Mitchell Jackson - The Residue Years

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Mitchell S. Jackson grew up black in a neglected neighborhood in America’s whitest city, Portland, Oregon. In the ’90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a break-out voice that’s nothing less than extraordinary.
The Residue Years Honest in its portrayal, with cadences that dazzle,
signals the arrival of a writer set to awe.

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Say, sis, don’t be creepin up on me like that, he says. You almost got fired on.

Boy, you ain’t about to fire on nobody, I say. What you doing besides boozing away the rent?

Oh, I see you been by my lady’s, he says, and swigs his 40. Well, I’ll have you know this here ain’t the rent. That gone yesterday. This here’s the light bill.

Sometimes I think my brother’s the happiest man alive — drunk, sober, or any state in between. Once, when he was staying with me — he’s stayed with me off and on for years — I asked him his secret. He said he’d show me. Said to stand still and don’t look ahead nor behind. Now feel, he said. Feel the right now. That’s all we have, he said. You wanna know what it is, that’s it.

Pat’s wearing a checkered shirt and jeans and combat boots and needs a haircut in the worst way. Waste not, want not, he says, and downs the last of his beer, and pushes away from the table.

What’s the word, sis? he says. I know you ain’t swung through to shit talk with me and the fellas.

Right, I say. Come.

Pat staggers out behind me and waits swaying while I open the car and climb in.

Who ride’s this? he says.

Who you see in it? I say.

That right, he says. Thought you said they had you down there slaving for them nickels and dimes, he says.

They do. Champ bought it, I say.

Oh, he says. Well, I’ll be good and gotdamned. Nephew gifting cars now, eh? He must be into some mighty sweet shit.

What you trying to say? I say. Why can’t you let me have this?

Sis, have it, he says. Have it all you want. But you and I both know anything seem sweet as this got that bitter marching right behind it.

Pat, please, I say.

Say no more, say no more, he says. He climbs in and straightens his seat and fingers the upholstery and fiddles the disc player’s controls.

Look like you and old neph picked a winner, he says. What this, bout an ’86, ’87? What the miles on it?

What miles matter? I say, and start the car — it starts easy; it should all be this easy — and lower the windows and crank my system. My music stomp into the street.

Chapter 14

But maybe it’s just here. In my city. Not yours.

— Champ

Peoples, You listening?

Bet.

This is how it go.

If you’re cold enough they name you.

Clutch or Jack Knife or K-Dub or 3-D or Dead Eye or D-Reid or Big Third or Smooth or DaBell — score twenty or thirty a season, and bam , you’re Stu or Pickle or Free or Fish or Big Blass or King Cole or Doc — they’ve christened you T-hop or B-hop or Pooh or Fluff or the Honey Bee or Houseguest or B-Moore or J. D. or Bookie. Handle your biz lugis luge and everywhere they’ll say your name, call out T-Cage, T. T., Gumby, Banger, A-Train, Nickle, Action, P-Strick, JoJo, L. V., T-Jones, Blazer.

We’re talking MVPs and state champs and first-team All-Everythings, dudes who any day you wanted it would kill your weak ass at the park.

In my city, hoop’s the hegemony.

In the Rose City, the P, what the deal is, if they name you, you’re anointed. And in the P that’s what we cherish, what we love if nothing else: Year after year after year we harangue who’s greatest of the ones who dropped 40s and 50s pre a three-pointer, which phenoms scored 60! 70! 80! Guys named J-Bird or Zelly-Roo or T. B. or D-Stoud or Slash or T-Bone or T-Ross or T-Hamp or Juice or Ice or Silk — middle school man-childs who played not a lick beyond the eighth, or the luckier-than-thous who hangtimed off to college handcuffed by the city’s collective hope. The General and 2-Ounce and Stretch and Big City and Slider and Truck and Duke and the one we named the GOAT: legends, a few of them, all-leaguers in every league they played.

My word, a nickname is a christening, meaning you got a shot, meaning they think you can go, which is one chance more than most of us, so no wonder the chosen are all there is to speak of. No wonder when, for most, hoop’s about our only shot to be better and bigger than the rest, to secure a life that counts.

But on the flip side, fall short and then what?

Best-case, you join a city league and/or wake early on the few weekends reprieved from rain to hit Wilshire or Irving or Laurel-hurst for full-court four-on-fours; you catch a rare weekend park run and on Monday semi-limp, half-swank onto your dronerific of a nine-to-five, fatmouthing to anyone with ears about who beat who by how much. You carry that same chatter to the shop or the grocery store or just outside the entrance of whatever club is crackin that month, carry it to the sidelines of an open gym or to a perch in the crowded bleachers of games between — the likely highlight of a nigger’s week, month, winter — your old high school and an archrival.

Not a failed life for most, but fordamnsure not no dreamland neither.

Worse-case, you’re addle-brained and haggard and wandering a main street with a decrepit semi-flat hoop rock tucked at your side or shooting air jumpers at a rim nobody but nobody but you can see. Worser, you’re left plotting on a way to prolong the cheers: you’re peddling hard or soft, or gangbangin or dumping seeds in every used-to-be-sorta-bad who saw your namebolded on the front page of Prep Sports — BKA slipping raw dog in community pussy. Fall short, and what the fuck can you do? Catch a sex-abused-low-esteemed-runaway teen girl on a humbug and risk your heretofore faulty luck: first as the dude who strong-arms the paltry tips of an amateur stripper, then as a local pimp sending runaways, strippers, the de-esteemed on escort calls, then graduating to a road show, hitting Cali, Vegas, NY, and all ho-strolls in between.

Let them quit screaming your name, and worse-case you just might rob a bank (who gets away with that?), just might hatch a (hand to God this happened) a flawed murder-for-insurance plot.

But maybe it’s just here. In my city. Not yours.

Canaan dickers for snack funds, leaps the bleachers, disappears out the gym. Next dead ball, the ref shoos youngsters too close to the baseline, too close by the sideline, most of them wearing team sweat suits and sandals with white socks peeking from their open toes — neophytes who I can’t help but think right about now ain’t lived near long enough to even earn a single real foe. A crowd of some fortunate-ass young bucks plus a few teenybopper chicks dressed for spring or summer, which I suppose ain’t all that bad since, though it’s cold and damp outside, inside this heat is cranked to Africa.

And before I forget (me hypermnesic? Yeah right) about enemies, let me say this: Fuck a sycophant. They way I see it, you ain’t lived till somebody don’t like you. Shit, a few somebodies.

Grown folks loitering by the door chomping on pencil hot dogs or oversalted chips, slurping pull-tab pops, all of them held captive by the sign: NO JUICE OR FOOD IN THE GYM NO EXCEPTIONS! The old man who runs this sweatbox roosting by the entrance, guarding against anybody who so much as looks as if they’d break a rule. Side note: I used to think this same old head was one of those ultra-fastidious, follow-all-the-rules-or-perish types till I saw him at an after-hours all by his lonesome gulping Cognacs.

KJ sluices hyperspeed through a press (even he handles it the way I never could), tries to split a three-man trap, and dribble-kicks the ball out of bounds. He boots the ball and watches rapt (a regular midcourt Madame Tussaud statue) while it scrawls its way to a stop, while the white-socked sideline crew soundtracks his gaffe with a loud-ass, Ooooooh!

Shake it off, shake it off, I yell from up top, and people below twist around to look.

Mom shows near the end of the first quarter. She’s got her coat, not a winter coat, zipped to her throat and her cheeks are flushed. She searches the stands for so long I’m compelled to get up and wave. You can see it on her way up: either Mom’s getting old or she’s laying serious hot sauce on the trouble it takes to climb.

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