Ethan Canin - A Doubter's Almanac

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A Doubter's Almanac: краткое содержание, описание и аннотация

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In this mesmerizing novel, Ethan Canin, the New York Times bestselling author of America America and other acclaimed works of fiction, explores the nature of genius, jealousy, ambition, and love in several generations of a gifted family.
Milo Andret is born with an unusual mind. A lonely child growing up in the woods of northern Michigan in the 1950s, Milo gives little thought to his talent, and not until his acceptance at U.C. Berkeley does he realize the extent, and the risks, of his singular gifts. California in the seventies is an initiation and a seduction, opening Milo’s eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman, and the rival, he meets there will haunt him always. For Milo’s brilliance is inextricably linked to a dark side that ultimately threatens to unravel his work, his son and daughter, and his life.
Moving from California to Princeton to the Midwest and to New York, A Doubter’s Almanac explores Milo’s complex legacy for the next generations in his family. Spanning several decades of the twentieth and twenty-first centuries, A Doubter’s Almanac is a suspenseful, surprising, and deeply moving novel, written in stunning prose and with superb storytelling magic.
Advance praise for The Doubter’s Almanac
“I’ve been reading Ethan Canin’s books since he first burst on the literary scene with the remarkable Emperor of the Air. I thought he could never equal the power of his last work, America America, but his latest novel is, I believe, his best by far. With A Doubter’s Almanac, Canin has soared to a new standard of achievement. What a story, and what a cast of characters. The protagonist, Milo Andret, is a mathematical genius and one of the most maddening, compelling, appalling, and unforgettable characters I’ve encountered in American fiction. This is the story of a family that falls to pieces under the pressure of living with an abundantly gifted tyrant. Ethan Canin writes about mathematics as brilliantly as T. S. Eliot writes about poetry. With this extraordinary novel, Ethan Canin now takes his place on the high wire with the best writers of his time.”—Pat Conroy, #1 New York Times bestselling author of The Prince of Tides and The Great Santini.

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“What he’s saying. I can tell — it’s all true.”

Brompton’s Mixture

EITHER DAD DIDN’T know or he hadn’t remembered: Earl Biettermann had been in an accident. Cle unfolded a ramp for him at the door, and as soon as she was done, she asked Dad to show her the lake. While the two of them walked down to the water, Earl pushed himself into the house. He wheeled through the rooms, lifting curtains, jerking window knobs, bumping irately through the narrow doorways. At the bottom of the stairway, he leaned forward and peered up toward the second floor.

On the shore, Dad and Cle stood looking out at the cove. She made an elegant figure — loose-sleeved sweater, leather handbag, pale flats. An Upper East Side matron weekending in the Hamptons. Behind her, Dad leaned against a tree, pointing out the view.

“I don’t want to be here,” Earl said, moving past me. He stopped before the bookshelves. “In case you didn’t know.”

“I’m sorry you have to be, then.”

“It’s a bad idea. I’m not a man for bad ideas.” He edged himself along the flimsy wall, the rubber wheels squeaking. “It’s why I’m good at what I do.” When he arrived at the window, he shook his head. “Look at them. They’re fools.”

“That very well might be true.”

“Your father’s always been a fool around her. And she can be a worse one around him .”

Across the clearing, Dad was gesturing at something in the woods. The land must have seemed awfully shabby to her — pitiful, even — but she stood beside him and seemed to admire it. She nodded as he spoke, one heel crossed behind the other. Biettermann jiggled the brake on his chair. “I need to get to the hotel,” he said. He moved before the wall mirror, but he wasn’t looking at his own figure. I could see exactly where his gaze was pointed.

Even with the accident he was still a handsome man. Steep chin, bladed nose — the skin so deeply tanned that in the light off the lake it looked bronzed. It was a face I’d seen a thousand times on Wall Street — the cavalry lieutenant drawn from noble line — but the features were disturbed by the eyes. They looked unreal.

He glanced up. “I can’t stand pity.”

“I don’t pity you.”

“I get around fine. I get plenty done.” He jiggled the handrails. “It’s a misplaced emotion. Animals don’t pity, they just get what they can.” He felt around in his pocket. “Mind if I smoke?”

“You’d be about the first to ask.”

He smiled for a moment. “I’m not asking. I’m just wondering if it bothers you.”

As soon as he pulled out the cigarette case, I knew what it was: the same thick piece of silver he’d shown to my mother and father after Hans Borland’s funeral, thirty years before. He’d probably been showing it ever since. He set it on the handrail, and on the front plate I recognized the row of screaming figures.

Earl was watching me. “Argentium silver,” he said, tilting it to the light. “From the Ponte Vecchio. Cost about as much as my car.” He flicked it open. “Italians might be even better thieves than the Americans.”

When he held it up, I saw the coiling snakes and the terrified, screaming mouths of the damned. The cigarettes inside looked like pieces of art, too, custom rolled with a red thread dividing each.

“We’re giving them a run, anyway,” I said.

He allowed himself a clipped laugh. Then he snapped the thing shut and slid it back into his pocket. He looked up appraisingly. “You and I did what your old man never could.”

“Which is?”

“Made something of ourselves. He had the same gifts, but he never did anything with them.”

“You call the Fields nothing?”

He looked at me flatly. “Yes, in fact, I do.” Now he backed up to take in the view again, drumming his fingers on the chair. Out on the dock, I could see that Dad was leaning forward now and rubbing his arms. He was getting tired. Biettermann turned away. “ You provide for your children,” he said.

“And so did my dad. All you and I did was sell out.”

“The only ones who didn’t sell out were the ones who couldn’t.”

“He didn’t want to.”

“That, I doubt.” He rolled to the wall and began pulling books from the shelves, glancing disdainfully at their titles. “Everybody wants to.”

“Not him.”

“Well, look at what it got him. Ending his days in a place like this.”

I turned away.

“What?” he said. “Look around. You wouldn’t live here yourself.”

“So what?”

“So, you’re the one who said it — he won the Fields.”

“And?”

“And?” he said, rolling closer. “That’s the question, isn’t it? The problem he never solved. And? And— what ?”

“Everybody has a different answer to that one,” said Dad from the doorway. He was standing at the top of the ramp.

Biettermann spun. “Bullshit,” he said. “I could have told you a long time ago. I saw it all from the beginning.”

“Told us what?” said Cle.

“How it would end.” He pointed at my father. “I could have told you both how it would end up for him.”

Dad stepped into the room. “Then why didn’t you?”

“Why didn’t I?” He perused us with his strange eyes. After a moment, he smiled. “Because I didn’t want to spoil the surprise.”

THAT EVENING, CLE and Dad stood together again at the waterline. Dad was talking, his hands moving before him in the air. Cle leaned toward him, her heel crossed behind her again, the white knot of her hair unraveling. After dinner, I’d driven Earl back to the hotel, and now in the kitchen I was cleaning the dishes. When I switched on the light, Cle turned and gazed up at the house. After a moment, she waved. I switched it off.

They moved back now along the shore. With a woman on his arm, my father looked ten years younger. No, twenty . Even in the moonlight I could see the pleasure he took in it. His elbow high. His shoulders straight. At the porch bench, they sat down; then she pulled a pad from her bag and handed it to him. She leaned back, gazing out at the water. He picked up the pad, opened the cover, and leaned down over it.

When we lived in Tapington, after he’d come back from the hospital, he used to disappear upstairs to his office and lean down over a pad of paper the same way, like a man in prayer. He could stay like that for hours. We used to start dinner without him, the table strangely calm. But we always knew we were waiting for him to break that calm. To break the unbearable hopefulness of that silence. I remember thinking sometimes that he’d gone away somewhere — I remember wishing that he had. But whenever he returned, I was also relieved, hearing his heavy step on the stairs.

A few moments later, when he turned on the bench and looked up at Cle, I realized he was drawing her.

THE NEXT MORNING, Biettermann said, “I hear the apple doesn’t fall far from the tree.”

“How’s that?”

Behind us, Dad was asleep on the couch. After breakfast, he’d started a story about the history of the land up here — the Indians, the loggers, the gas drillers — but at some point he’d lost the thread. He’d tried again with something about the invention of the logging wheel, then trailed off. Now he was snoring.

“Rumor is, you don’t drive alone,” said Biettermann.

“Where’d you hear something like that?”

“You and I are in the same line of work.”

“I’m fine,” I said.

He looked up at me, appraisingly again. After a time, he said, “Does he ever talk about her?”

“You mean your wife? No, as a matter of fact, I’ve never heard him do that.” I turned to the window. “And if he does, it’s because his mind wanders. He’s not well.”

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