Ashley Warlick - The Arrangement

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She’d made it sound as though her husband would be joining them for dinner. She’d made it sound that way on purpose, and then she arrived alone.
Los Angeles, 1934. Mary Frances is young, restlessly married, and returning from her first sojourn in France. She is hungry, and not just for food: she wants Tim, her husband Al’s charming friend, who encourages her writing and seems to understand her better than anyone. After a night’s transgression, it’s only a matter of time before Mary Frances claims what she truly desires, plunging all three of them into a tangled triangle of affection that will have far-reaching effects on their families, their careers, and their lives.
Set in California, France, and the Swiss Alps,
is a sparkling, sensual novel that explores the complexities of a marriage and the many different ways in which we love. Writing at the top of her game, Ashley Warlick gives us a completely mesmerizing story about a woman well ahead of her time, who would go on to become the legendary food writer M. F. K. Fisher.

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It was dark when he reached the house at Eagle Rock. Mary Frances had the news on the radio, the elections in Czechoslovakia, seventy-four Nazis passing blank ballots. The house smelled of pork fat and sage, dinner that had probably taken all day to cook. When would she have had time to meet with Tim? What did she do with her time when he was not around?

“You’re home,” she said.

“I am.” But this would not be their home much longer.

* * *

At Christmas, everyone was at the Ranch: Anne and Sean, David in his school uniform, nearly a soldier, and Norah, the gazelle, the long, lean beauty, Norah! Mary Frances tucked into her room at the top of the wide oak stairs as soon as they could be alone. She wanted to hear everything, and not with Mother or Anne there to arch their brows. Norah was shy at first, her pretty chin tucked against the fall of her hair. There were boys, yes, lots of them, and books, and ideas.

“Oh, Dote,” she said. “I sometimes wish you were always with me. I see this, and this and this, and I think how you would love it. But that’s not very grown up, is it? To always want your sister by your side.”

“I often think about the time you lived with us in France. I never felt like you were the baby.”

Pride puffed in Norah’s voice. “I didn’t either.”

“Are you writing? Mother says you’re writing.”

“Not as much as you.”

Mary Frances flipped onto her stomach and fiddled with the tatted edge of Norah’s pillowcase. Rex had poured the wine freely at dinner, and she felt good and light, like talking with her sister as long as they both could stay awake for it.

“Did you read my article in Westways ?” she asked.

“Well, of course I did.” Norah turned from the hand mirror like a model in a magazine. Had Mary Frances ever been so flawless? “I read it aloud to my friends at school, and they all wanted to hear more about Laguna. But I started with my stories, the tar on the beach in August, how we’d climb up the rocks with our fried-egg sandwiches, and nothing was quite so good as what you’d written. They wanted to hear you tell it, Dote. And then they wanted to hear you tell it all again.”

Mary Frances fell back into the pillows, laughing.

“I’m sure they did,” Al said.

Nudging the cracked door open, his face had the bleary twitch of too much wine as well. “I love to hear Mary Frances spin her tales. I think she’s the best storyteller in the Kennedy family.”

She pushed up from the bed, searching his expression for something hidden. He was flattering her, and it fit poorly. “Don’t be silly, Al.”

“No. I liked your magazine story. I really did.”

“You must be quite proud,” Norah said.

“Oh, I am. I am.” He sounded tender, and sincere. He put his hand on the doorknob and stepped back, an invitation. “Coming to bed, dear?”

“Yes. In a minute.”

“All right, then.”

But he stood waiting for her, or waiting for her and Norah to begin their talk again. Mary Frances studied the toe of her shoe against the wide plank of the floor, everything suddenly a measurable angle. She knew the right thing to do was to go with Al, but all she wanted was to stay.

“It’s wonderful we’re all together for Christmas again,” Norah said. “Don’t you think?”

* * *

Edith set the tone in her kitchen, and she was worried mostly about the geese. Liesl had plucked and trimmed and blanched the birds that morning and then arranged them under an electric fan, blotting the skin with onionskin paper because she swore this was what they did in Chinatown to make the ducks so crispy. Edith had never heard of such nonsense; Mary Frances didn’t care. Liesl liked to be agreed with. She peeled and quartered a mountain of turnips, blotted her geese, and mumbled under her breath. Liesl’s knife was steel and sharp, and Mary Frances had hardly ever seen her without it tucked into the ties of her apron. She would not be going home until after the Kennedys’ dinner was served.

Into goose fat and onions, Mary Frances tipped a bottle of old Madeira wine. There were oranges everywhere; she sliced one and gave it to the baby. She sliced another and dropped it into the pot with the wine, pierced the skin of the geese all over, stuffed their cavities with oranges and thyme branches, and laced the legs closed. Edith put them in the oven. Norah stirred a pot. Outside, Rex and David roasted almonds they’d gathered from the neighbor’s trees. The sun cast a long beam across the kitchen floor.

Anne sat beside the baby making pomanders, a fistful of cloves and an open tin of Edith’s nougat candy on her lap.

“Careful, Anne. You’ll get sick,” Mary Frances said.

“I won’t.”

“You get sick every year.” Everyone said Anne had inherited their grandmother’s nervous stomach, but Mary Frances suspected it had more to do with self-indulgence than anything passed down. She had an uncanny ability to find and eat vast amounts of sweets. The sugarplums were gone already.

Edith cracked the oven to peek at the geese. “Anne,” she said. “You have Sean to think of.”

“Good lord, Mother.”

Edith looked at her sharply, and Anne put the candy away.

The Kennedys were a large family in celebration, but it had once been larger. Mary Frances caught Edith lingering over Grandmother Hollbrook’s tea service with her cloth, even though Liesl had already polished it once. Her face, reflected in the domed hip of the pot, distorted and wistful with a passing grief. And then upstairs, Anne standing in front of her wedding portrait, the baby wauling at her feet.

“Oh, Sis. Mother ought to take that down.”

“I looked thin, don’t you think? Too thin.”

“You’re thinner now.”

“No. No, I’m not. I’m better now. I feel better.”

Mary Frances was uneasy with the subject. She bent and scooped Sean into her arms, lofting him high, so light, a boy made of birdstuff. He leaned out for his mother, and Anne took him automatically, still looking at the portrait.

“Do you think Sean looks like his father?”

Mary Frances pressed close and kissed her ear. She whispered, “He’s a Kennedy, Sis. All the way.”

Downstairs the front door flung open, the rumble of men, and the house filled with the scent of cedar, Al on the other end of an enormous tree he and David had hacked down. By the time Mary Frances and Anne got there, Rex was already in full admiration, and Edith a high twitch over where to put the thing, the past set aside. She looked at the baby in her sister’s arms — the past, in brand-new form.

And late that night, after the perfect goose — Liesl had been right, the crisp skin like enamel — after midnight carols and children sent to bed, the tinsel hung on the tree and the table set for breakfast, she and Al took the wide oak stairs to the bedroom that had always belonged to her and Anne. They undressed in darkness and said good night.

But Mary Frances couldn’t sleep. She felt Al not sleeping in the bed beside her.

“What is it?” she said.

“I got a letter from Tim today.”

Her back went cold, the part of her closest to him. She said nothing.

“He sounds so desperate. He doesn’t ask about her, doesn’t mention her, but he sounds all the worse for it.”

“He loves her.” It was surprisingly easy to say.

“I just can’t imagine what he’s going through.”

Al was quiet. Mary Frances hoped that was all.

“It is not lost on me,” he whispered. “I’m grateful I can’t imagine it.”

She turned toward Al, his eyes full of devotion. They had met when they were children, really. They had seen so much through. You could not take that history back and give it to someone else, like trading a part in a play.

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