Teddy Wayne - The Love Song of Jonny Valentine

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Megastar Jonny Valentine, eleven-year-old icon of bubblegum pop, knows that the fans don’t love him for who he is. The talented singer’s image, voice, and even hairdo have been relentlessly packaged — by his L.A. label and his hard-partying manager-mother, Jane — into bite-size pabulum. But within the marketing machine, somewhere, Jonny is still a vulnerable little boy, perplexed by his budding sexuality and his heartthrob status, dependent on Jane, and endlessly searching for his absent father in Internet fan sites, lonely emails, and the crowds of faceless fans.
Poignant, brilliant, and viciously funny, told through the eyes of one of the most unforgettable child narrators, this literary masterpiece explores with devastating insight and empathy the underbelly of success in 21st-century America.
is a tour de force by a standout voice of his generation.

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If Jonny Valentine is ever to grow as a pop artist, he will have to ditch everything about his act, from the infantile lyrics to the cheesy choreography to the overproduced packaging, and deliver something that speaks to who he is, if and when he eventually figures that out — not to his management’s carefully crafted presentation of an innocuous crooner of the bubbliest bubblegum. I, for one, wouldn’t mind seeing his vocal cords matched up with something a little more authentic. With his chops, he might even be — gasp! — great. Until then, we’ll have to make do with limp offerings like “RSVP (To My Heart)” and “Roses for Rosie,” which—

Peter pushed my plate over, so I stopped reading and hid the entertainment section under the pile. I felt dizzy again and took one bite of my omelet, thinking it would give me some strength. But as soon as it went down my throat, my vision went all fuzzy like a TV when the cable isn’t plugged in and all these walls crashed around my head at once like the trash compactor in Star Wars, and I fell forward on the counter and heard Peter say, “Jonny! Fuck!”

I must have woken up soon, because Peter was shaking me awake and Jane was just getting there. I hadn’t fallen off the chair, but I’d spilled my coffee and food all over the countertop.

“I don’t know what happened,” he said. “He keeled over—”

“He’s waking up!” Jane said. “Give him some air!”

Peter backed off but Jane leaned in real close to my eyes. “Jonathan, can you hear me?” she breathed in my face.

I blinked my eyes a few times. “Yeah.”

“Are you okay, baby? Do you feel faint?”

I was moving and speaking in slo-mo. “I feel…” Her eyeballs popped out huge and scared right up against mine. She couldn’t find out I’d taken zolpidem without her permission. “I feel fine.”

She put her hand on my forehead and kissed the skin to test my temperature. It always felt nice when she did that, cool and soft. Like she wasn’t afraid of catching whatever I had. “I’m taking you to the doctor.”

“But the bus.”

“They’ll wait.”

She drove us to Dr. Henson’s office fast. He had a lot of celeb patients, and there was a special waiting room for us so the normal people wouldn’t Tweet that they were in a doctor’s office with us. Even his super-rich patients might do that.

I got sent to the examination room right away while Jane filled out paperwork. The nurse told me to strip to my underwear and measured and weighed me. I was down to eighty-six, so at least there was that. While I waited I thought about the L.A. Times article. Normally I don’t pay attention to the critics, because they either decide from the start that they hate me, or they come up with a lot of big words to explain why they actually like me, because they can’t just come out and admit they’re into my music. Smart people always have to give reasons. But this guy was saying he could like me, if my image was completely different. I couldn’t bring it up with Jane, though, especially now that the label was reassessing me. She’d say music critics are guys with ponytails and potbellies who never got good enough at an instrument to be in a band, so they take it out on the real musicians. Even when they love something in a review, they have to mention a few things they don’t like in the second-to-last paragraph, to prove they’re smart, and then the next sentence is always, “But these are minor quibbles in a near-masterpiece of an album.”

Dr. Henson came in in a few minutes. He was fake-cheerful like usual, with his kind of chub face but slim body. Some people can’t lose weight in their face no matter what. Jane doesn’t have that problem.

He always put out his hand when he came into the room and said, “Jonny, high five! Now down low!” and pulled it away before you could hit him and he said, “Too slow!” and giggled like he was the first guy to invent that trick. I guess it’s like me doing interlude banter, acting all upbeat and saying pretty much the same lines even when I don’t feel it. Jane gives him tickets to L.A. shows for his daughters so we always get excellent service. He was probably there last night, but we don’t discuss it. It’s not professional.

“I hear you’ve had a little fainting spell?” he said as he perused some papers. Doctors never talk right to you. They’re always reading something else at the same time like you’re not interesting enough.

“This morning,” I said, and in case he wasn’t there, I added, “I had a show last night.”

He put his stethoscope on my chest in a few different spots. It felt like an ice cube. “Give me some deep breaths with those powerhouse lungs of yours,” he said. “Did you eat normally?”

I made a tiny tear with my fingernail in the thin paper covering the table. “Yeah. But I vomited preshow, like I usually do.”

“We’ve discussed that. Your singing teacher doesn’t want you to take the antinausea medication because it causes dry mouth?”

Rog is a voice coach, not a singing teacher. “Right. I can’t sing with it. And if I don’t eat before at all and I vomit, I feel even weaker.”

“Did you take anything to help you go to sleep last night?”

I pulled the tear in the paper further, so it looked like one of Jane’s dresses being unzipped in the back. Fussing and fighting, tearing apart.

“Only when I’m on the road, like we said.”

“You getting enough rest out there?”

“Mostly. If I don’t get a good night’s sleep I can always sleep on the bus.”

Jane did her usual knock on the door, three sharp raps, and Dr. Henson let her in and told me I could get dressed. She said hello and sat down on one of the blue folding chairs. “Did he tell you about the swing?” she asked.

“What swing?”

“Oh, just that there’s this machine, like a metal box, that carries him around in the air over the crowd,” she explained. “And something malfunctioned and it dropped him a few feet before the safety devices kicked in. But there are three safety devices and they figured out the malfunction, so it’s not something to be concerned about. Anyway, I wondered if that could’ve frightened him and caused the fainting.”

He smiled like she was a total moron. Doctors must think about regular people the way I think about people who are tone-deaf. “No, it couldn’t. What could is dehydration, vomiting, strenuous exercise, and both physical and mental exhaustion. This is not what a typical eleven-year-old can handle. Even child actors have far less punishing schedules.”

“He turns twelve in under two months,” Jane said.

Dr. Henson wrote something in his papers. “How long has this tour been going for, when does it end, and when’s the next concert?”

“About two weeks, it ends on Valentine’s Day, and we’re driving to Utah today but the concert isn’t till tomorrow night.”

“He should be fine for that, if you give him plenty of fluids and food today with little exertion,” he said. “But you’re going to have to find a way to get Jonny more rest. I’m serious about this.”

If I admitted I took a zolpidem last night, he’d make sure Jane hid them from me. I don’t think he even knew she gave me some of hers.

“We’ll come up with something,” she said. It was her this-conversation-is-over voice.

“Jonny, would you let your mother and me speak alone for a minute?” Dr. Henson asked. I said sure, and he high-fived me again but didn’t do the down-low part this time. Jane came into the celeb waiting room a few minutes later. On the ride home I asked what he talked to her about.

“I had some questions about my period. He’s my doctor, too, you know,” she said. “Stop talking for a while, okay? You need to rest.” I definitely wasn’t interested in hearing what her questions about her period were, and didn’t even make the joke I thought of, which is that if you wrote out a question about your period, you’d end the sentence with a period mark . It was more Nadine’s kind of joke anyway.

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