David Hopson - All the Lasting Things

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The Fisher family of Alluvia, New York, is coming undone. Evelyn spends her days tending to her husband, Henry — an acclaimed and reclusive novelist slowly losing his battle with Alzheimer’s. Their son, Benji, onetime star of an ’80s sitcom called
, sinks deeper into drunken obscurity, railing against the bit roles he’s forced to take in uncelebrated regional theater. His sister, Claudia, tries her best to shore up her family even as she deals with the consequences of a remarkable, decades-old secret that’s come to light. When the Fishers mistake one of Benji’s drug-induced accidents for a suicidal cry for help, Benji commits to playing a role he hopes will reverse his fortune and stall his family’s decline. Into this mix comes Max Davis, a twentysomething cello virtuoso and real-life prodigy, whose appearance spurs the entire family to examine whether the secrets they thought were holding them all together may actually be what’s tearing them apart.
David Hopson’s
is a beautiful, moving family portrait that explores the legacy we all stand to leave — in our lives, in our work — and asks what those legacies mean in a world where all the lasting things do not last.

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Claudia looked at it for a long time.

Benji kept his mouth closed, watching to see if the mirrored eyes and mouth would work their magic.

“He’s beautiful,” she said, putting the phone on the table. Her eyes fell on her brother like he was a stranger, a salesman trying to sell her something she didn’t need, couldn’t afford.

“Then come home,” he pleaded.

“I can’t,” she said, turned, and walked away.

~ ~ ~

I come home with sawdust in my hair and find the women sitting on the porch. Evelyn waves, but averts her eyes. Jane raises her cigarette and watches me through the twisting vines of smoke. They have sweating glasses of tea on the arms of their chairs, a bowl of cherries on the table between them. Jane presses the little black book she carries everywhere to her stomach, as if transmitting her poems through her skin, into the dark, solitary cell where the baby flutters and kicks. Flippy, she calls it. You want to take my hands. You want to take my tongue. It is a topic between us: whether Flippy can hear these things, whether Flippy should hear these things, but asking the question again isn’t worth the storm it would bring. Evelyn invited us for dinner, Jane says. Without Evelyn, all we would eat is SpaghettiOs. Jane writing, me writing, nothing more to wash than a saucepan and two plates. Evelyn says what she always says: It’s no trouble. Jane stubs her cigarette on the bottom of her shoe. She fans herself with her little book, puts a cherry in her mouth, and chews. You bloom and thorn. But I’m the one who bleeds.

9

Max made introductions. Evelyn. Benji. Arnav. Arnav’s best friend (and Thanksgiving Day orphan), Paul. The group cinched together for handshakes, embraces, the passing of a foil-wrapped casserole from guests to hosts, then drifted apart on separate streams. The Fishers headed for the kitchen after directing Max and his friends into the living room, where Cat, looking cozy in a fawn-colored cowl-neck, offered them drinks. Paul announced his sobriety without footnotes or fuss, but Max and Arnav jumped at the chance for whatever amber concoction bathed the tinkling cubes and orange twist at the bottom of Cat’s glass.

“Max,” Arnav said. His head tilted warningly, judgmentally at the sight of the bourbon bottle.

Max pretended not to notice. He didn’t want to be bothered about the medications Arnav insisted on bothering him about. Despite his boyfriend’s doubts to the contrary, despite the drugs’ ruinous effect on Max’s creative impulses, Max continued to pop the complicated cocktail of antipsychotics and mood stabilizers twice a day, like a good boy, according to the rules. As he took the drink from Cat, he registered Navi’s concern as a stack of kindling registers a spark. He fumed but didn’t, for the time being, flare.

Soon, the seven of them — Evelyn shepherding Henry into the mix — sat around the fragrant fire that danced in the fireplace as the rich scent of browning turkey crept in to overpower it.

“Mm!” Paul said. A dilettante makeup artist and taxidermy student, Paul made the better part of his living singing in New York City cabarets. His voice sounded like a Nina Simone song, honeyed and resonant. “Mrs. Fisher, that smells dee-vine.”

Max had spent two of the last five weekends with what he called his “famiglia presto.” Not including Claudia. How many withholding mothers did one boy need? But it mattered less that Claudia had given him the cold shoulder when his uncle, quite literally, had given him a warm one to cry on. And maybe this was all Max needed. All he had a right to ask for. Maybe Navi knew what he was talking about after all: maybe this was enough.

“You’ve gotten farther than most people ever get,” Navi reasoned one night, head resting on Max’s chest.

“You mean adopted people?”

“I mean people. In life. At some point, you have to be satisfied with what you have.”

Max didn’t agree. “You don’t get to the top of the mountain if you’re satisfied with life at base camp.”

“You sound like one of those inspirational posters with an eagle on it.” He kissed Max lightly then rolled onto his back, hands behind his head, staring up at the ceiling. “Base camp is pretty high. Not everyone is made to get to the top of the mountain.”

“Exactly. Some people are meant to go higher.”

Navi laughed. “My winged boy.”

Evelyn had hosted two parties in Max’s honor, intimate family affairs where she unholstered her bring-out-the-big-guns meals — slow-cooked short ribs, fish stew — dinners that required full days of preparation that she’d tired of making for her husband and children (thankless all), but for which she happily slaved away for the sake of her grandson. My grandson. My nephew. The possessives Max heard ringing through their sentences soothed him better than the benzos that had the maddening tendency to make the simplest of songs dry up the second his pen touched paper. (Of course, he was already someone else’s grandson. Someone else’s nephew. Someone else’s son. But the Fishers held out the possibility of belonging in a way Max never felt he had. Benji and Evelyn and even the specter of Claudia, whose absence haunted their time together and united them as one, had Max saying more . More! Who — sorry, Navi — could really be happy with enough ?) And so, the two words Max longed to hear, the two words he would not rest until Claudia spoke them: my son .

Nick had said as much. On his last trip to town, Max met Nick, whose arms had opened to him as wide as Benji’s. They spent an afternoon tossing a football, despite the all-too-evident fact that neither of them especially enjoyed it, but hearing Nick utter that incantation? For whatever reason, it wasn’t the same. Max wanted to hear Claudia say it. Needed (despite all his claims to the contrary) to hear it from her. But on the mother front all had been quiet: Amanda hadn’t called; Claudia hadn’t shown up. She did, however, concede to a longer, if no less awkward, phone call, during which she confessed her own shortcomings with a martyr’s enthusiasm and said I’m sorry so many times he thought someone had left a Brenda Lee album skipping in the background. She asked for more time, and Max, who saw no other path to glory, told her to take as much as she needed.

“Max?” Evelyn roused him from his reverie and asked him to pass a plate of bacon-wrapped dates. She took a little jewel of glistening fat stabbed through with a toothpick and sank, satisfied, into her chair.

When the plate reached Henry, he regarded it as part of a custom he couldn’t possibly participate in, as if Max had asked him to do a rain dance. He turned to Paul and said, “I have to go to the bathroom.”

Tall, slender, with a skull-tight buzz cut and black almond-shaped eyes two shades darker than his skin, Paul cultivated a sleek androgyny not unlike Grace Jones and seemed no less unflappable.

Evelyn reached over to where Henry sat and shook his knee. “You’re scaring people,” she said, hipping out of her chair and leading Henry down the hall.

Cat offered to refresh drinks. Max held his glass aloft.

“Maybe that’s not such a good idea,” Arnav said. Here he sat, beating the same tired drum, louder, more boldly now that he had the buffer of an audience.

Cat, at the ready to pour more cocktails from a silver shaker, froze in midair until Max reached up with a light touch and tipped her hand.

Arnav turned from Max and addressed the group, bolder still. “Some of his medications,” he said, “they don’t mix well with drinks.”

Max loved Arnav. Except on the occasions, like now, when he didn’t. Looking across the room at his partner of three years, a blinding anger ignited in him with such speed he had to pour back his drink in a single gulp to extinguish it. What did Navi know? Thirty years old and second violin with the Dallas Symphony. Not that second violin of the Dallas Symphony was anything to sneeze at, but really, where did he get off telling Max anything about anything? Arnav was a first-generation Indian American from Plano, Texas. His parents, who, shortly after Arnav’s graduation from conservatory, returned to Chandigarh, got him out of bed every Tuesday morning at a ridiculous hour for the family Skype session. Their good boy. Their chhaila . He woke at six each morning to submit to a punishing workout regimen, favored a tightly trimmed beard that he believed camouflaged an unflatteringly weak chin, and, in his button-down shirt and bright-blue V-neck sweater, dressed like a Southeast Asian Hardy boy. Such a priss, Max thought. Such a prude .

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