Kate Tempest - The Bricks that Built the Houses

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It gets into your bones. You don't even realise it, until you're driving through it, watching all the things you've always known and leaving them behind. Young Londoners Becky, Harry and Leon are escaping the city in a fourth-hand Ford Cortina with a suitcase full of stolen money. Taking us back in time — and into the heart of London —
explores a cross-section of contemporary urban life with a powerful moral microscope, giving us intimate stories of hidden lives, and showing us that good intentions don't always lead to the right decisions. Leading us into the homes and hearts of ordinary people, their families and their communities, Kate Tempest exposes moments of beauty, disappointment, ambition and failure. Wise but never cynical, driven by empathy and ethics,
questions how we live with and love one another.

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Her heart is broken and she can’t move and she wishes Becky was here to tell her what to do. Her body begins to shake. Pico can feel it. He is surprised.

‘Your man tried to set me up, Pico,’ she says, her tone a snarl. ‘I trusted you and our arrangements, but that’s what happened.’ Her voice gets louder, the room swims. She speaks towards his ears. ‘That money I took was my recompense, for the danger you put me in. If I hadn’t been prepared to fight, he could have killed me.’ She spits the words out, her body shaking. ‘This money is my life insurance. I don’t want to work for anyone. I want out. I want out of this.’ Her voice is heavy now and thick and beaded with growls. She’s been chain-smoking for weeks and her throat hurts and she’s too scared to drink the posh water. She looks at him with dark ferocious eyes and Pico lets out a good-natured chortle. He leans his head down to rest on Harry’s shoulder. He taps her arm, friendly as a man with his pet. He stays leaning there and the moment is paused in a strained still image. Harry is as awkward as always. Pico is chortling and patting her arm. He sits up, smiling heartily, to lean a pale kiss onto the top of her head and ruffle her hair.

‘A good one,’ he tells her. ‘A good one such as you.’ He giggles a little. ‘People die for less. But you no scared of me that way.’ He breathes deeply and raises his glass to his lips, sips thoughtfully. ‘So what we gonna do then, Harriety?’ he asks softly. Placing his glass back down on the spotless tablecloth and reaching across her for an oyster.

‘Just let me go, Pico. I’ll give you half the money back. But let this be the end of it. I want to come home. I want to draw a line under all this.’ She blinks slowly. Waits.

‘Home?’ He leans towards her.

‘Yeah.’ She reaches for a glass, pours the cold clear water into her mouth. Holds it at the point of swallowing, lets it soothe her burning throat.

‘You come home, you work for me,’ Pico says, smiling. ‘You stay out here, fine. But you get back to London, you work for me.’

Harry shifts in her chair, massages her jaw. ‘No,’ she says. ‘I don’t want to work for you, Pico.’

Pico’s attitude changes. Something hardens in his eyes, some switch is flicked in his circuitry and he seems to take up twice the space he had a moment earlier.

‘I understand you say it was a set-up and this Joey has been punish, you can trust. He pays the debt for you, he pays.’ Pico cracks the knuckles in his thumbs and little fingers. ‘But you refuse me? When I offer the work? When I say you come work for me? In friendship I offer this, and you say no?’ His voice is quiet and monotonous. Harry is chilled. ‘You think I’m not a serious man?’

Harry waits it out. Knows better than to speak before she absolutely has to. Pico waits too. The wolfish silence comes again. Hunting. A waiter appears but Pico waves him away with a flick of his hand. The gesture feels so rude to Harry that it makes her stomach ache. Pico sips wine. Eats a forkful of chopped bright leaves. Chews like a farm animal, which seems strange to Harry, given his delicate disposition.

Harry holds on to the table leg. Becky in her brain. Her heart an empty boot since the morning that she left. She has nothing to protect; it makes her stronger than she’s been. Without Becky, what’s the money worth? Without London, what’s the dream? She shrugs. ‘You can do what you like to me, Pico.’ She levels her gaze. ‘I’m finished with this work.’ She stares at the side of his face until her eyes are sore. ‘No more,’ she tells him. Burning up.

Her london has changed.

Becky looks around for all the things that she has missed so much, but nothing is the same. The snooker hall has gone; its foundations are wrapped in construction hoardings and it stands four storeys taller than it used to, rapidly becoming another block of luxury apartments. The half-derelict bridal store and beauty bar where she used to get her nails done and pick up weed — the one that had the mournful mannequin in the window, dressed in the same peacock-blue sequin gown for years — is now a glass-fronted café with exposed brickwork and low-hanging lamps. She wonders what’s happened to Naima, the woman who used to run the shop. She’d been a friend of Becky’s mum and she knew Becky’s name before Becky did.

The swimming baths have been bulldozed, along with the old town hall where she used to go to playgroup. The old police station. Everything has been or is being turned into flats. The actual flats stand empty and black-eyed. Their windows smashed, their fronts ripped off. Their insides on display. Wallpaper and old sofas and kitchen units shivering in the rain. The area secured. Cameras like crows on the tops of the fencing. She stands and stares up. She feels like stopping someone and shaking them and screaming, What’s happened here?

Becky watches all the strangers that she passes with increasing panic. Is it just her imagination or are these people really fuller in their faces? Glossier? Healthier? More robust? What’s different? The streets are as busy as ever, but it feels empty.

She steps into Sunshine, holding down panic. They used to come here for breakfast every Saturday when they were hungover and she couldn’t face seeing her auntie and uncle. She feels a hopeless sense of longing for that time and looks around tentatively, glad to see that at least the caff is still the same. Pictures of dogs dressed as aristocrats hang on the brown-tiled walls. Articles from the local paper are faded in their frames. Plastic chairs are nailed to the tables. People eat food from huge plates that are twice the size of plates. The chef has burned some toast and he is standing at the door flapping it open and closed, but the door gets stuck and scrapes on the lino each time it closes so he has to push it closed and then wrench it back open and the whole thing is proving quite dramatic. She sits at the table by the window and listens to what people are saying, only realising now that for all the long months she’d been away, she’d been unable to listen to strangers speaking. She sinks into it.

‘Here y’are, love, dropped this.’

‘Oh did I? It’s not mine.’

‘Well I don’t want it. I got too much in my bag as it is.’ The waitress takes the pen and walks off.

‘They wrote me a letter, said the rent’s going up at the end of March. I thought, what’s the point?’

‘Oh dear.’

‘This is what I was thinking. I was thinking this is what I’m going to say — I’ll say — it’s ridiculous. They can’t expect—’

‘No.’

‘It’s just ridiculous.’

‘You want a mushroom?’

‘I’m not too keen on them.’

The chef opens and closes the door. His face is pouring with sweat. The girl whose toast is burnt eats her beans with a teaspoon.

‘Well I’ve got the letter here anyway.’

‘He’s even saying that they’re so bad they wanna do the two together. But they don’t know if I’m strong enough.’

‘No?’

‘Over twenty-six years I’ve lived there and I’ve never had anyone talk to me like that.’

‘So I looked at him, right in the eye and I said have you looked at my medical? I’ve got severe colic for one thing.’

‘My Girl’ plays on the radio. Memories of weeping at the cinema, Macaulay Culkin and the bees.

‘He’s a big guy, supposed to be a professor. He’s a professor.’

‘I thought — yeah, but are you in my shoes, mate?’

‘I’ve got two titanium hips, I got nuts and bolts in me.’

She sits into it, like a bath. Drinks her tea. A man in a wide-brimmed hat and a fleece with a logo on the chest that says Kent Park Equestrian Centre has a tabloid paper spread flat on the table and his hands are pressed down against it, neatly pushing each crease out to the edge of the page. Reading the sports.

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