Kristopher Jansma - The Unchangeable Spots of Leopards

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An inventive and witty debut about a young man’s quest to become a writer and the misadventures in life and love that take him around the globe. From as early as he can remember, the hopelessly unreliable — yet hopelessly earnest — narrator of this ambitious debut novel has wanted to become a writer.
From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s irresistible narrator will be inspired and haunted by the success of his greatest friend and rival in writing, the eccentric and brilliantly talented Julian McGann, and endlessly enamored with Julian’s enchanting friend, Evelyn, the green-eyed girl who got away. After the trio has a disastrous falling out, desperate to tell the truth in his writing and to figure out who he really is, Jansma’s narrator finds himself caught in a never-ending web of lies.
As much a story about a young man and his friends trying to make their way in the world as a profoundly affecting exploration of the nature of truth and storytelling,
will appeal to readers of Tom Rachman’s
and Jennifer Egan’s Pulitzer Prize — winning
with its elegantly constructed exploration of the stories we tell to find out who we really are.

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Aside from the advantages of comfort, with individual armchairs and air-conditioning, we’ve all more or less wasted our money on the observation car. It has been raining for four weeks, as long as I’ve been off the mainland of India, and there’s not much to observe. Great, god-enraged gusts of wind carry down opaque curtains of gray rain. Beyond it, the dense, dark verdigris of rubber trees has grown back with a vengeance over the old British plantations. Occasionally we pass low stretches of tea trees, which curve and wriggle over the hills like hedge mazes in a Victorian garden or the wormy gyri of a brain. But most of the time the rain hides all but the nearest-reaching branches.

Carsten happily passes the first hour of our journey with her headphones clamped on, watching her movie on a little portable DVD player. Tina, meanwhile, flips through the New York Times International Edition. My heart leaps suddenly, when I see LUXEMBOURG in a headline as she turns the page, but it is only an article about a soccer game. I manage to catch that they lost 0–5, and that there is no photograph with the story of, perhaps, some members of the royal family in attendance — then Tina looks up and catches me looking, and I glance away at the nun as a diversion. To my surprise, the nun has set down her Bible and taken out a cellular telephone — an ancient model roughly the size of a brick — and she is punching buttons on it, trying to get a signal. When I look up at Tina again, I can see she is smirking but trying to pretend not to look at me. Still, I know how this game goes. She’ll crack first; she’s too curious not to.

It happens ten minutes later when, as we roll into a clearing, a far-off mountain range comes into view, and we both look up suddenly to take in the sight.

“They look like white elephants,” Tina says to me smartly.

“I’m sorry?”

“The hills.” She nods at my Hemingway. “‘Hills Like White Elephants’?”

I look down at the book and then skeptically back out the window. “I think those are more like mountains than hills.”

“Semantics,” she scoffs. “You’re from the States?”

“Maybe,” I say with a smile. “And you?”

“I’m from Boston,” she says. Then, thumbing at her friend, she says, “She’s a Philly girl.”

I smile at Carsten, who blinks up at me through heavy lashes and then back down at her DVD player. She hits Pause with a manicured nail and then pulls the headphones delicately away from her carefully straightened hair. She smiles with teeth so perfect that they’re utterly unnatural. There’s not a chance they haven’t been braced and bleached.

“Carsten Chanel,” she says, extending a hand to shake mine lazily. It’s the fakest fake name I’ve ever heard in my life, and the look on Tina’s face confirms my suspicions.

With a much more aggressive shake, Tina introduces herself, “Christina Elizabeth Edgars-Boyleston.”

“My name is Outis,” I say.

“Otis?” Carsten laughs.

Ow -tis,” I enunciate. I’m about to explain that it’s Greek when Tina says, surprisingly, “That’s an old Greek name. Right?”

Caught off guard, I stare into her great green eyes. Like cat’s eyes, I think. I wonder what she thinks of mine.

“That’s right,” I say.

“We’ve both been living in Manhattan for years now,” Carsten explains with a dramatically bored flip of her hand. Since they are in their late twenties at most, I’m guessing that they were Barnard students who stuck around after graduation.

“Manhattan! I’ve never been,” I lie.

“You’d love it, Outis,” Carsten says.

“If it’s so great then why aren’t you there now?” I ask.

Carsten smiles and attempts to look mysterious. “We thought we’d take some time off from our careers and, you know, find ourselves.”

“Any leads so far?” I ask.

Carsten looks confused; Tina snorts and hides a smirk behind a pale hand.

“Is that supposed to be funny?” Carsten asks.

I back down graciously. “My apologies. It’s been a long time since I’ve had a real conversation with anybody but myself.”

Carsten seems to consider this, but fortunately we are interrupted by a knock at the door and a tall Sri Lankan boy enters pushing a cart. He is maybe sixteen and wears a golden traditional-looking uniform. “Excuse me, please. Stuffed fig? Bibikkan? Pastry?”

“Drinks?” Carsten asks immediately. The boy nods his head.

“Portello soda and vodka?” Carsten orders.

I like the lovely little lilt of her “vah-kah?” though I immediately gag at the mention of the purple, hypersugary berry-and-cream-flavored soda brought over long ago by the Brits and gleefully sold now by the Coca-Cola corporation. I think I can see the guy gag, too, as he bends down to prepare the drinks. There’s something about the way he moves, actually. Cocky, smooth motions that belie the somewhat nervous look in his eyes. He reminds me of a boy I used to know, when I was his age, when I strung rackets at a Carolina country club.

“Arrack and ginger beer,” Tina orders. The boy nods approvingly, and I must concur. It is an excellent combination.

I see that the boy is drinking a thick, milky syrup from a small glass on the edge of the cart.

“Toddy for me,” I say, pointing to his glass.

The boy balks. “No, no, man. You don’t want toddy.”

“I do,” I say. “I’m sure. Don’t worry.”

“Outis, do you mind if I ask… what’s a toddy?” Tina is eager eyed.

“It’s kind of like the arrack but not as refined. Basically it’s a wine made fresh from palm sap. Sort of local swill. Usually they don’t have it on the trains, but our friend here has some stashed down there, I can see it.”

“Two of those then,” Tina says.

“No no no no,” the boy laughs. “Not for ladies!”

Tina takes direct affront to this. “ Yes , for ladies. Come on! You think I can’t handle it? Let’s go. You and me, kid!”

The boy, delighted, reaches down for a repurposed soda bottle and pours out three glasses. The nun has stopped playing with her cellular phone and is now watching us with very curious amusement from behind her round-rimmed glasses.

“That looks foul ,” Carsten weighs in as the boy passes the cups. The liquid inside vaguely resembles detergent.

“The Tamil people have this book of little parables in couplets,” I say to Tina, “called the Thirukkural … ”

Thirukkural, ” the boy whispers happily. “You have read?”

“Parts,” I say, pinching my fingers together to indicate a small amount. Then, back to Tina, I explain, “There’s a whole chapter called ‘The Abhorrence of Toddy.’”

Tina’s great green eyes are fixed wide, with curiosity befitting a jungle cat. I certainly do like a girl who appreciates a forbidden drink. Meanwhile, Carsten has begun holding her nose against the smell.

Our glasses in hand, the boy whispers, “Cheers!” We toss back the toddy. It is coconut sour and yeasty sweet, and it chills and burns like liquid nitrogen going down our throats. The kid is pouring out three more before Tina has stopped coughing. There is a wide smile on the little nun’s face, and it just about makes me want to ask her to join us.

“Grrr- oss ,” Carsten pronounces as she sips her drink. The purple seems to stick to her teeth just slightly.

“So you two have been, what? Eating, praying, loving?”

“Something like that,” Tina answers with a smirk, and is about to say more but, predictably, Carsten has become tired of not being the center of attention.

“Have you ever been in a threesome, Outis?” she asks daringly.

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