Omar Musa - Here Come the Dogs

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Here Come the Dogs: краткое содержание, описание и аннотация

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In small-town suburban Australia, three young men from three different ethnic backgrounds — one Samoan, one Macedonian, one not sure — are ready to make their mark. Solomon is all charisma, authority, and charm, a failed basketball player down for the moment but surely not out. His half-brother, Jimmy, bounces along in his wake, underestimated, waiting for his chance to announce himself. Aleks, their childhood friend, loves his mates, his family, and his homeland and would do anything for them. The question is, does he know where to draw the line?
Solomon, Jimmy, and Aleks are way out on the fringe of Australia, looking for a way in. Hip hop, basketball, and graffiti give them a voice. Booze, women, and violence pass the time while they wait for their chance. Under the oppressive summer sun, their town has turned tinder-dry. All it’ll take is a spark.
As the surrounding hills roar with flames, the change storms in. But it’s not what they were waiting for. It never is.

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What happens to a racing dog past its prime?

Jimmy says they find them homes

where they get retrained as house pets.

Aleks says he’s heard of a bloke

in Wollongong who’s killed over five thousand

healthy hounds with a captive bolt gun

once they lose speed.

I say they get their ears cut off

(cos of the ID tattoo)

then let go in the bush

cos owners don’t have the heart to kill them.

Jimmy

Jimmy is arguing with me about money again.

‘Jimmy, it’s five fucken bucks, mate. I’ll pay ya back tomorrow.’

‘That’s what you always say.’

Jimmy –

catfood-hearted,

jelly-spined motherfucker.

Cheap-deodorant, call-centre Jimmy.

No good with his fists

but uses rumours like napalm.

He’s family but,

so what the fuck can you do?

Outside the racecourse

Eyes tick like a stopwatch/

People head home or out/

A cop car smears by/

Then a Ninja Turtle-green Supra

with two chicks hanging from one window/

techno pumping/

‘Ay, boys, show us where ya piss from!’/

We’re cracking up

and our middle fingers go straight in the air/

This is good shit/

‘Oi, I’m tilted.’

‘Me too.’

I’m trying to keep it together but

Jimmy and Aleks not so much.

Chewing like mastodons,

they must’ve taken pills, too,

the sly cunts.

People are milling around the entrance.

The old timer is rabbiting on to someone

and we swerve to avoid him.

‘. the best left boot he’d EVER seen.’

Gladys

I chase her down in the carpark.

Red, wary face,

god-awful turquoise windcheater

and a cockney accent.

But there’s something about the old duck

that chokes me up.

I introduce myself,

squat down and pat Mercury Fire.

‘He did good, yeah? Especially for his last race.

I trained him since he was a pup,’ she says.

Mercury Fire studies me with

his one good eye, grinning and panting.

‘I know, I know. Me and my mates have

been watching him race for the last year.

The best there was, seriously. I mean is. Was.’

I’m talking too fast. Slow your roll, Solomon.

She’s looking away now –

‘Yeh. Probably gonna send him to a new home, or.

I’m moving back to England in a few weeks.’

Why at that age? Are those tears?

She keeps talking –

‘They like it, you know. The dogs. They like racing.

People reckon it’s cruel but we treat em better

than most owners treat their dogs.’

She’s looking directly at me now.

I wonder if she can tell I’m out of it

but then she looks past me.

I shake her hand awkwardly. ‘Best of luck, ay.’

‘Yer, you too.’

She smiles and I smile back.

‘Hey, can I ask you something?’ I say.

A phone call

Georgie’s busting my balls

and it’s ruining my high.

‘It’s cruel, Solomon.

They exploit those poor animals.’

Hasn’t she got something better to do?

I thought she was studying.

‘Can we talk about this later? Please.’

I hear Jimmy behind me

singing ‘My Cherie Amour’

like Stevie Wonder.

I throw a crushed tinnie at him.

‘I’ll be back at yours a bit later, all right, babe?

Don’t wait up for me.’

The cypher

On the way to get chips and gravy

we see a cypher –

a circle of youngsters rapping.

Seven kids, seven heads bobbing,

some of them sipping on longies

as they wait for their turn to rap.

The lad beatboxing is a Koori fulla –

I used to play ball with his older brother.

He’s supplying a steady, boombap beat.

A few of them nod at us

and we observe from outside the circle.

I always thought that, from above,

the circle of heads

would look like bullets loaded in a chamber,

each MC ready with his percussive, weaponised voice,

some rapid fire,

some jamming.

A pretty brunette is up first.

She’s got a dope flow

but it’s obviously a written verse.

Next is an African cat

who’s using an American accent –

we all wince.

Someone else takes over the beatboxing

and the Koori fulla starts freestyling,

clowning on people in the circle.

He’s a cocky cunt, just like his bro.

His flow is a bit off

but his punchlines are hitting

and soon we’re all laughing.

I make a mental note

to keep an eye out for him.

I look up and for a second

I swear I can see skulls swinging

from the trees above us

but then I realise it’s a trick of the light.

Jimmy and I step forward

and rap for a bit

but we’re rusty.

All it takes is a week off

to lose the edge.

Plus neither of us were ever MCs.

But it’s part of the game –

gotta give it a go.

Afterwards, we smoke a joint with the youngsters.

‘You lads aren’t going out tonight? Heaps going on, uce.’

The Koori lad and the brunette are arm in arm

and he says, ‘Nah, brus. Can’t get in anywhere, ay.’

The brunette pipes up, ‘Would rather be doin this anyway.’

We laugh.

‘True.’

Fights are freight trains

You can see em coming a mile off,

and if not,

make em happen.

The line for chips and gravy is rowdy.

This shardhead behind us is

gnashing and doing a weird jig

on the spot.

Jimmy blows kisses

at his methed-up, cue-ball eyes,

taunting him.

Aleks places

a hand on Jimmy’s shoulder –

‘Leave it, bro. Leave it.’

My bro cocks his head,

as if trying to hear a faint noise.

He looks at me,

then back at Aleks.

Then he turns to the shardhead

and spits in his face.

When the meth head lashes out,

it’s wild but somehow finds its mark –

a savage kiss on the end of a whip.

Jimmy drops straight away.

Before he even lands Aleks and I

are on the shardhead and

there are no words,

just the sound of rockmelons

dropped onto asphalt from a bridge

and soon blood mixes with chicken salt

and footsteps are everywhere and a chick is on her mobile

and Aleks is grimacing as he punches

and the methhead is shrieking like a berserker now

and some of our punches are landing on each other

and one of us is yelling same team, same team

and Jimmy is on his feet unsteadily

smiling eagerly,

and he says ‘white cunt’ but we all know

it’s not about that well it may be

and he starts to kick the shardhead in his face

but that’s not cool so Aleks edges back and is shaking his great head

and the chick is screaming

the cops are on their way fuckheads

so we wrestle Jimmy out the door

and into the early morning darkness.

What’s got into him?

These swings are too small for us.

Aleks is throwing tanbark into the dark –

he hasn’t said a word since the fight.

I roll a joint and pass it round,

Pete Rock playing from my iPhone.

Jimmy won’t shut the fuck up

about the fight,

reliving it over and over,

as he always does.

Without warning, Aleks stands up,

walks to Jimmy and stops in front of him,

faces centimetres apart.

Jimmy looks confused at first

then stares back,

face hardening.

Aleks searches Jimmy’s face,

holding him squarely with his stare,

breathing, searching.

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