Jane Gardam - The Man in the Wooden Hat

I don’t know this girl, Eddie thought. I suppose it’s Betty. It could be anyone. She’s singing in tune rather well. I didn’t know that Betty could sing. I don’t really know anything about her. I wonder if some other men — other man — does? I don’t know her tastes. I only know that terrible green dress. I don’t know the colour of her eyes. Oh!

The bride had been told to lift her veil to make the promises and there to his relief was Betty in his pearls, and her eyes were bright hazel. And she was standing with her right foot on his left foot, and quite hurting him. They made the tremendous promises to each other, like automata, and he was told that he might now kiss her.

Tears in his eyes, he leaned towards Betty who leaned towards his ear after the small, obligatory kiss. “Who on earth is the best man?” just as Fiscal-Smith dropped the now empty ring box for the second time and turned to check how many un-necklaced bridesmaids there were. And, for the first time that day, Fiscal-Smith smiled, on finding that there were none.

Honeymoon Letters

Letter one: A letter from the bride to her friend Isobel Ingoldby, of no fixed address.

Dear Lizzie,

I’m writing with no real idea yet of where to send it. Perhaps to the Old Col, in case you left a forwarding address. Are you east or west? Back in Oz, forward to Notting Hill, or in pursuit of some passion in the Everglades or one of the Poles?

I’ve done it. Wore ancient veil belonging to old bird. A Missionary Bird once in Dacca all butterflies and flowers to cover my homely face and a new dress that was a present from her too, and shoes from Amy and flowers from Uncle Pastry who walked me down the aisle and handed me over. Antique idea but rather amazing. Eddie gave a sort of hiccup as I drew up alongside. I gleamed at him through the lace and I could see that he was worried that I might be someone else. He likes all evidence to be in the open. When I came to lift the veil — as does God at death — he looked startled, then breathed out thankfully. I’d made an effort with the face and had my hair cut where the grandee expats used to go, one of them looking down at me from a benign photograph on the wall. Must be long dead, but somehow I know her. Could have been part of my childhood. Friend of Ma, I guess. Red nails, shiny lips like a geisha girl with kind eyes. She’s going to be my icon. I shall grow old like her, commanding people and being a perfick lady, opening bazaars. I’ll live in the past and try to improve it. You’ll know me by my hat and gloves, and hymn book too, like the mission-ary who got eaten by the cassa-wary in Tim-buk-tu. . something something hymn book too.

Well, I suppose I got eaten in HK at the church but I’m not unhappy, being digested, just a little shaken. I don’t know if Eddie’s happy — who does know about him? — but I’d say he isn’t shaken at all. The only thing that worried him apart from my heavy disguise under the antique tablecloth was his best man. You’d think Eddie would have been ashamed of Fiscal-Smith but he’s loyal to friends. And he has some funny friends, like the Dwarf — who was nowhere to be seen — and now this battered scarecrow. He thinks my friends are funny too, citing the excellent Mrs. Baxter who does nothing but cry.

And if he knew I know you, what then! Don’t worry, ducky. I’m not jealous of his memories or that you were in flagrante delicto (more jargon) once upon a time. “Let it be our secret that I know you,” as your lesbian pals undoubtedly bleat.

I don’t think you and Eddie’d have much to say to each other now, Lizzie, whatever you both got up to in the school hols before the war.

And I find I have everything to say to him morning, noon and night. Old Filth, as he is so charmingly called — I can’t care for it — is full of surprises. And I do enjoy the way people defer to him. I am but a hole in the air but they run after him, bowing. And why I like this so much, Lizzie, is that he doesn’t notice it. And he doesn’t think it odd to have friends like Fiscal-Smith and the seven dwarfs. Well, only one dwarf to date but you never know who will turn up next.

And he trusts me utterly, Lizzie. Never suspected a thing about you-know-what. And I’ve put it out of my mind. It was some sort of hypnosis. Terrifying! No, I never think about it. Of course, Eddie’s a bit of an enigma himself and it makes me pleased with our Enigma years at Bletchley Park. You and I know about silence. Not one of us spilled a bean, did we? And the fact that I’ll never really crack Eddie in a way gives me a freedom, Lizzie. Oh, not to misbehave again, oh dear me, no, but to have an unassailable privacy within my own life equal to his. This must be how to make marriage work. I have been married three full days. I know.

We’re in Shangri-La, Lizzie. It’s called Bhutan, and way round the back of Everest. He organised it all between the Case settling and marrying me. That’s what he was doing the two days he vanished in Hong Kong. First he fixed a plane to Delhi — no, first the wedding breakfast at the Restaurant Le Trou Normand where Amy tried to breastfeed at the table and Eddie and Fiscal-Smith looked up at the ceiling that was all hung with fishing nets with fake starfish trapped in them, like Brittany, and the manager removed her to an annexe.

“Off to Delhi now,” says groom to bride and “Delhi? We’re not going to Delhi . Not Agra ? Not the Taj Mahal with all the tours?” says bride to groom: “I’ve not seen the Taj Mahal, as it happens,” he says, “but no, it’s a stopover. I couldn’t get much of a hotel, though.”

Nor was it. The tarts paraded the corridors and used our room when we were down at dinner (British Restaurant wartime standard) and Edward inspected the bedcovers and roared, and we slept in chairs and next day he refused to pay and confetti fell out of my pockets and the manager smirked. Bad start.

But then I experienced the superhuman power of the Great Man’s fury. Heathcliff stand back. Result: somehow comes along an Embassy car and chauffeur to take us to the airport, no Taj Mahal but a silent journey with Eddie like Jove on his cloud. And the cloud gave way to mountains and the mountains were the Himalayas and then the mountains started to change and soften and a pale-green, misty valley country began. Its architecture of wood and stone and bright paint is like a pure and unworldly Vienna. Tall, huge blocks of apartments like palaces. Cotton prayer flags blow in clusters from every hilltop and street corner and everyone — children and grandpas and cripples and monks — give each prayer wheel a little shove as they pass.

And now we have reached a rest-house high above a valley where a green river thunders, foaming along between forests standing in the sky and luminous terraces of rice. At a meeting of waters stands a stupa. Even from up here its whiteness and purity hurt the eyes. High up here we listen to the thunderous waters and then, high above us again, are monasteries hidden in the peaks, and eagles.

We arrived yesterday on a country bus and we passed this stupa far below at the meeting of the rivers. It is like the huge snow-white breast of a giantess lying prone with a tower on top, like a tall white nipple. Reclining by the roadside on a wooden bridge was a human-sized creature examining its fingernails like a courtesan, not interested in us. Bus stops still. Driver cries, “Look, look! It is a langur, the rare animal you see on our postage stamps!” and the langur langur-ously yawns, putting a paw over its mouth — I swear — and vanishes.

I’d like to be a langur

Sitting by a stupa

Eating chips and bang-ur