Ethan Canin - A Doubter's Almanac

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In this mesmerizing novel, Ethan Canin, the New York Times bestselling author of America America and other acclaimed works of fiction, explores the nature of genius, jealousy, ambition, and love in several generations of a gifted family.
Milo Andret is born with an unusual mind. A lonely child growing up in the woods of northern Michigan in the 1950s, Milo gives little thought to his talent, and not until his acceptance at U.C. Berkeley does he realize the extent, and the risks, of his singular gifts. California in the seventies is an initiation and a seduction, opening Milo’s eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman, and the rival, he meets there will haunt him always. For Milo’s brilliance is inextricably linked to a dark side that ultimately threatens to unravel his work, his son and daughter, and his life.
Moving from California to Princeton to the Midwest and to New York, A Doubter’s Almanac explores Milo’s complex legacy for the next generations in his family. Spanning several decades of the twentieth and twenty-first centuries, A Doubter’s Almanac is a suspenseful, surprising, and deeply moving novel, written in stunning prose and with superb storytelling magic.
Advance praise for The Doubter’s Almanac
“I’ve been reading Ethan Canin’s books since he first burst on the literary scene with the remarkable Emperor of the Air. I thought he could never equal the power of his last work, America America, but his latest novel is, I believe, his best by far. With A Doubter’s Almanac, Canin has soared to a new standard of achievement. What a story, and what a cast of characters. The protagonist, Milo Andret, is a mathematical genius and one of the most maddening, compelling, appalling, and unforgettable characters I’ve encountered in American fiction. This is the story of a family that falls to pieces under the pressure of living with an abundantly gifted tyrant. Ethan Canin writes about mathematics as brilliantly as T. S. Eliot writes about poetry. With this extraordinary novel, Ethan Canin now takes his place on the high wire with the best writers of his time.”—Pat Conroy, #1 New York Times bestselling author of The Prince of Tides and The Great Santini.

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He lit a cigarette and sucked at it.

“What are you doing?”

“Calming myself.”

She pointed. “You’re already smoking one.”

“Fuck that.”

“You’re not supposed to do that in here, Milo.”

“The hell I’m not.”

She took his sleeve and whispered something. Oh, that mouth. He leaned in. That luscious hair. At last, the elevator. More sensation. The lurch of ascent on cables. The spinning, weather-pattern burls gyrating in the wall panels. The columns of smoke sewing themselves into uncurling maps. He reached his nose up into one of them. At her floor, they exited, and at the door to her room he crushed out his cigarettes into the rug. When he raised his head again he felt a gust of warmth from her skin. He closed his eyes and began kissing her neck. She stepped back and worked her key into the lock.

“Please,” he moaned.

“You’re drunk.”

“I’m not drunk.”

He moved down, grasping at the buttons of her dress.

“Milo,” she said. “I’ve done my best to care about you.” She pushed him away. “But you don’t let me. You’re dead drunk.”

“I’m not drunk, Helena. I’m lost. Help me.”

She twisted free and squeezed through a crack in the door. It swung shut.

“Please help me!” he wailed as he rattled the knob. “Fuck you!” he shouted, sliding to the carpet. “Let me in!”

Silence.

He yanked off his shoe and began pounding the wall with it. “Open the goddamn door, Helena!”

From down the hall a man yelled, “Shut up already!”

“Fuck you,” Andret shouted back. “And fuck Helena Pierce!” He started in with the shoe again. “Fuck all of you!”

“I’m calling the cops,” came the voice.

“Shut up and call them then!”

That’s when he heard the bolt unlock behind him. Helena leaned out, thrust her hands under his shoulders, and pulled him into the room.

Welcome to the Future

“WELL, WOULDN’T YOU like to know whether you got it?”

Hay hadn’t offered drinks. “Why don’t you call me about it tomorrow?” Andret said, reaching for the doorknob.

“Okay, Milo, fine — yes, you did. You got it. Congratulations.” Hay smiled perfunctorily. “These are the appointment letters right here, one from me and one from the dean. You certainly don’t make it easy, you know.”

“My job isn’t to make it easy.”

Hay tilted his head. “That’s your sense of humor,” he said thoughtfully. “Isn’t it?”

“It’s my sense of truth.”

“The Hyun Chair in Experimental Mathematics, Milo. Tenure in the finest department in the country. A subchairmanship. Not a bad day, even for a man who doesn’t give a damn. Congratulations again, my friend. But still, you really do need to be more careful.”

“Of what?”

Hay leaned forward, squinting now, as though trying to see something that Andret wouldn’t show him. Finally, he said, “I understand that you were at Hans Borland’s memorial.”

“What if I was?”

The appraising gaze continued.

“What?” said Andret.

“I’m not exactly sure, ” Hay said slowly. “Are you actually belligerent? Or do you truly not understand the way you appear to your colleagues? I mean, to the whole world. I heard that you didn’t say hello to a single member of the department in Berkeley. Not to a single one of your old professors. Were you even aware of that?”

“They’re no friends of mine.”

“Perhaps not. But you know that I am, don’t you? I’m your friend, Milo. You must understand that.”

Andret reached. “Can I see the letters?”

Hay pulled them back. “You’re lucky I recognize your brilliance, Milo. You’re lucky I can handle it. And you’re lucky I understand that the rest is just the price. I go out of my way to protect you, you know. I’m your ally. And not everybody thinks I should be.”

“Just show me the letters, please.”

“Yes, yes. All right — and there’s a third one here, too.” He slipped a business card into an envelope. “This fellow’s an acquaintance of mine, Milo. Dr. William Brink.”

Andret peeked at the card, then burst out laughing.

“It’s nothing to laugh at. Bill’s a psychiatrist. A very good one.”

“Dr. Brink, the shrink.”

“You might at least consider calling him.”

“I don’t need a shrink.”

“Then what exactly do you need?”

“I’m not going to answer that, Knudson.” He thought for a moment. Then he added, “But it does rhyme with Brink.

HIS DIFFICULTY HAD begun to surface more regularly now. Not just the star in the streetlamp or the bulging urn in the lobby, but other more complex, transitory shapes. As he went about his day, his eye would light on some ordinary entity — a metal mailbox or a kite in the sky or a brick chimney spilling smoke — and his brain would instantly fling itself into weird geometries. The mailbox, melted like toffee, would become a teacup; the kite, a two-ended, bulbous vase; the chimney, an undulating trapezoid. He could never predict it. Once, as he was walking home, a line of geese transformed itself into a sliding, anfractuous matrix of single-sided, single-edged spirals, the distant black curves burrowing into themselves like the blades of a windmill. Then, in another moment, the whole scene turned back to normal again. He blinked.

And soon he’d noticed something else, as well: that whenever one of his visions occurred, he’d be struck soon after with the old sensation that someone was watching him from behind. And later in the day, he would suffer from a particular headache — as though his skull had shrunk until it was just slightly too small for his brain. Still later, a queer residue of feeling would center itself at some odd spot in his body. Sometimes he would feel it in his fingers, which would seem to have inverted themselves, often in a shifting manner. His pinkie would now be his thumb, for example — for the most transitory fraction of a second — or his knuckles would now be attached on the wrong side of his palm. It was as though a telephone operator had patched a cord into the wrong line; then, while trying to correct the mistake, had moved it fleetingly — but to another false position — before at last yanking it out. Yet this wasn’t exactly it, either. The feelings — actually, they were more like the memories of feelings — never lasted long enough to summon. In this sense, they were very much like his visions. And if he drank a glass of water before the next bourbon, they would generally subside. Certainly he’d be fine by the next morning.

He never mentioned his problem to anybody, though. Not to Helena, certainly, who on the plane trip back from California had sat rigidly in her seat three rows ahead of him and paid for her own cab ride home from the airport; not to Knudson Hay, who, peering in closely, would now and then inquire about his health; not to Annabelle, who would no doubt have pressed him for details; not to Olga, who wouldn’t have cared at all; and never to a doctor, of course. For Andret was not in the habit of seeing doctors.

THE CALL CAME one morning in the fall of his thirty-eighth year, not long after his birthday. He was slouching at his desk in Fine Hall, preparing a class as well as trying to bring to a point a spate of recent ideas on the Abendroth. He was in a vulgar mood, frustrated in his attempts to sustain order in his life. He wanted to be at Clip’s, but it had become difficult to prepare a lecture in a bar. Hay had mentioned his teaching — there had been complaints. He hadn’t had a drink since the night before, and when the phone rang he spilled coffee all over his sleeve.

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