Ethan Canin - A Doubter's Almanac

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In this mesmerizing novel, Ethan Canin, the New York Times bestselling author of America America and other acclaimed works of fiction, explores the nature of genius, jealousy, ambition, and love in several generations of a gifted family.
Milo Andret is born with an unusual mind. A lonely child growing up in the woods of northern Michigan in the 1950s, Milo gives little thought to his talent, and not until his acceptance at U.C. Berkeley does he realize the extent, and the risks, of his singular gifts. California in the seventies is an initiation and a seduction, opening Milo’s eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman, and the rival, he meets there will haunt him always. For Milo’s brilliance is inextricably linked to a dark side that ultimately threatens to unravel his work, his son and daughter, and his life.
Moving from California to Princeton to the Midwest and to New York, A Doubter’s Almanac explores Milo’s complex legacy for the next generations in his family. Spanning several decades of the twentieth and twenty-first centuries, A Doubter’s Almanac is a suspenseful, surprising, and deeply moving novel, written in stunning prose and with superb storytelling magic.
Advance praise for The Doubter’s Almanac
“I’ve been reading Ethan Canin’s books since he first burst on the literary scene with the remarkable Emperor of the Air. I thought he could never equal the power of his last work, America America, but his latest novel is, I believe, his best by far. With A Doubter’s Almanac, Canin has soared to a new standard of achievement. What a story, and what a cast of characters. The protagonist, Milo Andret, is a mathematical genius and one of the most maddening, compelling, appalling, and unforgettable characters I’ve encountered in American fiction. This is the story of a family that falls to pieces under the pressure of living with an abundantly gifted tyrant. Ethan Canin writes about mathematics as brilliantly as T. S. Eliot writes about poetry. With this extraordinary novel, Ethan Canin now takes his place on the high wire with the best writers of his time.”—Pat Conroy, #1 New York Times bestselling author of The Prince of Tides and The Great Santini.

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“That burns.”

“I know it does. I’m sorry. It’s going to feel better in a minute.”

His hand reached back and tried to find the syringe.

Another silence. A long one this time, while his fingers moved slowly over the bone. He was feeling for the needle that I’d already pulled out. Finally, he said, “What kind of advice?”

“Whatever you feel like telling me.”

He thought about it. Then he said, “You were a lonely boy. So was I.”

His eyes closed again.

When they opened, he said, “Life is brutal.”

He looked out toward the lake. “I should have just kept walking,” he said. His eyes came back to me, then drifted out the window again. “I was deep enough. I should have just kept on going.”

IT WAS THE middle of the night, but Audra picked up on the first ring. “How is he now?” she said.

“Not good.”

“Oh, sweetheart, I’ll come back out.”

“I don’t know if it’s time yet.”

“I’ll be there tomorrow.”

“Thank you, Aud.”

I was on the porch, watching him sleep. Through the screens, the sun was beginning to light the horizon.

“You know,” I said, “I think I finally figured something out. Something Matthew said to me once about confession. He might have been right.”

I listened to her breathing.

“Tell me what you mean,” she said.

“It’s a hunch. For a long time, I’d been thinking it was Earl who sent us that journal. But now I realize Earl doesn’t know a thing about it. If he did, he would have said something.” I looked out the window at the close hills, which were just beginning to be marked out against the day. “I think it was Dad.”

“Sweetheart, I’m sorry — I don’t understand.”

“I think it was Dad who sent me the combinatorics journal, Aud. The one with Benedek Fodor’s paper in it. Dad sent it to me himself.”

Mysterium Cosmographicum

WHEN IT HAPPENED, the floor hardly shook.

I ran out to the porch, but Paulie was already at his side. Dad was on the rug, the cast pushed up against the wall. His huge belly was splayed beside him like a duffel bag he’d tripped over. I could see the labored heaving of his chest.

“Oh, God,” Paulie said, backing away. “He hurt himself.”

The cast lifted a fraction of an inch, then fell.

“Oh, God,” he murmured.

“Let’s get you up, Dad. Come on, Paulie. We’re going to lift him. Dad?”

“No, Hans.” Paulie had backed all the way to the door.

“Dad,” I said, “are you hurt?”

“Up,” he said weakly.

“Let’s lift him. Paulie, come over here and help!”

She crossed the floor and knelt next to us. I lifted Dad’s belly until it flattened over his ribs.

“Jesus,” she whispered.

“I know.” With the cast I pushed the weight of it over his hips. “Okay, lift.”

“Oh, my God,” said Paulie. “What was that?”

“It might have been his ribs. Dad, did we hurt you?”

He rasped.

“Set him down, Paulie. Set him down. Take his shoulders. I’ll get his legs. Dad, we’re going to move you.”

She knelt by his head. He was trying to twist onto his side. I used the cast to pin his belly, but when I grabbed his hip my thumb pushed through the bone as though it were a piece of Styrofoam. “Oh, God, Paulie.”

“Oh, no. Oh, no.” She rose.

“Paulie! Look at me! We have to get him up.” I straightened his leg but he pulled it away. “Get the blanket, Paulie! Get the blanket from the bed!”

“Oh, no, Hans. Oh, no. We’re going to hurt him!”

“He’s already hurt! Jesus, Paulie! Get the blanket!”

“No.”

“Paulie!”

“No, Hans. We can’t do this.”

I yanked it off the mattress myself, then pushed it under his thighs. When I tried to tug the rest of him up onto it, though, his ribs made a snapping sound, as though I’d yanked open a row of buckles.

Paulie screamed.

I moved to his head and tried his shoulders, but I felt a rip inside the cast. He was shaking now.

“Helena—” he rasped.

Mom was standing in the doorway.

“Oh, God, Milo. Lord help us.” She knelt and clasped his hand. “Where does it hurt?”

“Helena—”

“Be strong, my love. Get his shoulders, Hans.”

“We tried, Mom. I don’t think—”

“Yes, we can.” She squatted. “One, two — oh, Lord, what was that?”

“It’s his ribs.”

“It’s going to be all right, Milo.”

I heard Paulie vomit.

Mom went to her knees. “Milo!” she said sharply.

He opened his eyes.

“We’re going to leave you here. It’s going to be okay. We’ll leave you right here on the floor. You’ll be fine.” She was pushing down on his belly now, and the movement seemed to relieve him. He drew a longer breath. “It’s all right,” she said. He drew another. “It’s all right.” She was pressing the weight of it to keep it over his hips. “We’ll get you comfortable, Milo, just where you are. Just where you are, Milo. Right here.”

Then she rose and began pulling pillows from the bed; then cushions from the chairs, sliding them under his head and shoulders and all along his sides. Paulie came back from the living room with more of them from the couch. Dad let Mom move him as she slid them around him. His color was returning now. All the while she kept pressing down on his belly. He was taking longer breaths. “We’ll make it okay,” she said. “Paulie, sweetheart, it’s all right. Hans, you go get his medicine. Paulie, he’ll need a glass of water. We’ll take care of you right here, my love. Oh, Milo. We’ll take care of you right here. It’s going to be all right.”

AND IT WAS, strangely — it was strangely all right. Over his last days, my father made one final recovery, a recovery that seemed as improbable as all the others; but this time he did it on a makeshift bed, on the floor of that rickety screened porch, in the shifting light of the sun. He slept and woke, ate little, drank in fits, relieved himself without warning or embarrassment, rested his belly on its own pillow and propped the rest of his frame among a raft of cushions and blankets that had been spread around him like the drapery in a harem. My mother pulled his old mattress away from the wall and made it her own bed.

Dr. Gandapur drained him once more, which eased his breathing considerably. As he was packing up the bottles, he turned to Dad and said, “I’ve made a telephone call, Milo. They would accommodate you quite comfortably at the general hospital where I work in Lansing. And, of course, I would be there, too.”

Dad blinked at the ceiling. He ran his tongue over his teeth and said, as loudly as he could, “Fuck off, Danny.”

Dr. Gandapur’s lips turned up.

The doctor went out to the living room then to make the same offer to my mother, and though they were whispering, I could tell what her answer was.

After that visit, Dad experienced several days of relative comfort. He smoked. He drank a little. He listened to the radio. He talked, quietly and sporadically, but occasionally at length. He even tried to draw again, asking Paulie to bring him the pad — she practically ran to get it — but then letting it fall from his grip a few moments after he’d started. Moths batted the screens. Squirrels shook the branches of the hemlocks. At one point, a doe walked right up to the porch. The world seemed to want to look in.

For hours at a time now, his pain seemed to leave him entirely, as though it had completed its work ahead of schedule and had simply gone on without him. He propped himself up, just slightly, so that he could see out to the water. I don’t know how many of his bones were cracked, and he could hardly raise his head. His hand swelled until we couldn’t even ease it out of the cast. Inside the hole in the plaster, the fingertips grew dark. But he didn’t ask for any more medicine, and sometimes as I was getting his dose ready, he asked me to go light on it or to skip it altogether. I might only be comforting myself, but I think he might have been making one last effort to be present for all of us.

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