Katy Smith - Free Men

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Free Men: краткое содержание, описание и аннотация

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From the author of the highly acclaimed
comes a captivating novel, set in the late eighteenth-century American South, that follows a singular group of companions — an escaped slave, a white orphan, and a Creek Indian — who are being tracked down for murder.
In 1788, three men converge in the southern woods of what is now Alabama. Cat, an emotionally scarred white man from South Carolina, is on the run after abandoning his home. Bob is a talkative black man fleeing slavery on a Pensacola sugar plantation, Istillicha, edged out of his Creek town’s leadership, is bound by honor to seek retribution.
In the few days they spend together, the makeshift trio commits a shocking murder that soon has the forces of the law bearing down upon them. Sent to pick up their trail, a probing French tracker named Le Clerc must decide which has a greater claim: swift justice, or his own curiosity about how three such disparate, desperate men could act in unison.
Katy Simpson Smith skillfully brings into focus men whose lives are both catastrophic and full of hope — and illuminates the lives of the women they left behind. Far from being anomalies, Cat, Bob, and Istillicha are the beating heart of the new America that Le Clerc struggles to comprehend. In these territories caught between European, American, and Native nations, a wilderness exists where four men grapple with the importance of family, the stain of guilt, and the competing forces of power, love, race, and freedom — questions that continue to haunt us today.

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He does not respond, so I pick up some of the food he’s left uneaten.

“It would be helpful to me if you’d speak a little of your history. Did you know the black man and the Indian for very long? You see, I’m writing an account of your adventure to be shared with men on the other side of the ocean, men who are interested in unusual things. If you’ll share your story, I promise to convey it with accuracy.”

“There’s no story.”

“That’s hardly true, since my guess is that you were born without having murdered anyone, and now here you are with at least several souls on your account. Unless I’ve got it wrong?” I offer him the canteen.

“Do you have any whiskey?”

“Pardon?” As it happens, I’ve saved a small flask in my sack for occasions of great need, and I tippled from it once or twice before I found the men, but about half remains. After a moment of consideration, I dig it out and hand it over.

He has to reach up with both hands to take it. Only one sip, and his face tightens into a grimace. His eyes squeeze shut and open wide again, and after this contortion a little peace comes. “Tastes like my father.”

I acknowledge this with a nod. “I did not have a father.”

“They are remarkable unkind.”

“I hear that sometimes is the case.” I stretch out a hand for the flask.

“I have to piss, is why I remembered.”

My face must be blank with question.

“You had a son?” he says. “Who pissed the bed?”

“No, no children.” Not for lack of trying, certainly. There are men who would be concerned about impotence, but I am grateful for the domestic limitation.

“It’s right a father should be mad. Better I had no son.”

I offer him the spirits again, but he declines. “I must say, family is given more credit than I believe it’s worth. The blood relation seems to give folk a license for cruelty.”

“But worse to be lonely.” He lies back now, stares up at the sinking sky. The dusk birds are coming out of their holes and hollows, lithe black shapes against the twilight. We must walk a little more before we settle for the night.

“Is it worse, indeed? I have built a life mostly for myself these past two decades, though I have certainly had wives and once a mother, and there is a freedom to it I find very pleasant.”

“Free from what?”

“Well, one needn’t grieve so much at the inevitable losses, for instance, or get one’s heart knotted up in someone who will abandon you or punish you, or someone who will simply not love you the same.”

“You haven’t been in love.”

“Certainly I have.” I flicker back through all the early moments of my Parisian wife: the dancing, the long kisses beneath the stairs, my hands wrapping her limbs around me, the fresh bread shared in the morning. Lust, lust.

“And you haven’t done anything to be sorry for?”

I stand up, stretch my neck from side to side, brush the debris of wilderness from my pants. “We’ve another hour before we can rest. Come.”

He is always obedient. We turn east again, my men now less than a day off, undoubtedly wondering what’s taking so long. A bat tosses between the trees as if in a high wind. The sky is soon asleep, and I can see nothing but the sound of Cat’s footsteps shuffling behind me. After several minutes of silence, he pauses, speaks up.

“I don’t think being free means being alone.”

IN THE MORNING, we slide down the banks to the main trail and turn toward the tavern, where we rejoin my men, who have drunken themselves into a sorry state in the time I’ve been absent. They raise their eyebrows to see me with a single hostage, but I tell them this is the killer, that this weak and woebegone man is the one whose punishment will redeem the murders. It is no use whether I believe it, for he won’t say otherwise.

That night, Cat sleeps on the floor of my room, his leg tied to the foot of the bed. He watches as I remove my shoes and stockings, and when I wince pulling the leaves off my blister, he asks if he can help.

“I used to know some medicine.”

“Just too much walking,” I say, though I am convinced the canker has some other cause than mere walking. “If you lot had wandered less, it would have been a welcome preventative.”

“If you had not pursued us, we might not have wandered.”

What the devil? I lean over to see if this is humor or philosophy, but his eyes reveal nothing. I fear this statement will keep me awake.

We both smell of days without so much as a rinsed face. But my sheet is clean and he has none, and perhaps if either of the other criminals had been on my floor I would not have minded, but this man begs tenderness. Is it his whiteness that is easier to feel sorry for? There, but for the grace of God, goes Louis Le Clerc? No, because I have known plenty of Creeks who share more with me in temperament and ideology than this man. He is just a subject of study grown too dear. I throw him a pillow and blow out the candles, so that when I ask him where the other men are bound, I don’t have to see his face.

“I don’t know,” he says.

In fact, we both know quite well; the black man has shared a detailed scheme for his western farm, and the Indian has explained that the long journey to seizing his village and wreaking dignified vengeance — on his betrothed, on his chief, on any man who allowed his ostracism — that his journey begins with politics. Using coins to build alliances out of modern-minded Indians who will support his claim on his town and will carry him on a red wave back to Hillaubee, may Seloatka beware.

“Then what did the silver mean to you?” I ask. That is what I haven’t heard.

“I was already dead. I had no need.”

“But you took it.”

“Life is for those still alive.”

“I’m afraid I don’t understand. You took it so that the black man and the Indian would have a healthy start in their pursuits? You’d kill six men to assist two strangers?”

“Whatever is wrong has already happened. I can blame them only once for what they did. You heard; she said to do only what can be done.”

“Are you saying the others participated in the murders?”

“I’m saying they’re still alive.”

I am losing patience. If this man were a butterfly, I would not have toyed with him for so many days, and to such vague purpose; my duty as a scientist is merely to pin him, and let others marvel.

“Tell me, for pity’s sake, what possessed the three of you to fall into a common story and hold to it past all reason. I have been in this country for twelve years, and from every angle I can only see that Americans have made a religion of the individual — it’s seeping already into the discontent slaves and the Indian factions, you must see it too — but if all humans have a common element, a sublayer I call it, it cannot be fear or faith or even charity because none of these explain why your intentions overlapped into violence and out of it again intact.”

I wait for him to speak, but he is like a mirror, only reflecting or failing to reflect what I most wish to see. I wonder what the Creeks are up to in their room, whether they are torturing the negro with Indian jokes.

“I can’t tell any story but my own,” he finally says.

“That’s all I ask.”

Finding a place to begin takes him several moments. “My wife was this beautiful,” he says, as if I can see what gesture he is making, if there is even a gesture for beauty. “We had a son. Sons, I think.”

I have no children, not even a faithful wife. The room is airless, and the ceiling above me has a spreading stain.

“My memory won’t go away. I remember all the bodies that passed before me. My father, and every other one until my wife. My life was mostly losing people.”

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