Gregory Roberts - The Mountain Shadow

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The Mountain Shadow: краткое содержание, описание и аннотация

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A sequel to SHANTARAM but equally a standalone novel, The Mountain Shadow follows Lin on further adventures in shadowy worlds and cultures. It is a novel about seeking identity, love, meaning, purpose, home, even the secret of life…As the story begins, Lin has found happiness and love, but when he gets a call that a friend is in danger, he has no choice but to go to his aid, even though he knows that leaving this paradise puts everything at risk, including himself and his lover. When he arrives to fulfil his obligation, he enters a room with eight men: each will play a significant role in the story that follows. One will become a friend, one an enemy, one will try to kill Lin, one will be killed by another…Some characters appeared in Shantaram, others are introduced for the first time, including Navida Der, a half-Irish, half-Indian detective, and Edras, a philosopher with fundamental beliefs. Gregory David Roberts is an extraordinarily gifted writer whose stories are richly rewarding on many levels. Like Shantaram, The Mountain Shadow will be a compelling adventure story with a profound message at its heart.

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‘I can be spiky,’ Oleg said. ‘But what makes you think I’ve got the right stuff?’

She jerked her thumb at me.

‘He wouldn’t introduce you to me, if you didn’t. Are you in?’

He looked at me.

‘Will you cut me, if I accept?’

‘Of course he won’t,’ Karla said.

He looked back at Karla.

‘Great!’ Oleg said. ‘Fired and employed twice, in the same day. I knew I’d get rich in this city. When do I start?’

‘Ten,’ Karla said. ‘Put on a nice shirt.’

Oleg smiled engagingly. Karla smiled back. I wanted to choke Oleg with a nice shirt.

‘Okay,’ I said. ‘So, I’ll see you soon.’

I went to kiss her, to hug her, to smell the ocean, to go home, but she held me back, her hands on my chest.

‘Go inside, Oleg,’ I said, throwing him the keys.

He opened the door, and gasped.

‘Holy minimalism,’ he said, alone with my decor. ‘It’s Solzhenitsyn in here, man!’

‘What’s going on, Karla?’ I asked her, when we were alone with whatever was going on.

She looked at my face as if it was a maze, and she’d found her way out of it before. She stared at my lips, my forehead, and my eyes.

‘I’m going away for a couple of weeks,’ she said.

‘Where?’

‘Do you know that it’s lovable and maddening at the same time, that I knew you’d ask me that?’

‘Stop trying to put me off. Where are you going?’

‘You don’t want to know,’ she said, burning queens.

‘I do want to know. I wanna know where to break the door down, if you need me.’

She laughed. People laugh so often, when I’m being serious.

‘I’m gonna spend a couple weeks with Kavita,’ she said. ‘Alone.’

‘What the hell?’ I said, speaking my think.

She cocked her head to the side again.

‘Are you jealous, Shantaram?’

I wasn’t. I think back, now, and I know I was more jealous of the Russian writer, because he was a pretty cool guy, than I was of Kavita.

But Kavita had spoken harm at me, and I suddenly realised that it still hurt me. Karla wasn’t going to another lover, in my mind: she was going to someone who hated me.

I didn’t tell Karla then, that night, what Kavita had said to me. I should’ve said something. I should’ve told her. But it had been a rough night.

‘Madame Zhou paid a visit to the alley under this building, and warned me to stay away from Kavita. Do you really think it’s safe to be going away with her?’

‘What do you want from me?’ she snapped, all fire and furious pride.

‘What I want is to be the closest thing to you, Karla. It’s a sin for you to use that against me. Stop playing games with me. Tell me to leave you alone, or tell me to love you, with everything I’ve got.’

She was stung. I hadn’t seen it often: a reaction in her face or her body that she couldn’t hide.

‘I told you before about trusting me, and how it might get harder to do.’

‘Karla, don’t go.’

‘I’m staying with Kavita,’ she said, turning away from me. ‘Don’t wait up.’

She walked away. I watched her to the stairs, and then raced through my apartment to catch a glimpse of her as she walked to the taxi stand at Metro cinema.

Oleg came to stand beside me. She got in a taxi, and she was gone.

‘You’ve got it bad, bro,’ Oleg said sympathetically. ‘Your vodka is shit, by the way, but your rum is okay. Drink up.’

‘I gotta get clean, first,’ I said. ‘I’ll leave the shower ready for you. Make yourself at home.’

He cast a glance around him at the sparse room, the wooden floors gleaming like the lid on a lacquered coffin.

‘Okay,’ he said.

I stood in the shower, turning it on in bursts, fits and starts. The water in our building was carried in trucks, and pumped upwards into gravity feed tanks on the roof. Everyone in the building shared those tanks.

Trying not to waste water, I shut the shower off from time to time, leaning against the wall until everything that had happened with Concannon came back so hard that I shuddered, retching, and turned on the healing water again.

In the world we created for ourselves, it’s a lie to be a man, and a lie to be a woman. A woman is always more than any idea imposed on her, and a man is always more than any duty imposed on him. Men empathise, and women lead armies. Men raise infants, and women explore the exosphere. We’re not one thing or the other: we’re very interesting versions of each other. And men, too, cry in the shower, sometimes.

It took me a while to scrub the emotion from my face. Afterwards, while Oleg showered, I cleaned my gun as meditation, and stashed it in a hidden shelf beside my bed.

‘Your soap is shit,’ Oleg said, drying himself off. ‘I’ll get you some R-soap. It will scrape the barnacles off you.’

‘I’m relatively barnacle-free,’ I said, offering him the bottle. ‘And I like my soap.’

He offered me the bottle back, and I drank and offered it back, and he drank and offered it again, and I drank it back.

‘That’s my T-shirt,’ I noticed, mid-swappery.

‘I hope you don’t mind,’ he said. ‘It’s so nice to put on something clean. I lived in the last one through a geological age.’

‘Keep it,’ I said. ‘I’ve got another one, where that one came from.’

‘I saw that. And two pairs of jeans. You travel light, man. If I borrow a pair of yours, do you mind if I roll the bottoms up? I really like that look.’

‘Roll them up to the Urals, Oleg. But turn down the smiling. If we get any drinkier than this, it’ll start to freak me out.’

‘Got it, man. Smiling less. We R-people are nothing if not adaptive. Do you have music?’

‘I’m a writer,’ I said, passing back the bottle. ‘Of course I have music.’

I had a CD system, wired into aftermarket Bollywood speakers. I liked the way they blended everything I played into the same sound-ocean, the same whale of signals from some not entirely air-breathing place.

‘Your system is shit,’ he said.

‘You’re a critical motherfucker, Oleg.’

‘Actually, I’m just making mental notes, you know, of things I get for you that are better than shit.’

‘Whaddaya wanna hear, Oleg?’

‘Got any Clash?’

I played Combat Rock , and he jumped up to grab his guitar.

‘Cut to the last track, “Death Is a Star”,’ he said. ‘I know how to play that. Let’s play it together.’

We strummed Russian-Australian-Indian acoustic together, jamming with the faraway Clash in a hotel room in Bombay. We played the song again and again until we got the timing just right, and laughed like kids when we did. And the strings reopened the cuts on my fingers, and blood from the fight with Concannon stained the body of my guitar.

We got too drunk to play, and we were just beginning to stop caring about that, or anything else, when I found a messenger in my room. He was dressed in the khaki uniform of a messenger, and was holding a message in his hand.

‘Where did you come from?’ I asked, swaying to keep him in focus.

‘From outside, sir,’ he said.

‘Well, that’s alright then. What can I do for you?’

‘I have a message for you, sir.’

‘I don’t like messages.’

‘But it’s my job, sir.’

‘You’ve got a point. How much do I owe you?’

I paid the messenger and sat down, looking at the message. I didn’t want to read it. The English say no news is good news. The Germans say no news is no bad news. I’m with the Germans on that one. Something inside me, and I still don’t know if it’s the part that saves me or damns me, always says that I should tear the message up before reading it, no matter who sent it, and sometimes I do. But I had to read it, in case it had something to do with Karla. It didn’t. It was from Gemini George.

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