Saïd Sayrafiezadeh - New American Stories

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New American Stories: краткое содержание, описание и аннотация

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Ben Marcus, one of the most innovative and vital writers of this generation, delivers a stellar anthology of the best short fiction being written today in America.
In
, the beautiful, the strange, the melancholy, and the sublime all comingle to show the vast range of the American short story. In this remarkable anthology, Ben Marcus has corralled a vital and artistically singular crowd of contemporary fiction writers. Collected here are practitioners of deep realism, mind-blowing experimentalism, and every hybrid in between. Luminaries and cult authors stand side by side with the most compelling new literary voices. Nothing less than the American short story renaissance distilled down to its most relevant, daring, and unforgettable works,
puts on wide display the true art of an American idiom.

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But when he tried to hold a pen in his hand, he could not; and when he tried to focus his eyes on the piece of paper lying beside the cash register — it was the scrap of a receipt on which the girl had penciled Kate’s American Express information — he found that his mind was frantic. This was his disorder. This was the descent. He crumpled the receipt and shoved it into his pocket. He reached for the bouquet. The girl had put water in the vase.

Had you been walking downtown on Broadway that February night at a little past eight, you might have seen a man hurrying toward you with a great concrescence of blooms. You might have noticed that he did not even pause for traffic signals, but charged across streets against the lights; and so you might rightly have supposed that he could not see through the flowers that he held (doing what he could to keep clear of thorns) at arm’s length before him. Whenever a siren sounded in the distance — and, once, beating helicopter blades in the night sky caused him to sprint up a side street — he dropped into a furtive, crouching gait. His balance was off; he was paranoid about police. Windblown flowers lashed at his head. Seen from a distance, he might have brought to mind an old, out-of-favor stereotype: the savage in a headdress. But as he came closer, you would have noticed his European clothes, his stylish haircut; and you might have asked yourself, “What’s wrong with that man?”

Had you stepped to the side as he hurtled past, tightened your scarf securely around your neck, and continued on your way, you might next have encountered a young woman on a street corner, distraught and coatless. “Did you happen to see a man carrying a bouquet of flowers?” she might have asked in a startled voice, and you would have looked away from her bare, pale legs, pointed upwind, and told her, “He went that way.” By then, the first snowflakes would have been swirling through the caverns between the apartment buildings, down onto the thoroughfare.

Jim looked up and saw the snow on his way into Lorenzo’s. For an instant, he took it as an omen — of what, though? He pulled hard on the restaurant door, forcing it open, and stumbled with his tattered flowers into the dark realm between the door and the velvet drapes that had been hung to keep the cold from sweeping in over diners at the front of the room.

He parted the curtains. “Pardon me,” he said to the people seated near the entrance. Long- and short-stemmed flowers alike had snagged on the drapes. Now a waiter approached — and here came Lorenzo, too, calling, in his soft, ristoratore’s voice, “ Ciao, James. Ciao. I cannot call you Jim, you know.”

“Lorenzo, ciao, ” Jim said. The waiter was busy tugging on the curtains. Lorenzo lent a hand. “This way, try this way,” Lorenzo instructed. Jim spun left then right, enshrouding himself — and the bouquet — within the folds of drapery fabric. There followed a flurry of petals. The rose thorns came loose; the bouquet’s topmost stems sprung free. He tumbled out into the room.

“I’m good, I’m fine,” he said, nodding reassuringly (he hoped) to Lorenzo, the waiter, the people who’d turned in their seats to stare.

“What has happened to you, James?” Lorenzo pulled his white silk pocket square from his breast pocket and reached around the yellow and pink and blue and white flowers to dab at Jim’s forehead.

“I ran all the way here,” Jim said.

“You’re bleeding,” Lorenzo told him. Jim saw the blood spotting Lorenzo’s handkerchief.

Lorenzo said, “You have a lot of scratches. You look like you’ve been in a fight with some squirrels or something.” He laughed, nicely.

“I’ve — I have been fighting, Lorenzo. Not with squirrels. Roses,” Jim specified, and Lorenzo said, “Ah, of course. Let me take them.”

He spoke to the waiter. “Paul, will you please take these from James?” To Jim, he added, “We will bring them to your table.”

“No, no,” Jim said. He explained to Lorenzo that the flowers were a gift for Kate, and that he needed to present them himself. This was crucial, he informed Lorenzo. He clutched the vase. His pants were wet from water that had sloshed over the rim. Water stained his shoes. He could see tiny snags marking the sleeves of his overcoat and the front of his suit. How frustrating, after having labored so hard to avoid the thorns. His clothes would have to go to a reweaver, he thought. Then his thinking disintegrated into bitter resignation. Everything he touched was ruined. The flowers were almost destroyed.

Nonetheless, he bore them down the aisle. Here and there, people ducked forward in their chairs, or to the side, letting him through. As he progressed toward the back, the room quieted. People put down their silverware, their wineglasses; Jim felt eyes watching him.

“Eat! Live while you can!” he wanted to proclaim to the crowd. But what did he have to teach anyone? He was a thief, a common criminal — worse. He’d stolen a bouquet to give to the love of his life.

When she saw him, she was filled with happiness. She’d had a lot to drink — but, well, it wasn’t that alone.

“Kate,” he said. She stood, and he lurched toward her. Elliot and Susan stood as well. They flanked Kate, who came out from between them — not unlike Jim, she was unsteady on her feet — saying, “I’m sorry, excuse me,” as she tacked her way through the sea of tables.

They met near the bathrooms. The bar was to their right. Kate raised her open hands to wipe the blood from his face. Blood had run down his neck, and stained the collar of his shirt. “These are for you,” he told her.

She was quietly crying, whispering, “They’re beautiful, beautiful.” Then her crying began in force, and she wailed, “You made it, oh, you made it, we were all so scared, and I felt so lost.”

“I’m here,” he said, and his own tears started. He wanted to tell her that everything would be better, that he would be better, that one day soon he would work again, and start paying some bills, and take the burden off her shoulders; that they would be able, at last, to leave the little apartment with the busted plumbing. He wanted to tell her how much he needed her.

But he could see, out of the corner of his eye, his horrid reflection in the mirror behind the bar. He looked down at Kate’s hands, the blood smeared across her palms. And he saw the restaurant-goers and the waiters and waitresses and busboys, who, not knowing what to make of the bleeding and the crying and the broken lilies arcing over Jim’s and Kate’s heads like some insane wedding canopy, had come from the kitchen or the bar to stand mutely around them. The pain in his body grew, and the words that spilled out of him were not words of love. Or they were. He spoke to his wife, as he spoke to the people gathered.

“Don’t you see, Kate? Don’t you see ? It’s time for me to go. I can’t do this anymore. I have no place here. I don’t belong. I hurt so. You can live and be happy. That will never be true for me.”

“No, no, baby,” she wept at him.

Someone touched his arm. It was Elliot, who’d come up behind him. He said to Jim, “Let’s get in the car.”

Lorenzo was there, too. Kate said to Jim, “Honey, let Lorenzo take the flowers. Just for now,” and he did.

A moment later, Lorenzo came back with a wet cloth. Kate used it to wipe her eyes and to clean Jim’s face and her hands. She tied the belt around his overcoat. She said, “There.”

They went out of the restaurant, the four of them. Susan let Jim lean on her, and Elliot steadied Kate. On the way out the door, they heard Lorenzo, behind them, telling his patrons, “Everything is all right. Our friend has had a bad time. Please, let me buy everyone a drink.”

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