogg, who’d assisted at the shop since his school days. The Mintons had encouraged him to leave the village and study European literature at university. Instead, he kept coming back with cappuccinos.
On this occasion, he had one for Tooly as well, since he’d forgotten her answer. Settling on his barstool behind the servery, he mouse-clicked the computer to life, streaming a BBC Radio 4 broadcast whose host strove to panic his audience about the modern world, citing Moore’s law and cloud computing and the Turing test and the decline of the brain. “On any smartphone today,” the broadcaster declared, “one has access to the entirety of human knowledge.”
“They need a gadget,” Fogg commented, muting the show, “that records everything that ever happens to you.”
“What do you mean?”
“My point is that … what is my point? Yes, here: if these computers are getting so much the better, then soon — it’s not beyond thinking of it, to be brutally honest — someone will invent a gadget to store everything that happens in your life. When you’re little, you’d get implanted with it, a chip or something. Never have to worry about remembering passwords or arguing over what took place. In a legal dispute, you just pop out your memory chip and show it to the court.”
“And when you get old,” Tooly added, “you could watch the best bits again.”
“They’ll do it in our lifetime. It’s a matter of time, to be brutally honest.” Whenever Fogg stated something obvious, such as “it’s a matter of time” (and what wasn’t?), he spruced it up with “to be brutally honest.”
“What happens to the memory chip after you die?” Tooly asked.
“They save it,” he said. “Future generations could go back and see their great-great-grandparents doing things, and find out what they were like.”
“Except for anyone who’d existed before the invention — people like us. We’d seem the equivalent of prehistoric humans. Don’t you think? We’d be wiped away, ‘swept into the same oblivion with the generations of ants and beavers,’ ” Tooly said, quoting a line whose author escaped her.
Fogg scratched his blondish stubble and looked up at the pressed-tin ceiling, as if generations of ants and beavers were gazing down, awaiting his rejoinder. “But our future ancestors could retrieve our memories somehow,” he said. “People in the future could, sort of, come back and save bits that already happened.”
“You’re getting silly now. I need to file you under Sci-Fi. Anyway, if every second of your life was stored, there’d be too much to deal with. Nobody would have time to go over a memory chip containing everything that happened — you’d waste your life checking the past. You’d have to give up and trust your brain to keep the bits worth saving. And we’d be where we are now.” She disappeared down an aisle, wending past boxes of stock. Tooly had such a particular gait, toes touching down first, balls of her feet slowly cushioning the heel to ground. When she stopped, her feet splayed, back straightened, chin down, a surveying gaze that warmed when she smiled at him, eyes igniting first, lips not quite parting. She descended the creaking stairs to the snug, sat in her rocking chair, resumed the Anne Boleyn paperback.
“The thing I wonder,” Fogg said, having trailed after, ledger pencil flicking in his hand, “is whether horse is an acquired taste or if there’s something genetic in liking it.”
She laughed, enjoying this typically Foggian swerve of subject.
“Though I reckon,” he continued, “that the French only started eating their mares and their colts and their other horse varieties during the Napoleonic Wars, when the Russian campaign fell to pieces, when they were retreating, and it was awful cold, and they had no proper food left. All they had was horses, so they made supper of them. Which is where the French habit of nibbling horses got its start.”
“It was also at that moment that the French began eating frogs, which some of the smaller troops had ridden into battle,” she said. “How much better life would’ve been if they’d arrived at the Russian front on marbled beef!”
“You can’t actually ride cows,” Fogg said earnestly. “Can’t be done. This boy at my school, Aled, tried it once and it can’t be done. As for a battle situation, a cow would be out of the question. What’s important to realize about the French is that …”
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