Natalie Baszile - Queen Sugar

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Queen Sugar: краткое содержание, описание и аннотация

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A mother-daughter story of reinvention — about an African American woman who unexpectedly inherits a sugarcane farm in Louisiana. Why exactly Charley Bordelon’s late father left her eight hundred sprawling acres of sugarcane land in rural Louisiana is as mysterious as it was generous. Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.
They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.
Penguin has a rich tradition of publishing strong Southern debut fiction — from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In
, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and initimate in its exploration of the complexities of contemporary southern life,
is an unforgettable tale of endurance and hope.

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“Make that three beers,” Charley said.

Before Remy climbed down, he surveyed this side of Micah’s Corner. “Looks good, Miss Bordelon.”

“Please, I’ve been trying to get Mr. Denton to call me by my first name since we started working together, but he refuses. I understand why he does it, but it’s so formal. I don’t think I can take hearing it from someone else. Just call me Charley.”

Remy nodded. “Okay.”

“And thanks again. For everything.” Charley shook Remy’s hand. “So. How about you? How’s it going?”

Remy smiled and looked at the ground.

“What? What did I say?” Charley worried that she’d offended him.

“It’s not what you said, it’s how you said it. Your accent. Like you’re on a TV commercial or something. Next thing you’ll be telling me you grew up playing beach volleyball.”

Charley hesitated. The last time she told someone how she spent her summers as a kid, the conversation had ended badly. “Surfing, not volleyball,” she said, cautiously. “If you have anything you need to get off your chest about that, you should say it now and get it over with.” But there was just that long, meditative look again.

“I can’t figure you out,” Remy said, finally. He shook his head. “First it’s farming, then it’s surfing.” He laughed. “Are they all like you out in California?”

They? Charley’s heart sank. What did he mean, they ? Did he mean all left-handed people? All women? All African-Americans? But when she looked at Remy, whose eyes, she thought now, were actually on the small side, and whose sideburns were grayer than she’d noticed before, she didn’t detect an ounce of malice or irony in his question, nor cynicism in his tone. “No, not all.”

Behind her, the crew was crumpling up sandwich wrappers, beginning to reassemble, slipping on hats and gloves. Charley consulted her watch. “I’d better get back to it. Thanks again for the hat — and the Energy Cane.” She shook his hand, which didn’t feel like enough.

Remy climbed into his truck and started the engine. Then he paused. “Hey, California.”

Yes, California, Charley thought, that was who she was; that far-off place her father, still a boy then, dreamed of as he lugged those water buckets; the address he made up—6608 Sunset Drive — and practiced writing in the corner of his homework papers until he was seventeen and old enough to escape. California. The place her dad had asked to buried, in a plot facing the Pacific, rather than the red clay of his youth. She was all those things. Always would be. Charley turned to look at Remy, who sat in his truck with one arm on the open window.

“I know it’s planting and all,” Remy said, “but you can’t work every minute of every day.”

“Is that so?”

“Those beers you owe me.” And here he hesitated ever so slightly, a look of doubt, as though it was occurring to him that he was being hasty, too forward, swept quickly across his face, but then it passed. “There’s this zydeco place. They book some decent bands.”

“Keep talking.”

“You like to dance?”

“Will it help me lose my accent?”

“Maybe, maybe not. You’d have to give it a try.”

“Sounds tempting.”

“Yes, ma’am.” Remy smiled. “Couple of beers, some good zydeco, you’ll be talking like a Louisiana girl in no time.” He turned the key.

Charley caught the last bars of the All Things Considered theme song before the local news began. “NPR?”

“What?” Remy said, smiling. “Cane farmers can’t listen to public radio?”

• • •

On the fourth day of planting, the hurricane moved into the Gulf of Mexico, and though it wouldn’t make landfall for two days, the outer rainbank would reach Saint Josephine in twenty-four hours. Charley and her team had planted seventy-five acres, but they still had one hundred twenty-five to go. She’d given the crews the option of evacuating, but Romero and the others insisted on working until the last minute. In the morning, they managed to plant fifteen acres, but by noon, Charley was nervous. The weather was disturbingly good; the clouds white as chalk, the sky blue as a gas flame.

“Time to pack it in,” Denton ordered over the walkie-talkie. There was no mistaking the concern in his tone.

Once they were all back at the shop, Charley, Denton, and Alison gathered around the old Zenith TV in her office. The forecasters downgraded the hurricane from a category four to a category three, which meant evacuation was optional. Still, there was no way of knowing where the storm might hit, whether it would swerve up the eastern seaboard or hover in the Gulf, gaining force; and in the meantime, they had to decide what to do with Romero and his men.

“I’m not sure that house out there will hold,” Denton said. “We ought to think about letting them head up to Arkansas. They can stay at the apple farmer’s place till this thing blows over. We might lose a couple days on the back end, but I think it’s worth it. At least they’d be safe.”

“Yeah, but who’s going to pay to get them up there?” Alison said. “Even if we could afford their tickets, every Greyhound headed north is sold out.”

“We could rent a van,” Charley suggested.

“Can’t afford the liability,” Denton said.

“Look, Romero’s offering to stay,” Alison said. “He swears they all know the risk. I say, let ’em stay. They want plywood, food, lanterns, and they’ll ride it out; we can do that. Hurricane passes, they’ll be here, ready to work.”

Eventually, they reached a compromise: If the hurricane rating stayed at three, Charley would loan them her car and they would drive to Arkansas; if it was downgraded to a two, they would stay.

For the rest of the afternoon, they went about strapping down equipment and securing the shop’s doors and windows. Denton went out for plywood while Charley boxed up bills and receipts, mourning all the work she’d put into organizing her file cabinets. Alison brought over his portable generator. “It ain’t fancy,” he said, “but it’ll run a fridge, a couple of lights, and a TV.”

• • •

It was almost five when Charley got back to Miss Honey’s, and the wind had just begun to disturb the trees behind the house. Micah’s garden was in full flower, and before she went inside, Charley walked through it, inspecting the cucumbers and green beans almost ready for the taking, okra and tomatoes baking in the unwaving heat; the sunflowers with faces broad as a baby’s nodding along the fence. Micah had even planted pumpkins, not bulbous yet, just long, groping vines beneath hooding leaves, and as Charley walked the last row then climbed the porch steps, her arms loaded with groceries they’d need whether they evacuated or not, her heart broke for her daughter. It would be a shame if Micah lost everything she’d worked so hard to plant.

The sky was still gloriously blue half an hour later. Charley was struggling to tie the porch swing to the railing when, to her great surprise, cousin John eased the Bronco along the gulley.

“What are you doing here?” Charley asked. John had called to check in on her a couple times since the reunion, but she hadn’t actually set eyes on him, which meant she’d never seen him in his prison guard uniform. Now Charley hugged him, and smelled something institutional — Lysol, maybe — rising off his starched gray shirt.

“I brought y’all some plywood,” John said. “Thought you could use some help putting it up.” He held out a cordless screwdriver and a box of screws.

“Oh, John. With this traffic?” But Charley was grateful. With so much of her attention devoted to getting Romero and his men settled and securing the farm, she’d imagined how she, Miss Honey, and the kids would spend the long hours waiting for the storm to pass but hadn’t considered the physical damage the hurricane might do to Miss Honey’s house. Now here was John, thoughtful as always, coming to her rescue. And for the first time in a very long time, Charley was aware of what it meant not to have a man around the house. For all the time she spent with Denton and Alison, there was a limit to what she could expect from them. They were her partners, and yes, even her friends, but they weren’t her family, they weren’t her husband.

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