Saïd Sayrafiezadeh - New American Stories

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New American Stories: краткое содержание, описание и аннотация

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Ben Marcus, one of the most innovative and vital writers of this generation, delivers a stellar anthology of the best short fiction being written today in America.
In
, the beautiful, the strange, the melancholy, and the sublime all comingle to show the vast range of the American short story. In this remarkable anthology, Ben Marcus has corralled a vital and artistically singular crowd of contemporary fiction writers. Collected here are practitioners of deep realism, mind-blowing experimentalism, and every hybrid in between. Luminaries and cult authors stand side by side with the most compelling new literary voices. Nothing less than the American short story renaissance distilled down to its most relevant, daring, and unforgettable works,
puts on wide display the true art of an American idiom.

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That was our mother’s name.

“I’m Joshua,” I said. “Joshua. Your brother. Say Joshua.”

“Sing me ‘The Old Oaken Bucket.’ You know that one, Abby?”

“Joshua!” I cried.

Errol reached his hand across the shaft and scraped some soil from the wall opposite him. He said, “There’s a good pile coming, Abby girl.”

I threw myself at the pile of rock and attempted to lift one. I intended to throw my boulders down upon him, smiting him as would the God of that hole. I did not care, at that moment, whether I stoned him to death or buried him alive. But the Lord had taken my strength. I only lay in the dirt and wept.

“Do you know ‘The Old Oaken Bucket’?” whispered Errol.

“No,” I said through my tears. “How does it go?” And then I passed into darkness.

XVI. A TROUT

A promise unkept will take a man’s mind. It does not matter whether the promise is made by a woman or a territory or a future foretold. I know that now. But this was years ago, when I was young and felt the whole world of Errol’s collapse was mine to bear. It is strange telling you this, because the boy I was feels so far away from the man I am now. I know I ought to consider that distance a blessing, given the darkness and the difficulty of the time I have described here. But it brings me no comfort to think how far I have traveled nor how much wiser I’ve become. Because though I was afraid and angry and lonesome much of the time, I was also closer to my own raw heart there in the territory than I have ever been since.

I woke at the China camp. It was dusk. The boy sat near me with a tin cup. Behind him was his uncle, sitting on a stump near the fire, and behind him was the dusky blue Sacramento valley with fires and lanterns burning here and there.

“Where’s Errol?” I said. “Where is my brother?”

The boy handed me the tin cup. “Where you think?” He frowned, as if disappointed in himself. “He is in the earth, still.”

“Is he digging?”

The boy shook his head.

“Singing?”

“No.”

I got up and walked upriver to the hole and looked inside. Errol sat in the muddy water with his legs folded to his chest, alive and shivering. He had removed his shirt and tied it about his head. I jiggled the rope and called to him, but he did not answer. He was apparently through digging, and his hole had not gained any more depth. Yet he felt further from me than when last I saw him.

I returned to the Chinamen’s camp and sat looking from the boy to his uncle. The old man was cleaning the blade of his jade-handled knife on his robe and chewing a stalk of grass. I wanted him to say something. I felt if he spoke he would have a way to end this thing. But he said nothing. The yellow stalk of sweetgrass bounced in his mouth.

The Chinaman sheathed his knife and stowed it in the folds of his robe. Then he reached into a bucket beside him and brought up an enormous rainbow trout. It was dead, but freshly dead, shimmering still and with that gruesome pout that dead fish have. Fish were rare on our part of the river, so many were devoured by men upstream. It was a lovely creature, and I knew the tongs must have traveled a long way to catch it.

“For Mister Errol,” said the boy.

Then, at the sound of the boy’s voice and the gutted shimmer of the trout in the blue dusk, the providence of the thing burst upon my mind. I saw Errol climbing up out of his hole and sitting beside the Chinamen’s fire, saw us four scooping soft, steaming handfuls of fish to our mouths. It was no augury, only the visions of my own hopeful heart.

The skin of the fish sizzled wonderfully, emitting a stirring aroma as we cooked it. Surely the meal would return Errol’s mind and deliver him the strength and will to reach up and take hold of the rope. I watched it fry, feeling that the rest of my life was lodged in that trout.

With the cooked fish I approached the hole. It was dark now and the moon had risen. The night was clear and the gibbous moon so bright I expected to see its reflection dancing in the water pooled at the bottom of the pit. But there was only darkness. I called to Errol.

“I fixed you dinner,” I said, holding the tasty rainbow over the hole. I could not see him but I heard the earth crumble a little as he shifted, heard some stones hitting the water. “Errol, will you come up and have some trout?”

He said nothing. No matter, I thought. I was convinced that all he needed was to see the thing, to lay his hand on its soft fish belly. He would eat it, head and all, and return to me. “Look out below,” I said, and dropped the trout into the darkness.

I listened at the hole for some time and heard nothing. I returned to the Chinamen’s camp to wait. The boy tossed pebbles into the river and we three sat listening to the sound of them dropping into the water. “He’ll die down there,” I said, for I had just realized it.

I spent that night in the Chinamen’s camp, stretched out on a flat sandy spot near the embers of the fire. Before sleep I resolved that at dawn I would descend into the hole, fight Errol into submission, and bring him up. He would return to me.

No sooner had I fallen off than I was awoken by the mournful roars of a grizzly.

I sat up and saw the bear, standing on its hind legs, staggering toward me. It bellowed and I scrambled along the ground away from the beast. He came at me. I saw in my mind the purple innards of General Scott strung along Tuolumne Meadow. My bowels spasmed.

Through sheer dumb habit I brought my spectacles to my face, and with them saw that the grizzly was no grizzly. It was my brother, naked and covered head to foot with black mud. His arms were raised over his head. He carried something there, as though to an Old Testament altar. He came closer. Moonglow shone upon his lips, blistered and cracked and bloody and trembling. The nail of one of his big toes was missing.

He thrust the trout into my hands. He had not eaten a bite of it. He bellowed again, and this time I understood the word.

“Gold!” he said again, pointing to the fish. Another man would have identified this as the raving of a lunatic. But I was dazed and accustomed to heeding my brother and did so now. I examined the mangled, mudded fish. I ran my hand along its sides and lifted its fins. Once I saw one I saw them all. Thousands of tiny gold flakes lodged amongst its scales.

The Chinaman and his boy emerged from their tent. The Chinaman was bare-chested, the first I had ever seen him so. Errol pointed a filthy, trembling finger to where he stood.

“You!” he bellowed. Errol charged at the Chinaman, toppling him to the ground. The boy shouted. Up came the sounds of fist on flesh. When the men rose, Errol had the Chinaman by his throat. The Chinaman’s eye was cut. He scratched frantically at Errol’s hands where they held him.

“You had it all,” Errol said.

The Chinaman stomped and kicked at Errol but Errol did not flinch. I stood in horror with the trout in my arms as Errol dragged the Chinaman to the river. The two descended into the slow, dark water. The Chinaman flailed wildly now, sputtering. Errol lifted the Chinaman slightly and then plunged him under the water.

I dropped the trout and ran into the river. Water filled my long johns and pulled at them. A shape moved at my side and then past me. It was the boy, plunging toward the place where his uncle was being drowned.

I did not see it immediately, only saw the boy launch himself at Errol and cling to his backside. Errol screamed and released the Chinaman and the Chinaman surfaced, gasping for air. Errol flung the boy off him. It was then that I saw the jade-handled knife still in the boy’s hand where he’d been tossed, and that Errol had a long gash across his bare haunch. Errol twisted to examine the wound and as he did so it opened and out rolled a rivulet of black blood.

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