David Malouf - The Complete Stories

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In this stunning collection, internationally acclaimed writer David Malouf gives us bookish boys and taciturn men, strong women and wayward sons, fathers and daughters, lovers and husbands, a composer and his muse. These are their stories, whole lives brought dramatically into focus and powerfully rooted in the vividly rendered landscape of the vast Australian continent. Malouf writes about men and women looking for something they seem to have missed, or missed out on, puzzling over not only their own lives but also the place they have come to occupy in the lives of others. This single volume gathers both a new collection of Malouf's short fiction,
, and all of his previously published stories.

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But not yet, not quite yet. They would sit for a bit, letting the moon, the dark surrounding bush with its medley of nightsounds, hold them in its single mood, which his speech had not broken.

Fran had left in a group of a dozen or so, including Cedric Pohl, who did go with the Bergs. The cars made a procession down the rutted slope and through the three gates to the main road.

In the flurry of farewells, in the leaping torchlight as people stumbled over clods and picked their way among bushes to find their cars, she had had no chance to explain to Clem, simply to say what he already understood, that she felt out of things and would rather drive back tonight than in the heat of the day. He nodded, smiling. She kissed him quickly and climbed into her car.

The procession got under way and she closed her mind to every- thing but the drive ahead: her mind, not her body. The excitement she felt at the prospect of something new, a romance even, had settled now to a slow but regular ticking in her. Like a bomb, she thought, that was timed to explode somewhere up ahead. Well, she'd deal with that when she came to it.

As they swung down past the horse-paddocks and began to climb the moonslope, two figures appeared in the light of the headlamps and had to move away to the side of the road.

It was Ralph and Angie out walking — bailed up now by the line of cars. She would have stopped and spoken, but there were two more cars behind her and before she could wave even, they had been left standing, looking blanched and ghostlike, stunned by the blaze of lights. Still, the image of them together, isolated in the dark, Ralph in his white shirt, Angie in black, pleased her.

Ralph and Angie walked, as they often did at the end of the day, even at home in the city. Sharing a half-hour together after so many in which they had gone their separate ways.

Down here in the open they walked in whatever light there was from the moon, since they knew this place like the back of their hands. At home it was under humming streetlights, past fences behind which dogs leapt or growled and walls scribbled with graffiti — Yuppies Fuck Off or Eve Was Framed — stepping over rubbish spilled out of doorways, old-fashioned hearts drawn in chalk on the pavement and roughly initialled, through streets where the inhabitants were already sleeping; pausing sometimes before a lighted window to catch a couple of moments from a late-night movie. Ralph, who knew every movie ever made, would identify it for her. “That's Jack Palance, the rat! In Panic in the Streets” Or, "That's Marilyn in Bus Stop.”

They seldom talked, or if they did it was to pass on bits and pieces of the day's news, none of it important. It was the walking together that held them close. Now, as they came up the hill in the dark, they could hear Audley at the piano. He liked to play quietly to himself when the rest of the household had gone to bed: simple things that he had learned when he was a boy. Tonight it “Jesu, Joy of Man's Desiring.” The flowing accompaniment brought them right up to the kitchen steps and they stood a moment in the dark to let him finish.

The piano was an old Bechstein upright, its black enamel finish chipped in places, worn in others. He played without music but with his eyes fixed ahead, as if the pages stood open on their rest; very straight on the stool, still hearing in his head that first voice telling him: Keep your shoulders back, Aud, sit up straight, and don't drop your wrists. Being stern with himself, as he was in everything.

When he came to a conclusion he sat with his hands on his knees, till Ralph called: "That was great, Dad. We just dropped in to say goodnight.”

Angie had gone to the tap over the sink to get a glass of water. Nothing had been cleared. In the sink, still in its wrapping, was a big bunch of flowers — tuberoses, the air was drenched with their scent — and under them, Audley's blackfish.

“You go on,” she told Ralph quietly. “I'll just clear up a bit.”

Ralph kissed her on the back of the neck while she stood and sipped her glass of water, then went to say goodnight to his father. She unwrapped the flowers, found a pail to put them in, and ran cold water over the fish to freshen them up, then made room for them in the bottom of the fridge. When she looked up Ralph was gone and Audley was standing in the doorway behind her.

She turned and ran the tap to rinse her hands.

“Would you like me to make some tea?” she asked.

They were the night owls of the household. They often found themselves alone like this, last thing.

He did not like to go to bed, she knew that. He was scared, she suspected, that if he took his clothes off and lay down to sleep he would slip so far into the dark, into the night that becomes greater night, that he might never get back. He had never said any of this, he was too proud, but she had seen the same thing, the year before he died, in her father. Without waiting for an answer now she filled the electric jug and he sat down like a patient child on one of the forms.

The throbbing of the jug filled the silence. When it stopped she was aware, as she had not been before, of the odd little sounds that came from the house itself, its joists and uprights creaking as they shifted and settled like sleepers — or it was the sleepers themselves in their several rooms and out on the deck where the young were sleeping. She thought she could hear Ned, who was inclined to mutter in his sleep.

Taking her cup, she stepped to the window and looked down on half a dozen forms all huddled in their sleeping bags, and made out Ned's fair head, then Jenny's darker one. All safe as houses.

She came back and sat by Audley at the bench.

“What I've always admired about you, Angie,” he said after a moment, "is the gift you have for attending — for attention. People never mention it among the virtues, but it might be the greatest of them all. It's the beginning of everything. Malebranche, you know, called it the natural prayer of the soul. I think it's what Clem's speech meant to say. You didn't hear it, did you?”

She shook her head, took a sip from her cup.

“I wish you had. It would have meant something to you. I was deeply moved. By the boy's intense — happiness. He spoke from a full heart — I think he was trying to say something to me. You know, about the fire— as well as all the rest. What a day we've had!” He sipped his tea. “Thank you,” he said in his formal way.

They sat a little longer, saying nothing now.

Outside, a breeze had sprung up; it stirred the faded chintz at the windows, touched with freshness the stale air of the room. On the edge of town, the charred ashes of the museum glowed a moment so that here and there a flame appeared and wetly hissed.

Down in the cove, the bonfire, which had collapsed on itself, a shimmering mass, revived, threw up flames that cast a flickering redness over the sand, and one of the men, conscious perhaps of the renewed heat, sat up for a moment out of sleep and regarded it, then burrowed back into the dark. Till here, as on other beaches, in coves all round the continent, round the vast outline of it, the heat struck of a new day coming, the light that fills the world.

ANTIPODES

Southern Skies

From the beginning he was a stumbling-block, the Professor. I had always thought of him as an old man, as one thinks of one's parents as old, but he can't in those days have been more than fifty Squat, powerful, with a good deal of black hair on his wrists, he was what was called “ladies’ man" — though that must have been far in the past and in another country. What he practised now was a formal courtliness, a clicking of heels and kissing of plump fingers that was the extreme form of a set of manners that our parents clung to because it belonged, along with much else, to the Old Country, and which we young people, for the same reason, found it imperative to reject. The Professor had “position" — he taught mathematics to apprentices on day-release. He was proof that a breakthrough into the New World was not only possible, it was a fact. Our parents, having come to a place where their qualifications in medicine or law were unacceptable, had been forced to take work as labourers or factory-hands or to keep dingy shops; but we, their clever sons and daughters, would find our way back to the safe professional classes. For our parents there was deep sorrow in all this, and the Professor offered hope. We were invited to see in him both the embodiment of a noble past and a glimpse of what, with hard work and a little luck or grace, we might claim from the future.

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