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Tessa Hadley: Married Love and Other Stories

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Tessa Hadley Married Love and Other Stories

Married Love and Other Stories: краткое содержание, описание и аннотация

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A new collection of short fiction from the acclaimed novelist, short story writer, and regular New Yorker contributor-"a supremely perceptive writer of formidable skill and intelligence" (New York Times Book Review) "Hadley is a writer of exceptional intelligence and skill and. . a subtly subversive talent. . [Only Alice Munro and Colm Toibin] are so adept at portraying whole lives in a few thousand words. With Married Love, Hadley joins their company as one of the most clear-sighted chroniclers of contemporary emotional journeys." — Edmund Gordon, The Guardian A girl haunts the edges of her parents' party; a film director drops dead, leaving his film unfinished and releasing his wife to a new life; an eighteen-year-old insists on marrying her music professor, then finds herself shut out from his secrets; three friends who were intimate as teenagers meet up again after the death of the women who brought them together. Ranging widely across generations and classes, and evoking a world that expands beyond the pages, these are the stories of Tessa Hadley's astonishing new collection. On full display are the qualities for which Tessa Hadley has long been praised: her unflinching examination of family relationships; her humor, warmth and psychological acuity; her powerful, precise and emotionally dense prose. In this collection there are domestic dramas, generational sagas, wrenching love affairs and epiphanies-captured and distilled to remarkable effect. Married Love is a collection to treasure, a masterful new work from one of today's most accomplished storytellers.

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— She was fierce, Duncan said. — I’d have been frightened of her, in his shoes.

— She wouldn’t sit down; she stood up with her back against the wall, as if she were mounting guard over something. All she said was that Lottie would soon learn. They have a son, about the same age as Noah.

— Did she know about it all already?

— She hadn’t known for long — he’d just told her. She’d been crying.

— We walked in on it all. We were the aftershock.

— Where is Lottie, anyway?

— It has to run its course, Duncan said. — We’re not in a position to prevent anything.

— It can’t be allowed to run its course, Duncan! What if they actually went through with this crazy wedding?

He groaned consolingly. — She’s an adult — she’s nineteen. Worse things happen at sea.

Noah turned and saw that Lottie was standing in her nightdress on the stairs just behind him. She put her finger to her lips; her eyes behind her glasses were black pits. She was shaken with waves of violent trembling, gripping the banister to steady herself, probably because she had swallowed too many of the caffeine tablets she claimed she was addicted to; and no doubt also because she was exalted and frightened at her ability to raise this storm in adult lives. Noah felt a familiar irritation with her exaggerations, mixed with protectiveness. He and Lottie had grown up very close, adrift from the rest of the family in their bedrooms in the attic. He knew how passionately she succumbed to the roles she dreamed up for herself. She won’t be able to get out of this one, he thought. She can’t stop now.

The wedding was held in a registry office, with a blessing at a church afterwards; Edgar insisted on the Elizabethan Prayer Book and the Authorized Version of the Bible. He composed, for the occasion, a setting for Spenser’s Epithalamion and one of his students sang it at the reception, which was in a sixteenth-century manor house with a famous garden that belonged to the university. Hattie refused to have anything to do with it all; she shut herself in at home with her detective novels. Noah drank a lot and befriended Edgar’s son, Harold, who had floppy pale hair and a choral scholarship at a cathedral school; he jumped like a shot bird if anyone spoke to him unexpectedly.

Emily said that Lottie’s white suit looked like a child’s nurse outfit — all it needed was a sewn-on red cross. Lottie was wearing contact lenses, and without her glasses her face seemed weakly, blandly expectant. A white flower fastened behind her ear slid gradually down her cheek during the course of the afternoon until it was bobbing against her chin. She clung to Edgar with uncharacteristic little movements, touching at his hand with her fingertips, dropping her forehead to rest against his upper arm while he spoke, or throwing back her head to gaze into his face.

— It won’t last, Duncan reassured his other children.

To Edgar’s credit, he seemed sheepish under the family’s scrutiny, and did his best to jolly Lottie along, circulating with her arm tucked into his, playing the gentle public man, distinguished in his extreme thinness, his suit made out of some kind of rough grey silk. You would have picked him out in any gathering as subtle and thoughtful and well informed. But there weren’t really quite enough people at the reception to make it feel like a success: the atmosphere was constrained; the sun never came out from behind a mottled thick lid of cloud. After the drink ran out and the students had melted away, too much dispiriting white hair seemed to show up in the knots of guests remaining, like snow in the flower beds. Duncan overheard someone, sotto voce, refer to the newly-weds as ‘Little Nell and her grandfather’.

Valerie phoned Lottie a week or so after the wedding to ask whether she knew that Edgar had tried the same thing the year before with the student who had sung at the reception, a tall beautiful black girl with a career ahead of her: she’d had the sense to tell him where to go. — To fuck off, Valerie enjoyed enunciating precisely, as if she hadn’t often used that word. Everyone knew about this because Valerie had also telephoned Hattie. When Hattie asked Lottie about it, Lottie only made one of her horrible new gestures, folding her hands together and letting her head droop, smiling secretively into her lap. — It’s all right, Mum, she said. — He tells me everything. We don’t have secrets. Soraya is an exceptional, gifted young woman. I love her, too.

Hattie hated the way every opinion Lottie offered now seemed to come from both of them: we like this, we always do that, we don’t like this. They didn’t like supermarkets; they didn’t like muzak in restaurants; they didn’t like television costume dramas. As Duncan put it, they generally found that the modern world came out disappointingly below their expectations. Hattie said that she wasn’t ready to have Edgar in her house yet.

The university agreed that it was acceptable for Lottie to continue with her studies, as long as she didn’t take any of Edgar’s classes; but of course he carried on working with her on her violin playing. Her old energy seemed to be directed inward now; she glowed with the promise of her future. She grew paler than ever, and wore her hair loose, and bought silky indeterminate dresses at charity shops. Hattie saw her unexpectedly from behind once and thought for a moment that her own daughter was a stranger, a stumpy little child playing on the streets in clothes from a dressing-up box. Edgar and Lottie were renting a flat not far from Hattie and Duncan: tiny, with an awful galley kitchen and the landlord’s furniture, but filled with music. Edgar had to pay about half his salary to Valerie to cover his share of the mortgage on the house and the part of Harold’s schooling that wasn’t paid for by the scholarship, so he and Lottie were pretty hard up, but at first they carried this off, too, as if it were a sign of something rare and fine.

— God knows what they eat, Hattie said. — Lottie doesn’t know how to boil an egg. Probably Edgar doesn’t know how to boil one, either. I’ll bet he’s had women running round him all his life.

Noah reported that they often had Chinese takeaway.

Then Lottie began to have babies. Familiarity had just started to silt up around the whole improbable idea of her and Edgar as a couple — high-minded, humourless, poignant in their unworldliness — when everything jolted on to this new track. Three diminutive girls arrived in quick succession, and life at Lottie and Edgar’s, which had seemed to drift with eighteenth-century underwater slowness, snapped into noisy, earthy and chaotic contemporaneity. Lottie in pregnancy was as swollen as a beach ball; afterwards she never recovered her neat boxy little figure, or that dreamily submissive phase of her personality. She became bossy, busy, cross; she abandoned her degree. She chopped off her hair with her own scissors, and mostly wore baggy tracksuit bottoms and T-shirts. Their tiny flat was submerged under packs of disposable nappies, cots, toys, washing, nursing bras and breast pads, a playpen, books on babies, books for babies. The tenant below them left in disgust, and they moved downstairs for the sake of the extra bedroom. As soon as the girls could toddle, they trashed Edgar’s expensive audio equipment. He had to spend more and more time in his room at the university, anyway — he couldn’t afford to turn down any commissions. Now Lottie spoke with emotion only about her children and about money.

The girls were all christened, but Lottie was more managerial than rapt during the ceremonies: Had everyone turned up who had promised? (Rufus wouldn’t.) Was Noah capturing the important moments on his video camera? Why was Harold in a mood? With the fervour of a convert to practicality, she planned her days and steered through them. Duncan taught her to drive and she bought a battered old Ford Granada, unsubtle as a tank, and fitted it with child seats, ferrying the girls around from nursery to swimming to birthday parties to baby gym. She was impatient if anyone tried to turn the conversation around to art or music, unless it was Tiny Tots ballet. She seemed to be carrying around, under the surface of her intolerant contempt for idleness, a burning unexpressed message about her used-up youth, her put-aside talent.

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