Hanif Kureishi - Love + Hate - Stories and Essays

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An inventive, thought-provoking and characteristically bold collection of short fiction and essays from Hanif Kureishi, centered around the vexed relationship between love and hate.
In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood.
The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings — a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

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There is, at least, some relief in diagnosis. One is not alone, but joins a community of others who appear to have a similar condition. But can the inability to do a particular thing be described as a ‘condition’ at all? Would the fact I can’t do the tango, read music or speak Russian be considered a ‘condition’? Is it a failure of my development? Am I ill?

I wasn’t much impressed by the imagination and curiosity of the experts: they used an awkward, objectifying language that sounded borrowed rather than earned, and none made the elementary connection between my competence at reading and writing, and the boy’s inability, or refusal. And it usually isn’t long, with an expert, before they begin to talk, fashionably, about brains and chemicals. Biological determinism is one of psychology’s ugliest evasions, removing the poetic human from any issue.

An appeal to the certainties of science might seem finally to settle any question. But this is an ethical issue rather than a scientific one. It is values, not facts, which are at stake here. It is in the irritating human realm where the interesting difficulties are, and where one might have to really think about, and deal with, an individual’s history, circumstances and reactions. It is the attempted standardisation of a human being and a limited notion of achievement which is limiting, prescriptive and bullying.

An eighteen-year-old acquaintance of one of my older boys mentioned that he’d been given Ritalin by a doctor, under his parents’ instruction. He couldn’t concentrate at school; his mind, he said, kept scattering off in numerous directions. He couldn’t get anything done, and he was anxious that he was falling behind in life, and this was depressing him. I said that perhaps the teachers were dull, or that he had other, more pressing things on his mind. But he insisted that the drug focused him. He asked me whether, given the choice, I wouldn’t prefer to focus at will.

This is a good question and I thought about the virtues of being focused, and what could be achieved with the full beam of concentration, within an intense charmed circle of attention, when the mind, feeling and will are linked. As a teenager, in particular, I wanted to be good at things, to shine, but, like the Ritalin boy, I fell badly behind at school, finding myself not only unable to learn but at the bottom of my class. I walked out of secondary school, and a semi-skinhead violent street culture, with three O levels, feeling as if I’d been badly beaten for five years. Fortunately I could tell myself it was still the late 60s, I was a rebel and didn’t fit in — no one with any imagination could.

When I consider that wretched period now, I can see I wasn’t enjoying a creative distraction, a vacation from the drudgery of a bad education, but was enduring a tantrum. Having shut myself off, I was suffering from a form of intellectual anorexia — the refusal to be given anything, to take anything in. As a result of that self-stymieing I lost hope and believed I’d never catch up or achieve anything. It was a short period in my life, but I haven’t forgotten that early deficit. Sometimes I wonder if I’m still compensating for it. It was a relief for me eventually to discover some competence as a writer, though this was later, and it took me a long time to see its value, to understand that I had a gift and some intelligence, and that I might develop these, or even build my life around them.

When I was failing — and it was very isolating — I envied the love and accolades which the competent and the clever received. I thought that anyone would want such attention and admiration, and that it would lift their spirits. Competence, for me, was even preferable to beauty since any consideration received was earned and deserved.

For me, now, things do get done; books are finished, and other projects are started which are also finished. They take the time they take, and the breaks are as important as the continuities. Only a fool or an educationalist would think that someone should be able to bear boredom and frustration for long hours at a time and that this would be an achievement. Of course, without the ability to bear unpleasant affect, nothing is completed, but concentration follows interest and excitement, and the adults have a duty to give the kids good things, while the kids have to find a way to accept them.

What I might have said to my son’s friend is that it is incontrovertible that sometimes things get done better when you’re doing something else. If you’re writing and you get stuck, and you then make tea, while waiting for the kettle to boil the chances are good ideas will spontaneously occur to you. Seeing that a sentence has to have a particular shape can’t be forced; you have to wait for your own judgement to inform you, and it usually does, in time. Some interruptions are worth having if they create a space for something to work in the fertile unconscious. Indeed, some distractions are more than useful; they might be more like realisations, and can be as informative and multi-layered as dreams. They might be where the excitement is.

You could say that attention might have to be paid to intuition; that one can learn to attend to the hidden self, and there might be something there worth listening to. If the Ritalin boy prefers obedience to creativity — and who can blame him for wanting to cheer up the authorities? — he might be sacrificing his best interests in a way that might infuriate him later. A flighty mind could be going somewhere.

I might have been depressed as a teenager, but I wasn’t beyond enjoying some beautiful distractions. Since my father had parked a large part of his library in my bedroom, when I was bored with studying I would pick up this or that volume and flip through it until I came upon something which interested me. I ended up finding, more or less randomly, fascinating things while supposedly doing something else. Similar things happened while listening to the radio, when I became aware of artists and musicians I’d never otherwise have heard of. I had at least learned that if I couldn’t accept education from anyone else, I might just have to feed myself.

From this point of view — that of drift and dream; of looking out for interest, of following this or that because it seems alive — Ritalin and other forms of enforcement and psychological policing are the contemporary equivalent of the old practice of tying up children’s hands in bed so they wouldn’t touch their genitals. The parent stupefies the child for the parent’s good. There is more to this than keeping out the interesting: there is the fantasy and terror that someone here will become pleasure’s victim, disappearing into a spiral of enjoyment from which they will not return.

It is true, however, that many people, often called obsessives, have spent their lives being distracted, keeping away, often unknowingly, from that which they most want, thus brewing in themselves a poison of disappointment, bitterness and despair. But there are still, as the Ritalin boy seemed to know, forms of distraction which can be far more harmful. We can attack ourselves unknowingly: we might call this corrupted desire, as if we are possessed by a demon whose whispers are cruel diminutions of the self, destroying creativity and valuable connections, until enervation and self-hatred make a living death.

It is said that distractions are too easy to come by now that most writers use computers, though it’s just as convenient to flee through the mind’s window into fantasy. In the end, a person requires a method. I mean that he or she must be able to distinguish between creative and destructive distractions by the sort of taste they leave, whether they feel depleting or fulfilling. And this can only work if he is, as much as possible, in good communication with himself — if he is, as it were, on his own side, caring for himself imaginatively, an artist of his own life.

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