Walter Kempowski - All for Nothing

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All for Nothing: краткое содержание, описание и аннотация

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Winter, January 1945. It is cold and dark, and the German army is retreating from the Russian advance. Germans are fleeing the occupied territories in their thousands, in cars and carts and on foot. But in a rural East Prussian manor house, the wealthy von Globig family tries to seal itself off from the world.
Peter von Globig is twelve, and feigns a cough to get out of his Hitler Youth duties, preferring to sledge behind the house and look at snowflakes through his microscope. His father Eberhard is stationed in Italy — a desk job safe from the front — and his bookish and musical mother Katharina has withdrawn into herself. Instead the house is run by a conservative, frugal aunt, helped by two Ukrainian maids and an energetic Pole. Protected by their privileged lifestyle from the deprivation and chaos around them, and caught in the grip of indecision, they make no preparations to leave, until Katharina's decision to harbour a stranger for the night begins their undoing.
Brilliantly evocative and atmospheric of the period, sympathetic yet painfully honest about the motivations of its characters, All for Nothing is a devastating portrait of the self-delusions, complicities and denials of the German people as the Third Reich comes to an end. Like deer caught in headlights, they stare into a gaping maw they sense will soon close over them.

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But the curator anxiously told the soldiers not to forget the majolica ware. ‘Go carefully with that!’

Paintings were carried out one by one, tiny flower pieces, small pictures on rural subjects, and The Battle of Tannenberg , a large battle scene that would probably have been described anywhere else as a frightful daub. It showed mounted messengers on rearing horses, soldiers in spiked helmets firing at the enemy, grenades exploding at regular intervals. Dead Russians and wounded Germans. Two field marshals could clearly be seen in the foreground, one pointing to a map on a table in front of him, the other agreeing with whatever he was saying. Rumpler-Taube aircraft flew against the background of a sky sprinkled with shrapnel, taking part in the battle whenever possible. You could tell which were the enemy planes because they were crashing to the ground. There was a tear in the canvas. ‘We didn’t do that,’ said the soldiers carrying the pictures out. ‘It was already there.’

To the left of the door hung the portrait of a plump princess in a sky-blue dress, a fur collar, and with many medals on her breast. She was to become the Tsarina Catherine the Great, insatiable in her thirst for love but a good friend of Prussia. She had travelled through this town on her way to St Petersburg, and the people were still telling risqué stories about her.

That portrait was also taken down, wrapped in a blanket and taken away, although it might have been advisable to carry it in procession to face the furious Russians: ‘Look at her, the German nation’s great friend!’

The snag there was that she had been German herself.

The soldiers left The Coming of the Holy Ghost where it was as well. It was a huge panel from the old parish church that had been demolished in the Middle Ages. The disciples had little flames on their heads and a dove hovering over them. ‘We might as well leave this thing,’ said the soldiers. The curator wasn’t so sure. It went against his instincts, but perhaps this or that could be retrieved later.

They left the stained-glass windows where they were, too; they would probably break in transit anyway.

*

Peter helped to carry things out. The documents in the town archives were to be preserved as well, in a whole series of folders, and with many boxes containing archaeological finds. Didn’t one of the boxes have the name Hesse on it? That country teacher with his Stone Age stuff had had the right idea. Wouldn’t those items help to show that East Prussia was an ancient German land?

The curator with the Party symbol stood at the exit from the museum, saying, ‘Careful, careful, all this is irreplaceable!’ every time the soldiers carried anything past him. He was holding a little box containing the municipal seal. ‘This is particularly valuable, don’t let it out of your sight.’

He didn’t even notice how cold he was. Why, he wondered, am I shivering like this?

‘I think that’s everything,’ he said in the end. ‘Now we can set out.’ He would just go to fetch his wife and daughter …

Wife and daughter? How old was his daughter?

‘Sixteen.’

‘Sure, we can find room for her.’

Peter was asked what he thought he was doing, hanging round here. And what was that box under his arm? A schoolboy’s microscope?

Why didn’t he say so before, for heaven’s sake? When at last they were ready, the curator of the museum got into the cab of the truck with his wife and daughter. ‘We’ll just have to squeeze up a bit,’ said the driver.

The soldiers jumped up on the load area, and Peter, coming to a quick decision, swung himself up too. Then they were off. The box containing the municipal seal was left behind on the museum steps, but Peter’s microscope was jammed under his arm.

Hooting, they drove past the farm carts standing in the streets. Peter looked back over the load area at the long line of carts.

I wonder, he thought, whether anyone will ever paint that ?

Local police officers stood at the town gate, to check that everyone who wanted to go through it had the right papers. And to stop anyone trying to run away. Heil Hitler. They had heavy pistols in their belts, and badges on chains round their necks. They let vehicles through one by one. When the truck had finally been through this procedure and could go on, and the driver was putting it into first gear and accelerating, Dr Wagner came running along, gesticulating and shouting, ‘Stop, stop!’ Peter knocked at the driver’s cab, asking them to pick the gentleman up, but in vain; there was no time. With one last effort, Dr Wagner jumped up to the back hatch of the load area but missed it, slipped off and fell into the street, where a heavy vehicle ran over him.

‘Oh no!’ cried Peter, falling backwards on the load area.

Was that what Dr Wagner had meant by perfection?

Outside the town, going down the road lined with wrecked cars, corpses and looted luggage, they were driving past more carts trekking towards the town. When they went round a bend Peter threw his weight against the angle of the truck, to keep the pictures from falling over. The pestles belonging to the querns rolled about on the load area in semicircles, sometimes colliding with each other and setting off sparks.

For a while Peter counted the carts they were passing. Were there thousands of them? How long had they been on the road? It was always the same, everyone intent on getting away over the ice of the Haff to the spit of land that was the Nehrung, and from there home to the Reich.

Is Pomerania our fatherland?

Is Swabia our fatherland …

All Germany’s our fatherland.

And they would surely be welcome there.

After a few kilometres, an untidy column of prisoners joined the main road, soldiers guarding it left and right. The prisoners were dragging themselves unsteadily along with the last of their strength. They had wrapped themselves in blankets to keep off the cold.

‘Who are that lot?’ asked one of the soldiers in the truck.

‘The children of Israel,’ replied a guard.

‘They should be made a head shorter!’ And if the speaker had had stones he would have thrown them, but he couldn’t be bothered to pick up the pestles rolling about at his feet.

It took some time for Peter to understand what kind of prisoners these really were, and then it occurred to him that his mother might be with them. He looked more closely at the women. Her white fur cap … could he see it?

Did he see the white fur cap?

He took the half-loaf out of his pocket, thinking he should break some off and throw it to the prisoners, like the parents in the fairy tale throwing bread to their children. But the half-loaf was a block of ice.

That was the last time that Peter saw his mother, although he hadn’t really seen her at all.

The truck stopped at the Frisches Haff, their journey’s end. There was nowhere else to go. The land and brackish water of the Haff were frozen over. Hundreds of carts were waiting. They were led out separately on to the surface of the ice. The wounded were taken out first, Heil Hitler, and then the vehicles went back. You had to keep your distance — fifty metres apart or the ice would break. Fir trees and bushes showed the path where it was safe to stand. It was risky to stray from it. Horses’ heads looked out of the ice where carts had fallen in. The drivers of farm carts had tried and failed to overtake the trek.

The museum curator was looking for the local commandant. He wanted to tell him that there were all kinds of valuable cultural artefacts on the load area of the truck. Heil Hitler!

Cultural artefacts? What did he mean?

The officer in command of the escort party was fetched, and said they could be accommodated elsewhere.

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