Jane Mendelsohn - Burning Down the House

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Burning Down the House: краткое содержание, описание и аннотация

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“It begins with a child. .” So opens Jane Mendelsohn’s powerful, riveting new novel. A classic family tale colliding with the twenty-first century,
tells the story of two girls. Neva, from the mountains of Russia, was sold into the sex trade at the age of ten; Poppy is the adopted daughter of Steve, the patriarch of a successful New York real estate clan, the Zanes. She is his sister’s orphaned child. One of these young women will unwittingly help bring down this grand household with the inexorability of Greek tragedy, and the other will summon everything she’s learned and all her strength to try to save its members from themselves.
In cinematic, dazzlingly described scenes, we enter the lavish universe of the Zane family, from a wedding in an English manor house to the trans-global world of luxury hotels and restaurants — from New York to Rome, Istanbul to Laos. As we meet them all — Steve’s second wife, his children from his first marriage, the twins from the second, their friends and household staff — we enter with visceral immediacy an emotional world filled with a dynamic family’s loves, jealousies, and yearnings. In lush, exact prose, Mendelsohn transforms their private stories into a panoramic drama about a family’s struggles to face the challenges of internal rivalry, a tragic love, and a shifting empire. Set against the backdrop of financial crisis, globalization, and human trafficking, the novel finds inextricable connections between the personal and the political.
Dramatic, compassionate, and psychologically complex,
is both wrenching and unputdownable, an unforgettable portrayal of a single family caught up in the earthquake that is our contemporary world.

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Ian did not believe it, not even when Steve, sitting behind his gargantuan desk in his spotless office, explained coolly that his sister Diana, Ian’s former writing teacher, had told Steve so, shortly before she died. Ian did not believe it when Steve described how Diana had known from her intimate, perhaps drunken, conversations with Ian that he had been making extra money to pay for his off-campus apartment by donating sperm at the local sperm bank. Ian did not believe it — because he could not bear to believe it — when Steve told him that Diana had been able to get Ian’s sperm because she had known that he had lied on the medical intake form, Ian having told her, laughing over vodka and tonics at the Castle Bar, that he had claimed on the questionnaire that his mother was in perfect health, that he had been captain of his high-school basketball team, and, just for fun, that he knew French, Italian, Swahili, and ancient Greek. It was easy, Diana had told Steve drily from her hospital bed, tubes worming their way from her nose and arms, to look for the basketball captain who spoke Swahili. There were only two.

Ian’s equanimity, whatever was left of it, slid to the floor as if he were shedding a skin. He felt naked, cold, exposed. Being told his own secret was a new kind of humiliation, and one he quickly rejected. That he had possessed a mystery previously unknown to him could have stirred his lively sense of drama, but it did not. Instead, he struggled to regain his self-control in the face of knowledge about himself which was too painful to comprehend. In an instinctive gasp of emotion, his love for Poppy rushed through him, a sudden warmth, a radiating orange glow, and then dissipated, like the fading blink of a firefly’s pulsing brightness. Now he felt naked and dark. This was shock. He had never really experienced shock.

Ian would have been more prepared to respond to the news that it was Steve who was his, Ian’s, biological father, and that he was leaving Ian his vast real estate empire, its tentacles extending and gripping tightly around the globe, to inherit and oversee, effective immediately. But that could not have been further from Steve’s intent.

Steve walked around his desk to position himself, as he rolled up his shirtsleeves, to sit, just barely, on the front of the desk, looking down at Ian.

Ian hoped that the glow from a moment before would return to warm him, but it had been extinguished. Or, rather, he had extinguished it in an act of self-protection. But he waited, waited for it to return.

Ian was saying: I don’t know what to say. I’m stunned. I need some time to process this information.

To Steve, the word “information” meant many things. Information was the currency that greased the wheels of commerce, and which you hoarded and then revealed with care — let it slip from your grasp too easily and you would never succeed. Information was knowledge, the means by which people learned about one another, obtained access to their inner machinery, and then manipulated them. Sometimes, information was fatal, something that chased you until it caught up with you and struck you down in the thriving prime of consciousness. But as Steve watched Ian, who had gone pale except for a bright redness around his eyes, it became evident to him that information was not, not in any universe that he was master of at least, something that you needed to “process.”

Steve had wondered for years when Ian would become aware of his relationship to Poppy and step forward to make some claim. To begin with, everyone always suspected that Poppy’s father must be someone whom Diana knew — she wasn’t the type to just let anyone share her child’s DNA. She was an intellectual, an artist, and very, very picky. All three traits had combined to keep her unmarried, according to her mother and brother. Was she too intimidating — slender Diana with the ferocious blue eyes and patrician nose? People surmised for years that the father must be Diana’s first boyfriend from graduate school, the genius one who went on to found an Internet company in the nineties and then killed himself in the dot-com bust. Others guessed that it was Diana’s editor, the one who convinced her to write lush, political, historical fiction and who made her semifamous, the one with the fluffy hair and the decisive cheekbones. But no one, not even Alix, had ever made the connection that Ian was the father, in spite of the fact that Diana obviously adored him — he was her favorite student — and he had remained close with the family for all this time. Perhaps it was because he was several years younger than Diana and seemed so eternally boyish, even well into his thirties. Or perhaps it was because no one wanted to see, thought Steve, because from his point of view the physical resemblance between Ian and Poppy was clear, if not uncanny. It had seemed strange and tragic to everyone when Diana died that there was no one to come forward and claim paternity. Who was this hidden man, this secret father, who would let his own child be orphaned? Who was this Arthur Dimmesdale character who would not accept his responsibility and shoulder his moral obligation? The tragedy was mitigated somewhat by the Victorian-novel good fortune of Steve’s being a billionaire and raising his niece in plutocratic splendor. But the questions and guesses and rumors persisted. Now Steve had finally, for Ian only, cleared up the confusion.

Don’t you want to know why I’m telling you now? Steve asked, somewhat like a villain in a thriller.

Obviously I have a lot of questions, Ian replied.

Disappointingly, Steve thought.

I’m telling you because it has come to my attention that you have been spending a lot of time with Poppy, now that she is working on your — and here he hesitated as if having a hard time saying the silly word — musical. And I am uncomfortable with the idea that you might misinterpret any, shall I say, unconscious forces that might draw her to you. I had hoped not to have to share this with you, not only because it was not something my sister wanted me to divulge to anyone, even yourself, but also because you do not impress me as a person who would be a good father…figure. Here Steve paused to see if his insult had fully registered, but he received no indication if it had. He continued: I have given great consideration to telling you, and I am only doing so to keep my Poppy safe. I also want to keep her happy, which means I fully expect and insist that you never say anything to her about this. Obviously, and here he smiled, in a menacing impersonation of empathy, it would be traumatic and possibly devastating information to encounter, particularly for an adolescent.

Just so that they were both completely clear about their understanding, Steve went on, he’d had some papers written up. Due to the sensitive nature of the information therein, he said he’d appreciate it if Ian could look them over now — he could sit down on the couch on the other side of the room if he’d like and make himself more comfortable — and then sign them. It was very straightforward, basically a nondisclosure agreement, which he was sure Ian must have seen before, his line of work being the entertainment business. Then he said he was very pleased that they had had this talk.

Steve held out the forms to the shaking figure in the chair. Ian took one cursory look over them and, his hands trembling, asked for a pen and signed. And that was how he found out that he was Poppy’s father.

If Ian had been another kind of person, someone less interested in professional success and others’ approval and more curious about the whorls and depths of human psychology, he probably would have spent more time having wondered about Poppy’s parentage. As it was, he had given the question very little thought, and had assuaged whatever guilt and soothed whatever sadness he had felt about his beloved late mentor’s young child by thinking of himself as an “important grown-up” in her life, someone who appeared from time to time with interesting stories from the world of adults and with excellent wide-eyed listening skills. He had shown enthusiasm for her interests over the years, the play kitchen and sparkly tutus, the books and movies and byzantine social world of girls, and just as he was becoming interested in Poppy as a female he was excited when Alix had suggested to him that he hire her, smart, sophisticated, well-educated Poppy, to be an intern on his show. But the musical — a rollicking exploration of 1980s America seen through the eyes of a group of friends and based on his own drug-addled yet somehow indelible experiences of college, deconstructionism, the Reagan years, and New York nightlife — sent him so far back into the cataracts of his own myopia that he was less inclined than ever to consider from whose sperm his new girlfriend had sprung, divided, evolved, and been spawned.

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