Natalie Baszile - Queen Sugar

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Queen Sugar: краткое содержание, описание и аннотация

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A mother-daughter story of reinvention — about an African American woman who unexpectedly inherits a sugarcane farm in Louisiana. Why exactly Charley Bordelon’s late father left her eight hundred sprawling acres of sugarcane land in rural Louisiana is as mysterious as it was generous. Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.
They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.
Penguin has a rich tradition of publishing strong Southern debut fiction — from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In
, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and initimate in its exploration of the complexities of contemporary southern life,
is an unforgettable tale of endurance and hope.

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Charley reached for her checkbook but Bradley caught her by the elbow. “On the house.” And when Charley objected, Bradley assured her this wasn’t the last time they’d be doing business. “You’ll be back come September.”

“What happens in September?”

Bradley and Denton looked at each other, the long years of experience passing between them.

“That’s when we gotta spray the crops with ripener,” Denton said. “We’ll be seeing a lot of this old Cajun.”

12

Until the 1970s, the few square blocks of ravaged ground known as Tee Coteau were strictly Cajun — poor farmers from the backcountry and scruffy fishermen who, nightly, blew off steam in the dingy bucket-of-blood bars. In the last twenty years the population had changed. First blacks moved in, then Mexicans, followed by Vietnamese in the early nineties, and in the last ten years, Laotians had staked their claim. But Tee Coteau had never lost its lower-than-blue-collar roots or seedy reputation, which was probably why Ralph Angel was so fascinated with the place; something about the narrow streets, the dingy bars, and dilapidated houses with junk cars parked in the yard felt familiar, comforting. And so, when Miss Honey came into the kitchen where he sat reading the paper, he couldn’t help but mention the day’s headline.

“You see today’s paper?” Ralph Angel snapped the front page. “Some kid shot up that bar, Smitty’s, over in Tee Coteau.”

“That’s what Hollywood was trying to tell you.” Miss Honey, dressed like she was going to church, set her purse and three jars of blackberry jelly on the counter. “I’m dropping these off at Miss Ida’s for the church rummage sale,” she said. “Then I’m taking Micah to the garden show in Morgan City. We might swing by Bayou Chic on the way back. I saw a Crock-Pot over there last month but the lady wanted thirty dollars for it. If it’s still there, she might sell it to me for fifteen. You and Blue are welcome to come.”

“No, thanks.”

“Well, don’t sit around all day,” Miss Honey said. “Make yourself useful. Hollywood left eight big boxes of junk out back. Be a good friend and take them to the dump for him.” She opened the cabinet, pushed the glasses and tea cups aside, and brought out a Kerns jar stuffed with a fat roll of bills.

“I’ll think about it,” Ralph Angel said. What he really wanted to do was take a ride over to the crime scene, see what kind of memorial folks had put up. He liked to do that sometimes, drive around and look at the flowers and candles and stuffed animals people set out on the sidewalks. Sometimes they set out weird stuff — sneakers and bottles of liquor. He couldn’t say why, but the memorials always moved him, not making him want to cry exactly, it was deeper than that; he always felt as though something solid inside him clicked into place, like tumblers in a lock.

“Cut the TV off, Micah, it’s time to go,” Miss Honey said, and Ralph Angel watched as she counted out ten singles, licking her fingers before she touched each one, then pushed the jar back and closed the cabinet. “You and Blue need to get out of this house. It’s not good for that boy to spend so much time inside.”

“I said I’ll think about it.” Ralph Angel knew he was being short with her and felt guilty. She meant well, had always been in his corner, and when it came to kids, no one loved them like ’Da did. She was always giving things to the children in town — books and money for ice cream. Every Easter since he could remember, she bought cheap white washcloths from the discount store and folded them like origami into the shape of bunny rabbits, glued on those funny squiggly eyes and little pink pom-poms for noses. That was how she’d met Hollywood. She had been driving around delivering washcloth rabbits to every kid in the Quarter when she saw him on the side of the road. He’d fallen off his bike and she brought him home, cleaned him up, sewed his pants. Gave him something to eat before she put his bike in her car and drove him out to where his family lived. My grandson’s about your age , she’d said. But she had a way about her, a way of nagging when she got an idea in her head that got under his skin and he couldn’t help himself. She’d start in on him with that nagging and all he wanted to do was get away. That’s what happened the last time.

• • •

Charley left long before Ralph Angel had even considered waking, and with Micah and Miss Honey gone, now the house was quiet. He scanned the Tee Coteau article one last time, then folded the paper, grateful to have had something to occupy his thoughts, because the truth was he hated the mornings, hated to look out over the long hours of daylight with nothing to fill them. Charley still hadn’t gotten back to him about the farm. He was trying to be patient, but the wait was driving him crazy. Nothing to do but sit around the house with Blue, watching the paint dry. At least back in Phoenix he’d had his buddies at the bar to help him kill time after he lost his job, but down here it was different; walk into the wrong bar and you could get your throat cut.

In the back room, Blue, in his undies and T-shirt, sat on the floor beside an enormous glass jar. “Look what I found,” he said, and tipped the jar forward.

Ralph Angel recognized the marbles, Civil War bullets, old brass buttons, miniature porcelain teacups and saucers, crudely carved wooden toy blocks, and antique porcelain baby dolls’ parts — tiny legs, heads, torsos, and arms — as the ones he collected when he was a kid and wandered out in the cane fields after the harvest. The fields were barren then, and the winter rains would have washed away the top layer of dirt so that all the objects left over from the 1800s, before the fields were planted in cane and farmhouses stood on the land, would just be lying there in the dirt. He’d take the objects home and wash each piece in the kitchen sink, then line them up on the windowsill. And when the windowsill was too cluttered, Miss Honey gave him the old jar.

“Where’d you get that?” Ralph Angel said.

“An old box,” Blue said, vaguely.

“An old box where ?”

“Outside,” Blue said. “Am I in trouble?” He’d already sorted half the relics into piles.

Blue must be referring to the boxes Hollywood moved when he cleaned up, Ralph Angel thought, the ones Miss Honey wanted him to take to the dump. “No, buddy. You’re not in trouble.”

“Okay, good, because I really like this stuff. I think it’s treasure,” Blue said.

“Oh yeah?”

“From a pirate ship.” Blue held up a cat’s eye marble big as a golf ball and an ancient bullet. “Can I keep these?”

“Sure,” Ralph Angel said. “Finders keepers. Keep all of it if you want. But that bullet’s got lead on it, so don’t put it in your mouth. It’ll make you sick. Stay here. I’m going outside.”

The boxes were leaning against the back of the house just where Miss Honey said they’d be, but as for the contents, Blue had found the best of it. Nothing left but old shoes and wire hangers. But his fishing poles stood beside the boxes, the hooks still on the lines, and his old tackle box, which gave Ralph Angel an idea.

“What are you going to do with those sticks?” Blue asked when Ralph Angel came back inside. Blue had set all the teacups on their saucers, arranged the doll torsos from largest to smallest, arranged the marbles by color.

“Sticks?” Ralph Angel had to laugh. “Boy, these are my old fishing poles. By the time I was your age, I was catching tons of fish — catfish, speckled trout, red fish — and I was cleaning ’em too.” Thinking back on those old days, an excitement Ralph Angel hadn’t felt in years washed over him; some of the best days of his life. He set the tackle box on the bed. “Tell you what. We’re going to have some good ol’-fashioned fun. Get dressed.” ’Da was right. They need to get out more. But more than that, he’d show Charley he could contribute, that he wasn’t just sitting around with his hand out.

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