Ruth Galm - Into the Valley

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Ruth Galm’s spare, poetic debut novel, set in the American West of early Joan Didion, traces the drifting path of a young woman caught between generations as she skirts the law and her own oppressive anxiety. Into the Valley B. is beset by a disintegrative anxiety she calls “the carsickness,” and the only relief comes in handling illicit checks and driving endlessly through the valley. As she travels the bare, anonymous landscape, meeting an array of other characters — an alcoholic professor, a bohemian teenage girl, a criminal admirer — B.’s flight becomes that of a woman unraveling, a person lost between who she is and who she cannot yet be.

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The party was in a run-down Victorian in the neighborhood where the young people flocked. Stairs led to a railroad flat with fewer people than B. had imagined, a phonograph playing a rock band she did not know, one sagging couch. Pages from books were taped to the wall, a Dylan Thomas poem, an illustration of what she guessed from the many arms and blue skin was some Hindu god, an astrological chart over a dying, half-brown ficus in the corner. Her date left to talk to friends and a woman near the liquor table handed B. a paper cup of wine and began asking her whether she understood that an orgasm was a basic human right. “I mean like food and oxygen,” the woman clarified. She demanded to know whether B. let strangers call her by her first name. “They do it at the doctor’s office, the dry cleaner’s, and you need to tell them. Instruct them. ‘It’s Miss Smith, thank you.’ I mean, would they call a man by his first name?” The woman glowered, seemingly at the dry cleaners and grocery men in her mind. “It’s the insidious shit that keeps us down.”

Her voice began stirring up the carsickness. B. drank more wine. But the tight spinning at the back of her neck seemed to coat the room and yellow the walls. B. excused herself to the bathroom to escape and wandered into a dark hallway that seemed to go on forever. At the end of it was a woman. She sat in the dark on the floor, wearing, B. could just make out, a short dress the weight of a handkerchief, with African-looking patterns and a deep V in front showing her nipples; her hair went past her shoulders, her sandals snaked up her legs. She did not move at B.’s approach. Her trance was total, her head tilted back, her eyes rolling under their lids. B. understood from all these signs that the woman was on a “trip,” that she was beyond herself, in another realm. B. had no interest in acid. But she could not stop watching the woman. She would have reached out to touch her, to ask for her advice somehow, to look into her eyes — perhaps help her cover the nipples — if B.’s date had not found her, with his sulfurous breath and another story about organizing the workers (to which B. asked if he spoke Spanish and to which he’d replied that this was beside the point). He led her back into the party and B. lost the woman in the dark.

The other woman swirling in her mind was dead. B. had heard about it from one of the secretaries: the woman had been running across the street — her hair and nails clearly just done, the cherry red polish shining brightly in the sunlight — and then she had gone up and over the hood of a car and onto the ground. Her grocery bag torn and a wine bottle staining the asphalt and freshly cut daisies shivering in blood. All of which details B. saw vividly in her mind, the secretary having mentioned none of them. B. remembered thinking at the time that this woman had probably felt everything was “working out.” She’d bought the wine and picked the flowers and manicured her nails. And B. had felt a strange relief for her.

She sat like this under the oak tree, her mind confused but soft, the two women swirling, for she did not know how long. The heat dissolved. At some point, the chaparral shivered on the hillside. Stories of mountain lions pierced her trance briefly, but she did not want to move. She felt as if she was just on the other side of something — an answer? a riddle? But the woman from the party frightened her and the woman in the street was dead. There was nothing to put together. She grazed her fingernails back and forth in the dirt.

When the chaparral below her rustled again, she forced herself up. She climbed higher through the hard dirt and dried grass. She looked back for the mountain lion and at that moment stabbed the sole of her foot. The piece of glass was partway in. She removed it. She limped along without stopping. The top of the buttes was too near.

When she got there, it felt as if she were in one of the banks. The silence and remove, the calm and peace. A pleasant cloudiness spread through her, making nothing particular about her in that moment, everything fluid and easy to deflect; no stories, no afflictions; she was only a vapor. Her foot stung, her mouth gluey, the sun burning directly on her scalp. A trickle of blood ran from her foot; the cut was marbled with dirt. And yet in this moment above the pink smogged air, she could occlude from her mind further thoughts about waiting, marriage, about things “working out,” about the drugged woman at the party and the dead woman in the street. She thought vaguely she must get a bandage. She thought vaguely, I’d like to sleep here. It was only the idea of the mountain lion that kept her from lying down in the dirt and dead grass to stay. Finally, after an hour or so, she forced herself to go down again the way she’d come, limping on the side of her foot.

Something on the way down glinted in the sun. A pocket knife in the grass, the blade open. She could not think why it would be there. She picked it up and took it with her. Her mind was already losing its relaxedness, the pleasant cloudiness dissipating. Thoughts began to crowd her again. . Seventeen, eighteen, maids a-waiting . . She walked faster. The cut brushed on each step.

By the time she came back to the Mustang, the sun was coming down the western half of the sky. Her feet and hands were filthy, her face and shoulders red. Flies buzzed her neck. In the car, she tore a piece of the map and wiped away the blood and wrapped the paper around her foot. She put the heels back on. When she tilted the rearview, there was a streak of dust across her chest and a fingerprint of blood at her collar bone. She tilted the mirror away and drove.

She drove south. Huge trucks barreled by her on the freeway. She was light-headed from hunger and thirst. She stopped at a taco stand off an exit ramp. A small Mexican man stood at a window in the side of a trailer, a short heavyset woman behind him at a grill. There was no shade anywhere as the late afternoon sun bore down on them. The smell of onions and sizzling pork made B. momentarily sick. She braced herself against the counter. The woman handed her a paper cup of water. “You alright, ma’am?” B. gulped it down and nodded, trying to smile. She ordered a taco and an orange soda. There was a third Mexican leaning on the trailer, chatting with the cook in Spanish. He was laughing and B. saw him look at her feet, the torn map, her dress. When the taco was ready, she went back to the Mustang although it was stifling inside. She gulped down the soda in one pull. She took a few bites of the taco but nausea and dizziness made her stop and she wrapped it back in its tinfoil and put it on the floor. She lay across her seats for a moment, trying to push through the dizziness.

She never should have left the buttes, she thought.

She made herself rise and start the engine. The light was copper through the car but B. did not notice it. She repeated to herself the nursery rhyme. Then she repeated to herself to the rhythm of the concrete breaks: get there, get there, get there. Her foot throbbed. Images of the realtor and the blue-smeared eyes of the girl returned. And it was not until the sky turned gray and the fields had dimmed that she finally realized: the banks were closed.

19

When she entered the next town, a college town, there was already a sliver of moon. In the absence of a bank she must get to a motel and lie down, she told herself. But first a bandage. She scanned the streets for a drugstore. Everything deserted, the campus empty. The student-rented houses looked derelict even in the dark, couches on sidewalks, sagging stairs and porches, overgrown straw lawns. She parked the car to find a corner store at least. She walked through the abandoned campus. Crickets buzzed loudly. Her feet were raw in the bone-colored heels, the wound oozing through the paper. She sat on a bench. A few young people passed along the cement paths, in and out of pools of lamplight. The crickets droned on, the air smelled of grass, the night was hot. From nowhere it seemed a man came out of the dark and sat next to her.

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