James Salter - Burning the Days

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This brilliant memoir brings to life an entire era through the sensibility of one of America's finest authors. Recollecting fifty years of love, desire and friendship,
traces the life of a singular man, who starts out in Manhattan and comes of age in the skies over Korea, before reinventing himself as a writer in the New York of the 1960s.
It features — in Salter's uniquely beautiful style — some of the most evocative pages about flying ever written, together with portraits of the actors, directors and authors who influenced him. This is a book that through its sheer sensual force not only recollects the past, but reclaims it.

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Suddenly off to the left there was a glimmer that became — I was just able to make it out — a faint string of lights and then slowly, magically, two parallel lines. It was the bridge at Poughkeepsie. Dazed with relief I tried to pick out its dark lines and those of the river, turning to keep it in sight, going lower and lower. Then, in the way that all things certain had changed that night, the bridge changed too. At about a thousand feet above them, stricken, I saw I was looking at the street lights of some town.

The gauges read fifteen gallons. One thing that should never be done — it had been repeated to us often — was to attempt a forced landing at night. But I had no choice. I began to circle, able in the mist to see clearly only what was just beneath. The town was at the edge of some hills; I banked away from them in the blackness. If I went too far from the brightly lit, abandoned main street, I lost my bearings. Dropping even lower I saw dark roofs everywhere and amid them, unexpectedly, a blank area like a lake or small park. I had passed it quickly, turned, and lost it. Finally, lower still, I saw it again. It was not big but there was nothing else. I ducked my head for a moment to look down — the number beneath each index line was wavering slightly: ten gallons, perhaps twelve.

The rule for any strange field was to first fly across at minimum altitude to examine the surface. I was not even sure it was a field; it might be water or a patch of woods. If a park, it might have buildings or fences. I turned onto a downwind leg or what I judged to be one, then a base leg, letting down over swiftly enlarging roofs. I had the canopy open to cut reflection, the ghostly duplication of instruments, the red warning lights. I stared ahead through the wind and noise. I was at a hundred feet or so, flaps down, still descending.

In front, coming fast, was my field. On a panel near my knee were the landing light switches with balled tips to make them identifiable by feel. I reached for them blindly. The instant they came on I knew I’d made a mistake. They blazed like searchlights in the mist; I could see more without them but the ground was twenty feet beneath me, I was at minimum speed and dared not bend to turn them off. Something went by on the left. Trees, in the middle of the park. I had barely missed them. No landing here. A moment later, at the far end, more trees. They were higher than I was, and without speed to climb I banked to get through them. I heard foliage slap the wings as just ahead, shielded, a second rank of trees rose up. There was no time to do anything. Something large struck a wing. It tore away. The plane careened up. It stood poised for an endless moment, one landing light flooding a house into which an instant later it crashed.

Nothing has vanished, not even the stunned first seconds of silence, the torn leaves drifting down. Reflexively, as a slain man might bewilderedly shut a door, I reached to turn off the ignition. I was badly injured, though in what way I did not know. There was no pain. My legs, I realized. I tried to move them. Nothing seemed wrong. My front teeth were loose; I could feel them move as I breathed. In absolute quiet I sat for a few moments almost at a loss as to what to do, then unbuckled the harness and stepped from the cockpit onto what had been the front porch. The nose of the plane was in the wreckage of a room. The severed wing lay back in the street.

The house, as it turned out, belonged to a family that was welcoming home a son who had been a prisoner of war in Germany. They were having a party and had taken the startling noise of the plane as it passed low over town many times to be some sort of military salute, and though it was nearly midnight had all gone into the street to have a look. I had come in like a meteorite over their heads. The town was Great Barrington. I had to be shown where it was on a map, in Massachusetts, miles to the north and east.

That night I slept in the mayor’s house, in a feather bed. I say slept but in fact I hung endlessly in the tilted darkness, the landing light pouring down at the large frame house. The wing came off countless times. I turned over in bed and began again.

They came for me the next day and I watched them load the wreckage on a large flatbed truck. I rode back with the remains of the plane. In the barracks, which were empty when I arrived, my bed, unlike the rows of others, was littered with messages, all mock congratulations. I found myself, unexpectedly, a popular figure. It was as if I had somehow defied the authorities. On the blackboard in the briefing room was a drawing of a house with the tail of an airplane sticking from the roof and written beneath, Geisler’s student. I survived the obligatory check-rides and the proceedings of the accident board, which were unexpectedly brief. Gradually transformed into a comedy, the story was told by me many times, as I had felt, for a shameless instant, it would be that night when the boughs of the first trees hit the wings before I saw the second. There was a bent, enameled Pratt and Whitney emblem from the engine that I kept for a long time, until it was lost somewhere, and years later a single unsigned postcard reached me, addressed care of the Adjutant General. It was from Great Barrington. We are still praying for you here, it said.

Confident and indestructible now, I put a dummy of dirty clothes in my bed and one night after taps met Horner near the barracks door. We were going off limits, over the fence, the punishment for which was severe. Graduation was only days away; if we were caught there would be no time for confinement to quarters or walking the Area; the sentence would be more lasting: graduating late and loss of class standing. The risk, though, was not great. “Anita is coming up,” he told me. “She’s bringing a girlfriend.” They would be waiting in a convertible at the bottom of a hill.

Anita was new. I admired her. She was the kind of girl I would never have, who bored me, in fact, and was made intriguing only by the mischievous behavior of Horner. In some ways I was in that position myself, his Pinocchio, willing and enthralled.

Anita was the daughter of a carpet manufacturer. She wore silk stockings and print dresses. She had red fingernails and was tall. Her efforts to discipline Horner were ineffective and charming. “Well, you know Jack …,” she would explain helplessly. I did know him and liked him, I think, at least as much as she did and probably for longer.

Staying close to the buildings we made it in the darkness to the open space near the fence and climbed over quickly. The road was not too long a walk away. We came over a slight crest and halfway down the hill, delirious in our goatlike freedom, saw the faint lights of the dashboard. One of the doors was open, the radio was softly playing. Two faces turned to us. Anita was smiling. “Where the hell have you been?” she said, and we drove off towards Newburgh to find a liquor store. Jack was in front with her; their laughter streamed back like smoke.

The Anitas. I had more or less forgotten them. Ages later, decades, literally, in the deepest part of the night the telephone rings in the darkness and I reach for it. It’s two in the morning, the house is asleep. There is a cackle that I recognize immediately. “Who is this?” I say. To someone else, aside, gleefully he says, “He wants to know who it is.” Then to me, “Did I wake you up?”

“What could possibly give you that idea?”

Another cackle. “Jim, this is Jack Horner,” he says in a businessman’s voice. He was divorced and traveling around. “Doing what?” I ask. “Inspecting post offices,” he says. Bobbing around his voice are others, careless, soft as feathers. One of them comes on the phone. “Where are you?” I ask. My wife is sleeping beside me. A low voice replies, “In a motel. About three blocks from you.” She adds a burning invitation. In the background I can hear him telling them I am a writer, he has known me since we were cadets. He tries to take the phone again. I can hear them struggling, the laughter of the women, his own, high and almost as feminine, infectious.

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