Jane Mendelsohn - Burning Down the House

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Burning Down the House: краткое содержание, описание и аннотация

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“It begins with a child. .” So opens Jane Mendelsohn’s powerful, riveting new novel. A classic family tale colliding with the twenty-first century,
tells the story of two girls. Neva, from the mountains of Russia, was sold into the sex trade at the age of ten; Poppy is the adopted daughter of Steve, the patriarch of a successful New York real estate clan, the Zanes. She is his sister’s orphaned child. One of these young women will unwittingly help bring down this grand household with the inexorability of Greek tragedy, and the other will summon everything she’s learned and all her strength to try to save its members from themselves.
In cinematic, dazzlingly described scenes, we enter the lavish universe of the Zane family, from a wedding in an English manor house to the trans-global world of luxury hotels and restaurants — from New York to Rome, Istanbul to Laos. As we meet them all — Steve’s second wife, his children from his first marriage, the twins from the second, their friends and household staff — we enter with visceral immediacy an emotional world filled with a dynamic family’s loves, jealousies, and yearnings. In lush, exact prose, Mendelsohn transforms their private stories into a panoramic drama about a family’s struggles to face the challenges of internal rivalry, a tragic love, and a shifting empire. Set against the backdrop of financial crisis, globalization, and human trafficking, the novel finds inextricable connections between the personal and the political.
Dramatic, compassionate, and psychologically complex,
is both wrenching and unputdownable, an unforgettable portrayal of a single family caught up in the earthquake that is our contemporary world.

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The doctor nodded and began listing the medications Poppy was already taking.

But you told me those were all very low doses?

True, said the doctor.

Poppy pointed her thumb up at the ceiling a few times in a universal gesture of “bump it up a little.”

Let’s talk first.

About what?

About how you’ve been doing.

Poppy twisted in the chair and stared at the wooden blinds. They were slightly open, letting in some sour afternoon light. Beyond them, taxis and black cars slid invisibly by, like fish you knew were in the water but couldn’t see. The doctor was looking patiently at her through the watery gloom. The doctor had an unattractive face, leathery, loose, her unbearably kind eyes like soft stones in a tide pool on the beach.

How’s school?

Unbelievably boring. The only thing anyone talks about is applying to college. You would think applying to college was the highest, most noble aim of human beings. The goal of our existence on this planet.

How are you feeling?

Like an idiot.

Just because you don’t want to apply to college?

I thought I’d be able to go work for Steve.

But he didn’t go for that.

Poppy looked right at the doctor.

No. He didn’t.

What about that other job?

The psychiatrist closed her eyes slightly. Her eyelids were crepey and nearly translucent. Perhaps she was going to take a nap or perhaps she was threatening to or perhaps she merely wanted to concentrate on Poppy, her silences as well as her words. The doctor wore practical, quietly elegant clothes and very good shoes. She moved her foot just barely in the silence.

Didn’t you tell me that you had another prospect? In the theater world?

Poppy widened her eyes and looked like some fucked-up celebrity besieged by the paparazzi.

The doctor jolted awake and widened her eyes, for her, and made a fake, slightly mocking gasp. She looked at Poppy.

You had an offer, yes? Some kind of internship? In the afternoons, after school, this year?

Poppy stared. You want me to take the thing with Ian? she said. That’s sick.

The doctor didn’t say anything.

I don’t mean sick as in cool. I mean sick as in messed up, said Poppy.

I understood, said the doctor.

Poppy pushed her hair behind her ear.

What was the job? asked the doctor.

No one spoke.

Poppy made a low groan.

Didn’t he say you could work for him on his show?

Yes.

A musical, correct? Based on the songs of that rock group from the 1990s?

Eighties.

Well, that sounds promising.

Look. First of all, it’s a jukebox musical, totally contrived. It’s Jane Eyre set to the music of the Talking Heads, which is a genius idea commercially but seems pretty artistically bankrupt if you ask me. And second: Ian is twice my age. At least. I think.

What does that have to do with anything? He’s the director. It makes sense that he’s older than you.

Poppy rolled her eyes. I told you: he has a huge crush on me. Hair pushed behind ear again. What? You don’t believe me?

I didn’t say that.

The psychiatrist inhaled deeply. She exhaled. She was quiet while the taxis whooshed past outside.

Narcissism, she said.

She gestured toward the window, to the great world of Park Avenue and beyond. The world of buildings and highways and forests and oceans all somehow tainted by corruption and stained with blood. She took a deep breath and reached for a water bottle on the table beside her and took a sip and screwed the top back on the bottle — she was a careful person — and swallowed.

Poppy stared at her. She gazed as the doctor twisted on the plastic bottle cap. When the doctor spoke again it was not directly into Poppy’s eyes but to the blinds on the windows, and she seemed to be speaking to the universe.

I pray. I’m not a religious person, but I pray. To whom, I have no idea. But I pray for this world and for you.

She leaned forward in her chair and put her elbows on her knees and clasped her hands and looked intently into Poppy’s eyes. She looked down for a moment and then up to Poppy and lowered her voice. You are a fine young woman, Poppy, if only you would believe that. You truly are. But there will always be selfish people, people who try to take advantage of you. You cannot hide from the world. You will have to be very strong. They talk about post-apocalyptic movies? We are living post-apocalypse already. You will have to be strong to survive. It’s up to you to not let the world take advantage of you. I’m not saying it’s easy.

She unclasped her hands and reached for the bottle and unscrewed the cap again and took another sip.

So…what are you saying?

The doctor leaned back in her chair and did that thing of almost going to sleep again, but she seemed, in some still way, more awake than ever.

I mean, she said, that you are not such a little girl. You can set limits. Draw a line! So what if he has a crush on you! That’s his problem. Not yours.

Isn’t it sort of my problem?

What, is he going to attack you? The doctor was sitting upright again, eyes open.

Well, no, but he is the director.

Now the doctor rolled her eyes.

And so you have to flirt with him?

Why are you blaming me? That’s blaming the victim.

I’m not blaming you, I’m asking you. And stop thinking like a victim. Nothing’s happened anyway. So: do you have to flirt with him?

No. I guess not. I mean of course not. Poppy blushed.

I’m not naïve, said the doctor.

What?

I know you have a crush on him too.

What?

You are going to have to grow up faster than you want to.

Poppy was utterly perplexed by now but she was beginning to feel a little better.

Oh, she said.

Break away from Steve, said the doctor. From that family of yours. Do something different.

Like what?

Go, said the doctor. Live your life.

How? asked Poppy. Where?

How: like a mature young woman. Where: out there.

There? Poppy looked at the light streaming in through the slats of the blinds. It was a brighter shade of sour now.

Really? Poppy said.

Really, said the doctor. Where else are you going to go?

When Poppy left the office she had a slightly higher dose of her preferred Benzodiazepine in her pocket. She made her way down the exceedingly clean Upper East Side sidewalk in the now less sour but chillier afternoon, the sky white the color of a lightbulb when it is not turned on, opaque and flattening so that Poppy felt she needed sunglasses but could find absolutely no real evidence of sun. She turned off Park Avenue and headed toward the Met. She felt better for a little while and then like an idiot again. As she sat on the steps of the museum she thought about the fact that somehow the doctor had known her feelings for Ian, more clearly than even she knew them. Was she, Poppy, just such an obvious mess to everyone but herself? No, she thought, she knew she was a mess. But what kind of mess? That was the question. The doctor seemed to know. Poppy had no idea.

She did not see Alix until Alix’s gray pants were right in front of Poppy’s face. Alix had made her way up the steps of the museum cocking her head and waving to Poppy without response.

Did you honestly not see me? Alix looked down at Poppy from a great height, bleached sky pasted behind her head.

I guess not. I guess I was thinking.

Wow. Are you okay?

Nice.

Alix sat down next to her on the steps.

No really, are you okay? You seem more out of it than usual.

I was just wondering what kind of a mess I am.

Same kind you’ve always been.

No, it’s getting worse.

How so?

Should I go work for Ian? Do some kind of internship? After school and on the weekends? Maybe start now?

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