Gregory Roberts - The Mountain Shadow

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The Mountain Shadow: краткое содержание, описание и аннотация

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A sequel to SHANTARAM but equally a standalone novel, The Mountain Shadow follows Lin on further adventures in shadowy worlds and cultures. It is a novel about seeking identity, love, meaning, purpose, home, even the secret of life…As the story begins, Lin has found happiness and love, but when he gets a call that a friend is in danger, he has no choice but to go to his aid, even though he knows that leaving this paradise puts everything at risk, including himself and his lover. When he arrives to fulfil his obligation, he enters a room with eight men: each will play a significant role in the story that follows. One will become a friend, one an enemy, one will try to kill Lin, one will be killed by another…Some characters appeared in Shantaram, others are introduced for the first time, including Navida Der, a half-Irish, half-Indian detective, and Edras, a philosopher with fundamental beliefs. Gregory David Roberts is an extraordinarily gifted writer whose stories are richly rewarding on many levels. Like Shantaram, The Mountain Shadow will be a compelling adventure story with a profound message at its heart.

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‘Same old same old,’ she smiled.

‘Three days ago you said that the new show of Marathi artists was ready,’ Karla said. ‘And I don’t see it being prepped.’

‘There’s… there’s been some argument.’

Ar… gu… ment? ’ Karla said, growling syllables.

Taj walked in and sat down next to Anushka, folding his long legs under him elegantly.

‘Sorry,’ he said. ‘I had to finish with those clients. Big sale. How are you, Karla?’

‘I’m hearing about some argument,’ she said, staring him down. ‘And feeling argumentative.’

Taj looked away from her quickly.

‘How are you, Lin?’ he asked.

Every time I looked at Taj, I thought of the two mysterious days he’d spent with Karla, somewhere outside Bombay: the days she’d never told me about, because I wouldn’t ask her about them.

He was the kind of tall, dark, and handsome that makes the rest of us think jealous thoughts. It’s not their fault, the handsome guys. I’ve known quite a few handsome guys who were great guys, and great friends, and we ugly guys loved them, but even then we were still a little jealous of them, because they were so damn good looking.

It’s our fault, of course, not theirs, and it was my fault with Taj, but every time I looked at him, I wanted to interrogate him.

‘I’m fine, Taj. How you doin’?’

‘Oh… great,’ he said uncertainly.

‘Argue me, Taj,’ Karla said, pulling his attention. ‘What’s the problem with the exhibition?’

‘Can we get stoned first?’ Taj asked, gesturing to Anushka, who rose immediately in search of psychic sustenance. ‘I’ve had back-to-back buyers for the last four hours, and my head is just spinning numbers.’

‘Where is it?’ Karla asked him.

‘Anushka’s bringing it,’ Taj said, pointing helplessly at the door.

‘Not the dope,’ Karla said. ‘The Marathi artists exhibition. Where is it?’

‘Still in storage,’ Taj said, looking at the door, and calling Anushka with his mind.

‘In storage?’

Anushka returned, smoking a very large joint, which she passed to Taj urgently. The sculptor held his hand out to Karla, pleading with her to wait while he smoked his way into a small cloud, and finally offered the joint to me.

‘You know I don’t smoke with Karla on the bike,’ I said, not moving to take it. ‘I’ve told you that before. Stop offering it to me.’

I’ll take it,’ Karla said, swiping the joint from his hand. ‘And I’ll take that explanation, Taj.’

‘Look,’ Taj said, stoned enough to pretend well again. ‘People feel that devoting an exhibition to one group of artists, from one language group, is not the direction they want to go.’

‘People?’

‘People here at the gallery,’ Taj said. ‘They like the Marathi artists exhibition, but they’re just not comfortable with it.’

‘You’ve been running a Bengali artists exhibition here for the last two weeks,’ Karla said.

‘That’s a different context,’ Taj struggled.

‘Explain me the difference.’

‘Well, I, that is… ’

‘I love this city, and I’m damn glad to live here,’ Karla said, leaning toward him. ‘We’re on Marathi land, living in a Marathi city, by the grace of the Marathi people, who’ve given us a pretty fine place to live in. The exhibition is for them, Taj, not you.’

‘It’s so political,’ Taj replied.

‘No, it’s not. All of these artists are good, and some of them are terrific,’ she insisted. ‘You said so yourself. I hand-picked them, with Lisa.’

‘They’re good, of course, but that’s not really the point here.’

‘The point for you, and me, and Rosanna, and Anushka,’ she said, ‘and all the others in the team who weren’t born here in Bombay, is that it’s simply the right and grateful thing to showcase talent from the city that sustains us.’

‘Karla, you’re asking too much,’ Taj pleaded.

‘I want this show, Taj,’ Karla said. ‘It was my last project with Lisa.’

‘And I’d love to give it to you,’ Taj moaned. ‘But it’s just impossible.’

‘Where’s the art?’ Karla asked.

‘I told you. It’s still in the warehouse.’

‘Send it to the Jehangir gallery,’ she said.

‘The whole exhibition?’ he asked, stricken. ‘There are some fine paintings in there, Karla, and if they were put on the market, in the right way, one at a time -’

‘Send it to the Jehangir gallery,’ she said. ‘They’ve got the integrity to run it, and they deserve it more than you do.’

‘But, Karla,’ he pleaded.

‘I think we’re done here,’ she said to me, standing up.

Taj unfolded his tall frame to stand in front of her.

‘Please reconsider this, Karla,’ he said.

He grabbed her arm.

I shoved him away.

‘Stay back, Taj,’ I said quietly.

‘You’re making a mistake, Karla,’ he said. ‘We’re really moving into big money, here at the gallery.’

‘I’ve got money,’ Karla said. ‘What I want is respect. I’m done here, Taj. The gallery is yours, from now on. Be as apolitical as you like. I’m walking out. The exhibition insurance is on you, while you send the Marathi show to me, so make sure nothing happens before it reaches the Jehangir. Good luck, and goodbye.’

We rode away, switching to one of my rounds.

‘You know he’s gay, right?’ Karla asked as we rode, her arm over my shoulder.

‘I know who’s gay?’

‘Taj.’

‘Taj is gay?’

‘You didn’t know, did you?’

‘Unless people tell me, I almost never know.’

‘And you were jealous, right?’

I thought about it for a kilometre or so.

‘Are you saying you can’t be attracted to a gay man?’

She thought about it, for a kilometre or so.

‘Good point,’ she said. ‘But not that gay man.’

‘But you went away with him for two days.’

‘To a spa,’ she said. ‘To drink juices, and get myself recharged for the fight. Taj just came along for company, to work out gallery stuff.’

‘And I couldn’t have come along for company, to work out stuff?’

‘I was protecting you from my schemes, remember?’ she said, whispering into my ear. ‘And anyway, Didier likes him.’

‘Didier and the sculptor?’

‘Taj has already done some nude studies of Didier. They’re pretty good.’

‘He’s going to make a statue of Didier?’

‘Yeah.’

‘I’ll never hear the end of this.’

‘Oh, yeah. I promised we’d be there for the unveiling.’

‘I might pass. I’ve already seen Didier unveiled.’

‘He’s doing Didier as Michelangelo’s David , at forty-nine years old.’

‘I’m definitely not going.’

I slowed the bike and stopped at the kerb of a wide, relatively empty boulevard. When you ride the Island City’s streets for long enough, you get to feel them.

‘What’s up?’ she asked.

‘The traffic’s not right,’ I said, looking around.

‘What’s not right about it?’

‘There isn’t any. The cops are holding it back for some reason.’

A fleet of cars passed us at speed, lights flashing red as new blood. A second cavalcade followed, and a third. We watched them rush lines of light into the night until the street was quiet again, and the normal traffic resumed.

‘They’re heading to Bandra in a hurry,’ I said, as I put the bike into gear, and rode away slowly. ‘Cops and journalists. Must be something big.’

‘Do you care?’ she said, her arm around my shoulder.

‘No,’ I called back. ‘Come and meet somebody cool. I have to drop some money off at a bank.’

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